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WFAN (AM)

WFAN (660 AM) is a commercial radio station licensed to New York, New York, carrying a sports radio format known as "Sports Radio 66 AM and 101.9 FM" or "The Fan". Owned by Audacy, Inc.,[2] the station serves the New York metropolitan area while its 50,000-watt clear channel signal can be heard at night throughout much of the eastern United States and Canada. WFAN's studios are located in the Hudson Square neighborhood of lower Manhattan and its transmitter is located on High Island in the Bronx. In addition to a standard analog transmission, WFAN is simulcast over WFAN-FM (101.9 FM), and is available online via Audacy.

This article is about the current New York AM sports radio station. For the FM simulcast of this station, see WFAN-FM. For other uses, see WFAN (disambiguation).

WFAN Sports Radio 66 and 101.9 FM, The Fan

May 1922 (1922-05)

  • WEAF (1922–1946)
  • WNBC (1946–1954)
  • WRCA (1954–1960)
  • WNBC (1960–1988)

FCC

28617

A (Clear channel)

50,000 watts (unlimited)

101.9 WFAN-FM (New York)

The current WFAN, and its sports format, is the second New York City station with that call sign and programming. The original WFAN was launched on July 1, 1987, on 1050 AM, as the world's first radio station to adopt the sports radio format around-the-clock.[3]


The WFAN call letters and sports format were moved to the former WNBC at 660 kHz on October 7, 1988. WNBC's history dated to 1922, when it began operation as WEAF, licensed to Western Electric. Purchased by the Radio Corporation of America in 1926, it became the flagship of the NBC Radio Network, the first national radio network in the United States, later becoming WRCA and WNBC.

Founding by the American Telephone & Telegraph Company (AT&T)[edit]

Early AT&T radio development[edit]

AT&T had an early interest in radiotelephone development, although initially only as a method for establishing telephone links to locations where it was not possible to string wire lines. Lee de Forest's development of vacuum-tube amplification would prove invaluable for progress in a number of areas. In July 1913 the company spent $50,000 to purchase from the inventor the patent rights for telephone wire amplification, and in 1915 used this innovation to make the first transcontinental telephone calls. In October 1914, the company further purchased the commercial patent rights for radio signalling for $90,000, and in October 1915 conducted test radio transmissions from the Navy's station in Arlington, Virginia, NAA, that were heard as far away as Paris, France[4] and Hawaii.[5]


AT&T's main competitor in the radio field would be the Radio Corporation of America (RCA), which was formed in 1919 as a subsidiary of General Electric (GE). Because no single company held sufficient patents rights to operate radio systems without infringing on other company's patents, a series of cross-licensing agreements were concluded between a series of companies holding key patents, and on July 1, 1920, AT&T signed a comprehensive agreement with GE. These agreements in effect assigned dominance in specified areas of the radio industry to individual participating companies, which eventually would meet with anti-trust challenges. In addition, conflicting interpretations of some of the pact's clauses by the signatories would lead to numerous disputes, especially between AT&T and the other participants, known collectively as the "radio group".


On December 1, 1921, the U.S. Department of Commerce, which regulated radio at this time, adopted a regulation formally establishing a broadcasting station category, which set aside the wavelength of 360 meters (833 kHz) for entertainment broadcasts, and 485 meters (619 kHz) for market and weather reports.[6] AT&T soon recognized that it had the technical expertise and patent rights needed to play an important, and possibly dominant, role in the broadcasting industry. A December 1921 memo prepared by two AT&T engineers proposed that the company construct a nationwide radio network, using the company's long lines to connect together individual stations. They also noted that "this service would enable the national and local advertisers, industrial institutions of all kinds, and even individuals if they desire, to send forth information and advertising matter audibly to thousands".[7] AT&T moved quickly to start implementing this plan, and on February 11, 1922, formally announced its intention to develop a "national chain of radio transmitting stations".[8]


A key component was the construction by AT&T of a well equipped New York City station. In early 1922 an experimental station, 2XY, was built atop the AT&T "Long Lines" building at 24 Walker Street.[9] On April 29, 1922, the Walker Street station was issued a broadcasting station license, for operation on 360 meters, with the call sign of WBAY.[10] On May 19 a second New York City broadcasting station, also on 360 meters, was licensed to the Western Electric Company, an AT&T subsidiary located at 463 West Street, with the call letters WDAM. Ten days later, this call sign was changed to WEAF.[11][12] All of these call signs were randomly assigned from a sequential roster of available call letters, although at the time it was noted that WEAF matched the entrance artwork at AT&T headquarters at 195 Broadway, which depicted the four classical elements of water, earth, air and fire.[13]


