Katana VentraIP

Wilkie Collins

William Wilkie Collins (8 January 1824 – 23 September 1889) was an English novelist and playwright known especially for The Woman in White (1859), a mystery novel and early sensation novel, and for The Moonstone (1868), which established many of the ground rules of the modern detective novel and is also perhaps the earliest clear example of the police procedural genre.[1][2]

Wilkie Collins

William Wilkie Collins
(1824-01-08)8 January 1824
Marylebone, London, England

23 September 1889(1889-09-23) (aged 65)
London, England

1840s–1880s

Fiction, drama

Caroline Graves (1858–1895)
Martha Rudd (1868–1919)

3

Born to the London painter William Collins and his wife, Harriet Geddes, he moved with them to Italy when he was twelve, living there and in France for two years, learning both Italian and French. He worked initially as a tea merchant. After Antonina, his first novel, was published in 1850, Collins met Charles Dickens, who became his friend and mentor. Some of Collins' work appeared in Dickens' journals Household Words and All the Year Round. They also collaborated on drama and fiction. Collins gained financial stability and an international following by the 1860s, but in the 1870s and 1880s, after becoming addicted to the opium he took for his gout, the quality of both his health and his writing declined.


Collins criticised the institution of marriage. He had relationships with two women: widow Caroline Graves – living with her for most of his life, treating her daughter as his – and the younger Martha Rudd, with whom he had three children.

Personal life[edit]

In 1858 Collins began living with Caroline Graves and her daughter Harriet. Caroline came from a humble family, having married young, had a child, and been widowed. Collins lived close to the small shop kept by Caroline, and the two may have met in the neighbourhood in the mid–1850s. He treated Harriet, whom he called Carrie, as his own daughter, and helped to provide for her education. Excepting one short separation, they lived together for the rest of Collins's life. Collins disliked the institution of marriage, but remained dedicated to Caroline and Harriet, considering them to be his family.[21]


Caroline had wanted to marry Collins. She left him while he wrote The Moonstone when he was suffering an attack of acute gout. She married a younger man named Joseph Clow, but after two years, she returned to Collins.[6]


In 1868, Collins met Martha Rudd in Winterton-on-Sea in Norfolk, and the two began a liaison. She was 19 years old and from a large, poor family. A few years later, she moved to London to be closer to him. Their daughter Marian was born in 1869; their second daughter, Harriet Constance, in 1871; and their son, William Charles, in 1874. When he was with Martha, Collins assumed the name William Dawson, and she and their children used the last name of Dawson themselves.


For the last 20 years of his life Collins divided his time between Caroline, who lived with him at his home in Gloucester Place, and Martha, who was nearby.[6]


Collins was a professing Christian.[22]

(1850)

Antonina, or The Fall of Rome

(1852)

Basil

"Gabriel's Marriage" (1853), short story

(1854)

Hide and Seek

(1856)

The Dead Secret

(1856), short story collection

After Dark

(1857), play co-written with Charles Dickens

The Frozen Deep

"" (1858), short story co-written with Charles Dickens, Elizabeth Gaskell and Adelaide Anne Procter

A House to Let

"", short story co-written with Charles Dickens, Elizabeth Gaskell, Adelaide Anne Proctor, George Sala and Hesba Stretton

The Haunted House

(1860)

The Woman in White

(1862)

No Name

(1866)

Armadale

(1867), story and play co-written with Charles Dickens

No Thoroughfare

(1868)

The Moonstone

(1870)

Man and Wife

(1872), dedicated to Frances Minto Elliot

Poor Miss Finch

(1875)

The Law and the Lady

The Haunted Hotel (1878)

(1879)

The Fallen Leaves

Jezebel's Daughter (1880)

(1881)

The Black Robe

Heart and Science (1882–1883)

The Evil Genius (1885)

Illegitimacy in fiction

(2012). Wilkie Collins. London: Chatto & Windus.

Ackroyd, Peter

(1948). The Checklist of Fantastic Literature. Chicago: Shasta Publishers. p. 81.

Bleiler, Everett

Elwin, Malcolm. Victorian Wallflowers, Jonathan Cape, 1934. (chapter 6)

"'Make 'Em Cry, Make 'Em Laugh, Make 'Em Wait'", The New York Review of Books, vol. LXIV, no. 10 (8 June 2017), pp. 25–28.

Robert Gottlieb

Klimaszewski, Melisa (2011). . London: Hesperus Press. ISBN 978-1-84391-915-5.

Brief Lives: Wilkie Collins

. Wilkie Collins: A Life of Sensation, Hutchinson, 2013. ISBN 978-0-09193-709-6

Lycett, Andrew

at Standard Ebooks

Works by Wilkie Collins in eBook form

at Project Gutenberg

Works by Wilkie Collins

at Faded Page (Canada)

Works by Wilkie Collins

at Internet Archive

Works by or about Wilkie Collins

at LibriVox (public domain audiobooks)

Works by Wilkie Collins

The Wilkie Collins Website

Wilkie Collins Information Pages

at the Harry Ransom Center at the University of Texas at Austin

Wilkie Collins Collection

. UK National Archives.

"Archival material relating to Wilkie Collins"

Anonymous (1873). "Wilkie Collins". . Illustrated by Frederick Waddy. London: Tinsley Brothers. pp. 76–77. Retrieved 6 January 2011.

Cartoon portraits and biographical sketches of men of the day

The Ramsgate Society Website

at the National Portrait Gallery, London

Portraits of Wilkie Collins

from BBC Radio 4.

Book of the Week

Petri Liukkonen: at Books and Writers. Authors' Calendar

(William) Wilkie Collins (1824-1889)