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Why We Fight

Why We Fight is a series of seven propaganda films produced by the US Department of War from 1942 to 1945, during World War II. It was originally written for American soldiers to help them understand why the United States was involved in the war, but US President Franklin Roosevelt ordered distribution for public viewing.

This article is about the World War II documentary film series. For other uses, see Why We Fight (disambiguation).

Why We Fight

Frank Capra

417 minutes (7 films)

United States

English

Academy Award-winning filmmaker Frank Capra, daunted but impressed and challenged by Leni Riefenstahl's 1935 propaganda film Triumph of the Will, worked in direct response. The series faced various challenges, such as convincing a noninterventionist nation to get involved in the war and to become an ally of the Soviet Union. Many entries feature Axis powers' propaganda footage from up to 20 years earlier, recontextualized to promote the Allies.


Although primarily edited by William Hornbeck, some parts were re-enacted "under War Department supervision" if no relevant footage was available. Animated segments were produced by Walt Disney Productions, and the animated maps followed a convention of depicting Axis-occupied territory in black.

Accuracy[edit]

Prelude to War and The Battle of China refer to the Tanaka Memorial several times by portraying it as "Japan's Mein Kampf" in order to raise US morale for a protracted war against Japan. The authenticity of that document is not accepted by scholars today, and it is regarded as an anti-Japanese hoax, but the Tanaka Memorial was widely accepted as authentic in the 1930s and the 1940s because Japanese actions corresponded so closely to its plans.


To justify the Western Allies' help to the Soviet Union, the series omitted many facts which could have cast the Soviets in a negative light, such as the Soviet occupation of the Baltic States and the Winter War. However, it shows the Molotov–Ribbentrop Pact being signed and the Soviet invasion of Poland.[13]

Legacy[edit]

Created by the US Army Pictorial Services, the films are in the public domain, and all of them are available for download on the Internet Archive.


In 2000 the US Library of Congress deemed the films "culturally significant" and selected them for preservation in the National Film Registry.[25][26]

Prelude to War

The Nazis Strike

Divide and Conquer

The Battle of Britain

The Battle of Russia

The Battle of China

War Comes to America

(1944, 75 minutes) – co-directed with John Huston, Anthony Veiller, Hugh Stewart and Roy Boulting

Tunisian Victory

(1945, 63 minutes) – co-directed with Joris Ivens

Know Your Enemy: Japan

(1945, 52 minutes)

Here Is Germany

(1945, 32 minutes)

Two Down and One to Go

Capra was involved in a number of other World War II propaganda films that were not part of the Why We Fight series. He directed or co-directed the following films:


Capra also produced the 43-minute film The Negro Soldier (1944), directed by Stuart Heisler.


Capra also directed, uncredited, the 13-minute 1945 military training film Your Job in Germany, written by Dr. Seuss.

List of Allied propaganda films of World War II

Propaganda in the United States

War film

List of films in the public domain in the United States

Biskupski, Mieczysław B (January 2010), , University Press of Kentucky, ISBN 978-0-8131-2559-6, retrieved 4 March 2011.

Hollywood's war with Poland, 1939–1945

Capra, Frank (1971), The Name Above the Title: An Autobiography, New York: Macmillan,  0-306-80771-8.

ISBN

Combs, James; Combs, Sara (1994), Film Propaganda and American Politics: An Analysis and Filmography, New York: Garland Publishing.

German, Kathleen (1990), "Frank Capra's Why We Fight Series and the American Audience", Western Journal of Speech Communication, 54 (2): 237–48, :10.1080/10570319009374338.

doi

Koppes, Clayton; Black, Gregory (1987), Hollywood Goes to War: How Politics, Profits, and Propaganda Shaped World War II Movies, New York: The Free Press.

Rollins, Peter (Winter 1996), "Frank Capra's Why We Fight Film Series and Our American Dream", Journal of American Culture, 19 (4): 81, 6, :10.1111/j.1542-734X.1996.1904_81.x.

doi

Shindler, Colin (1979), Hollywood Goes to War: Films and American Society 1939–1952, Boston: Routledge and Kegan Paul.

Why We Fight essay by Thomas W. Bohn at National Film Registry

[1]

Why We Fight essay by Daniel Eagan in America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry, A&C Black, 2010  0826429777, pages 390-391 [2]

ISBN

at IMDb

Why We Fight: Prelude to War

is available for free viewing and download at the Internet Archive

Prelude to War

at IMDb

Why We fight: The Nazis Strike

is available for free viewing and download at the Internet Archive

The Nazis Strike

at IMDb

Why We Fight: Divide and Conquer

is available for free viewing and download at the Internet Archive

Divide and Conquer

at IMDb

Why We Fight: The Battle of Britain

is available for free viewing and download at the Internet Archive

Why We Fight: The Battle of Britain

at IMDb

Why We Fight: The Battle of Russia

is available for free viewing and download at the Internet Archive

The Battle of Russia (Part 1)

is available for free viewing and download at the Internet Archive

The Battle of Russia (Part 2)

at IMDb

Why We Fight: The Battle of China

is available for free viewing and download at the Internet Archive

The Battle of China

at IMDb

Why We Fight: War Comes to America

is available for free viewing and download at the Internet Archive

War Comes to America

USAAF First Motion Picture Unit at Magic Lantern

Why We Fight #1 - Prelude to War (Text)