The original plan was that AT&T would not originate any programming of its own, and instead would rent WBAY out for commercial use, $40 for 15 minutes daytime, $50 during evenings, which, using an existing telephone term, was called "toll" broadcasting.[14] However, initially there was very little interest in this idea, and in order to begin service the company had to start broadcasting its own programs. The debut broadcast over WBAY, of recorded music, took place on July 25, 1922,[15] its signal was found to be weaker than expected, so on August 16, 1922, broadcasting operations were transferred to the WEAF transmitter located at West Street.[16] It was later reported that the first WEAF broadcast included the singer Marguerite Dunlap.[17]


On August 28, 1922, WEAF broadcast its first sponsored program, a roughly 10-minute-long talk anticipating today's radio and television infomercials. This promoted an apartment development in Jackson Heights near a new elevated subway line (the IRT's Flushing-Corona line, now the number 7 line).[18] Although often credited as the first radio commercial, there are reports that a few other stations had already quietly carried paid programs.[19][20][21]


In September 1922 the Department of Commerce set aside a second entertainment wavelength, 400 meters (750 kHz) for "Class B" stations that had quality equipment and programming.[22] Both WBAY and WEAF were assigned to this wavelength.[23]


The original issues with the weak WBAY transmissions from 24 Walker Street were eventually solved, and AT&T returned to that site as its primary transmitter location. Because the WEAF call sign was now well-known, the two stations swapped call signs on May 12, 1923, with WBAY becoming WEAF, and WEAF becoming WBAY.[24] Because of this, FCC records list WFAN's "First License" as April 29, 1922, which is when the first license was issued for WBAY at Walker Street.[25] (The new WBAY later became WECO, and was deleted on November 6, 1924).


Effective May 15, 1923, additional "Class B" assignments were made available, with New York City-Newark allocated three frequencies, including 610 kHz,[26] and WBAY and WEAF were reassigned to this new frequency.[27]

The WFAN era[edit]

After the switch[edit]

As Don Imus had already been the morning show host at WNBC, WFAN left his program in place when they took over the frequency. WFAN's original morning show on 1050 was hosted by Greg Gumbel; his was a straightforward sports show, but it was not doing well in the ratings. At the time of the switch, sports talk radio was still an untested format with questionable prospects, and the idea was that bringing on board a host who appealed to a broader audience would get more people to give the station a try. WFAN also benefitted from having Imus's fans - who were used to tuning into 660 kHz on weekday mornings - in place to listen to other shows. WFAN instantly took advantage of its Imus inheritance; for example, it featured a special live monologue by Imus character "Billy Sol Hargus" from Shea Stadium moments after taking over the 660 frequency. Imus slightly altered his show for his new employer, adding sports updates and replays of last night's big plays. Discussions of sports stories that crossed over to general interest were also featured on the program, although Imus also kept many of his regular comedy bits that were not sports-related.


Initially, WFAN aired sports news and score updates every 15 minutes (at the quarter-hour), but by 1991, began doing updates every 20 minutes (at :00, :20 and :40 past the hour). These updates, called 20-20 Sports Flashes, are now considered an industry standard. Additionally, in a nod to the former WNBC, update anchors often end their top-of-the-hour updates with the catchphrase "And that's what's happening ...", which is how WNBC on-air news readers had ended their updates. WFAN discontinued the thrice-hourly updates on January 2, 2018; updates now occur only at the top of the hour.[46]


Other programming that WFAN had at its launch included a mid-morning show with Ed Coleman and Mike Francesa, and an afternoon drive time show with Pete Franklin, who in Cleveland had become one of the first polarizing, outrageous talk show hosts. During his stay in New York City, Franklin was probably best known for an incident where he used a four-letter expletive on air, in error, when trying to say "All you folks" (he was not disciplined for the incident).


Running a close second was a 30-second Franklin diatribe on whether he had been offensive – "Do I offend anyone? I'm not here to offend you, dammit!" – that has been replayed ever since, especially on the July 1 WFAN anniversaries.


In a further drive to boost ratings, Imus instigated a feud with Franklin, much as he had with Howard Stern at WNBC in the mid-1980s. Both Imus and Franklin took shots at each other during their shows, with Franklin calling Imus "Minus", and Imus recording parodies of radio commercials where he bashed Franklin as a "dinosaur", among other things. Ratings did not increase, and Franklin left WFAN in August 1989.


