Whitney (2018 film)
Whitney is a 2018 documentary film about the American singer and actress Whitney Houston. The film was directed by Kevin Macdonald and produced by Simon Chinn, Jonathan Chinn and Lisa Erspamer. Whitney was screened out of competition at the world premiere as part of the 2018 Cannes Film Festival on 16 May 2018 with a cinema release on 6 July 2018.[3][4][5][6] The film was also released on home media where it debuted at number one on the UK Official Music Video Chart.[7] The film received positive reviews from critics and audiences and grossed $4.7 million worldwide at the box office. In December 2018, Whitney was nominated at the 61st Grammy Awards for Best Music Film.[8]
Not to be confused with the unrelated 2017 documentary on the same singer, Whitney: Can I Be Me.Whitney
Kevin Macdonald
- Simon Chinn
- Jonathan Chinn
- Lisa Erspamer
Nelson Hume
Sam Rice-Edwards
- Lisa Erspamer Entertainment
- Lightbox[1]
- Roadside Attractions
- Miramax
(United States) - Altitude Film Distribution
(United Kingdom)
- 16 May 2018 (Cannes)
- 6 July 2018 (United States)
122 minutes
- United States
- United Kingdom
English
$4.7 million[2]
Production[edit]
Development[edit]
The concept of a documentary evolved when Lisa Erspamer worked as co-executive producer for the singer’s special two-part interview with Oprah Winfrey in 2009. In 2015 Erspamer approached Houston's sister-in-law Pat Houston and Houston’s film agent Nicole David to discuss the idea. David then suggested Scottish film director Kevin Macdonald. Co-producer Simon Chinn recalls: “We raised the full budget in 10 days exclusively from theatrical pre-sales which is quite possibly a first for a documentary.”[9]
Filming[edit]
In July 2016, Macdonald began filming the interviews of around 70 people. Important members that are interviewed were Ellen White, a family friend, Mary Jones, longtime personal assistant, Houston’s older brothers Michael and Gary and other members of the Houston family.[9] Houston’s mother Cissy was interviewed in Newark, New Jersey, others were conducted in Los Angeles, New York City and Atlanta.[9]
More than 1,500 tapes of archival footage of varying quality were found including 250 masters, 2,000 stills and footage originally discovered on YouTube with Sam Dwyer as archive producer. Private footage was gathered from all over the world including Japan, the Netherlands and Los Angeles.[10]
Post-production[edit]
A substantial amount of the editing, including changing screen size, and frame rate was done at Molinare, a post-production company in London’s Soho.[10]
Music[edit]
Composer Adam Wiltzie was in charge of the film's music and score.[11] Some excerpt examples used in the soundtrack for the film:[9]
Reception[edit]
Box office[edit]
Whitney began its release on 6 July 2018. During its opening weekend in the United States and Canada it grossed $1.3 million from 452 theaters, finishing 11th at the box office. 65% of its audience was female, with 35% being between the age of 25-49.[24]
In the United Kingdom, the film opened on 6 July 2018 grossing £142,936 ($189,923) from 231 screens in its opening weekend, finishing twelfth at the box office.[25][26]
It grossed another £44,968 ($59,497) on 174 screens in its second weekend, a 68% decrease over the first week grossing a total of £323,532 ($428,066) through 10 days.[27][26] Over 13 weeks it grossed a total of £459,725.[28]
Critical response[edit]
On the review aggregator Rotten Tomatoes, the film holds an approval rating of 88% based on 164 reviews, with an average rating of 7.4/10. The website's critical consensus reads: "Whitney shifts from soaring highs to heartbreaking lows with palpable emotion and grace befitting its singular subject."[29] On Metacritic, the film has a weighted average score of 75 out of 100, based on 37 critics, indicating "generally favorable reviews".[30] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.[24]
Terri White for Empire gave it four out of five, calling it: "A sobering, haunting but completely fresh look at Whitney's life and death that will reframe everything you think you know about the singer."[31] Owen Gleiberman of Variety wrote: "In Whitney, Macdonald lays out Houston's story—the light and the darkness—in a classically etched, kinetically edited way. He makes superb use of archival footage, tickles us with montages of her heyday (not just Houston but the whole era—the way her songs, in hindsight, tapped into a certain free-floating ’80s jubilance), and interviews her family members and associates. The film captures the quality that made Whitney Houston magical, but more than that it puts together the warring sides of her soul."[32]