On September 5, 1989, a jointly hosted afternoon drive show with Francesa and Christopher "Mad Dog" Russo – the latter a weekend/fill-in host prior to that time – would premiere. The Mike and the Mad Dog show became the defining show of WFAN, one of the most consistently popular radio shows in New York City and one of the most influential sports talk radio shows in the country.

Radiothon[edit]

Each spring from 1990 until 2007, WFAN conducted the "WFAN Radiothon" to benefit children's charities that seek to ensure the continuity of life in its earliest stages and the treatment and eventual elimination of childhood cancer. The three most recent beneficiaries of the radiothon were Tomorrow's Children's Fund,[47] the CJ Foundation for SIDS,[48] and the Imus Ranch. WFAN has also done other radiothons and special broadcasts to raise money for assorted charities. The combined success of Mike and the Mad Dog and Imus in the Morning helped WFAN become the number-one billing station in America during the 1990s. It also proved that the all-sports format worked as a radio format, prompting the explosion of sports talk radio across the country.


On August 15, 2008, Mike Francesa announced during the final broadcast of Mike and the Mad Dog that WFAN would broadcast a new fundraising radiothon. The new fundraiser would benefit both the Boomer Esiason Foundation for cystic fibrosis research, and the Mike Francesa Champions of the Heart Foundation, a new charity created by Francesa. The first radiothon took place in September 2008.[49]

Sale to Infinity[edit]

In 1992, Emmis sold WFAN to Infinity Broadcasting, which would be purchased by Westinghouse Electric CorporationCBS' then-parent company – in 1997.

Midday show controversy[edit]

The midday slot has been one of the better slots from a ratings perspective for WFAN. However, this slot's hosts have often found controversy.


In the mid-1990s, popular hosts Ed Coleman and Dave Sims had their show cancelled. WFAN then announced that New York Daily News columnist Mike Lupica and WNBC-TV sports anchor Len Berman would co-host the new midday program. The show seemed all set to go when, at the last minute, Berman had a change of heart. He cited that he would have to work a near 14-hour day, combining his 10 a.m. start on radio with his WNBC-TV duties, which consisted of him appearing on all three of the station's evening newscasts. WFAN would not let Berman out of his contract, and as a result, the slot was split into two shows: Lupica hosted from 10 a.m. to noon, while Berman hosted from noon to 2 p.m. The split format did not work: Berman's show was cancelled and Lupica's soon followed.


WWOR-TV sports anchor Russ Salzberg, who also worked an evening sportscast, was more than willing to assume the midday show duties. In 1995, he was joined by longtime overnight host Steve Somers and the show became known as "The Sweater and The Schmoozer", playing off Salzberg's habit of wearing sweaters on the air and Somers' on-air nickname.


The midday show featured one of the most famous incidents in WFAN history. It occurred when Salzberg "banned" Eli from Westchester[50] from calling his show due to comments that Salzberg considered to be inappropriate. In another incident, Salzberg said to Somers, during a Atlanta Braves World Series appearance, while talking about Braves' manager Bobby Cox: "What about Cox, Steve? You like Cox ... don't you, Steve?"


In 1999, with the ratings not being what WFAN management expected, the Salzberg/Somers show was cancelled and both men were fired. However a large outcry from listeners over the termination of the popular Somers—one of those unhappy listeners being comedian Jerry Seinfeld, a native of Long Island—led to WFAN management giving Somers the evening shift, which (despite frequent pre-emptions for live games) he continued to hold until his retirement in 2021, when he was replaced by Keith McPherson. In middays, Salzberg and Somers were replaced by Suzyn Waldman and Jody McDonald. Waldman had been with WFAN since its infancy, as she was the first update anchor, and had served as the station's Yankees beat reporter and the Knicks' studio host.[51] McDonald, one of the original WFAN personalities (and son of former Mets general manager Joe McDonald), was the weekend overnight host before leaving for sister station WIP in Philadelphia, nearer to his southern New Jersey home. Both Waldman and McDonald had their fans and detractors at WFAN.


Waldman would leave WFAN in late 2001, joining the Yankees television broadcast team the following year.[51] She would be replaced by Sid Rosenberg who, despite his shock jock reputation, had a vast knowledge of sports. Many felt there was great chemistry between McDonald and Rosenberg. However, the ratings still weren't what WFAN expected and in 2004 McDonald was let go. He later joined WEPN, Sirius Satellite Radio, and WPEN radio in Philadelphia before returning in 2012. Overnight host Joe Benigno moved to daytime to replace McDonald and work with Sid Rosensberg. In 2014, Waldman returned to become the first woman color commentator for the station's Yankees broadcasts.


Rosenberg was forced to resign from WFAN on September 12, 2005, after being given an ultimatum by station management for not showing up to host the New York Giants' pregame show the day before. Benigno hosted the weekday midday show solo for over a year, until January 2, 2007, when part-time overnight host Evan Roberts became Benigno's new midday co-host.[52][53] The pairing continued to consistently out-rate rival station WEPN, which broadcasts network and local programming opposite it. Benigno retired in November 2020 and was replaced by former morning host Craig Carton.


WFAN was the sole flagship of the NCAA Men's Basketball Championship carried over Westwood One, but beginning in 2006, competitor WEPN took over a majority of the coverage. That included early round games as well as conference tournament finals to which Dial Global had the rights. WFAN aired some of the conference tournament games, but would not usually air the early round tournament contests, opting instead for local programming. WFAN does broadcast some of the tournament, but the majority—including the Final Four and the National Championship Game—is carried by WEPN-FM.

Streaming[edit]

On April 11, 2006, WFAN started streaming live on the Internet.[54] Web streaming of live games, however, is limited due to broadcast rights (Yankees and Nets games are offered separately, through the MLB and NBA websites respectively, as annual subscriptions). When these games are broadcast over the air, listeners who have Internet access receive alternate sports talk programming through CBS Sports Radio. As of April 2010, WFAN stopped streaming live on the Internet to listeners outside of the United States.

Influence of sports format[edit]

WFAN's success—especially after the 1988 frequency switch—proved that sports-talk radio could in fact be a steadily profitable and popular format. This in turn fueled the explosive growth of sports-talk radio in the 1990s and 2000s (decade). Once a novelty, every major market (and many smaller markets) now has at least one sports radio station, and often more. ESPN Radio, Fox Sports Radio and Yahoo! Sports Radio have all launched 24-hour national sports talk radio networks, while NBC Sports Radio and CBS Sports Radio (the latter of which WFAN will be a member) debuted in fall 2012. There are also nationally syndicated radio shows, such as The Jim Rome Show and 2 Live Stews. Additionally there are dedicated sports radio streams on satellite radio, such as NFL Radio on Sirius and MLB Home Plate on XM Satellite Radio. With the migration of music stations to FM and other carriers all but complete, sports talk radio are considered to have been critical in saving the AM band as a viable broadcast medium.


It is worth noting that, for all the success and influence that WFAN has had, its signature Mike and the Mad Dog show experienced limited syndication outside of New York state (the show had been carried over WQYK in Tampa, Florida, and WROW in Albany, New York). This was primarily due to a desire by the hosts to keep their show New York-centric.


WFAN once produced some of Fox Sports Radio's programming, notably Chris "Mad Dog" Russo's Saturday show, but the relationship did not last even one year for the same reason that Mike'd Up is syndicated nationally only through the YES Network—the hosts often talk about the NFL on a national basis, but stick mostly to local coverage of baseball. Nevertheless, callers from as far as California and Norway made it to air.

106.7-HD3 Manassas, Virginia/Washington, D.C.

WJFK-FM

105.9-HD2 DeLand/Orlando, Florida

WOCL

In addition to having its broadcast heard on 660 AM in New York City, WFAN's programming is also transmitted via a secured internet feed to Audacy owned and operated stations. These stations simulcast the same over-the air feed that is heard in New York City including all of the live team coverage of the New York Yankees, New York Giants, New Jersey Devils, and the Brooklyn Nets. The internet stream legally cannot include professional sports coverage because Major League Baseball, the National Basketball Association, and the National Football League, provide their own in-house on-demand and yearly subscription services for live and archived radio and television broadcasts. WFAN's simulcasts make it one of only a handful of terrestrial based radio superstations in the United States; KPIG-FM in Freedom, California, and WBBR in New York also syndicate terrestrially, though through different providers.

Official website

in the FCC AM station database

WFAN

in Nielsen Audio's AM station database

WFAN

(covering 1927-1981 as WEAF / WRCA / WNBC)

FCC History Cards for WFAN

by John Schneider, 2015 (theradiohistorian.org)

"A Virtual Tour of WEAF in 1927"

WFAN Tenth Anniversary Commemorative Magazine