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William Styron

William Clark Styron Jr. (June 11, 1925 – November 1, 2006) was an American novelist and essayist who won major literary awards for his work.[1]

William Styron

William Clark Styron Jr.
June 11, 1925 (1925-06-11)
Newport News, Virginia, U.S.

November 1, 2006 (2006-12) (aged 81)
Martha's Vineyard, Massachusetts, U.S.

Novelist, essayist

1951–2006

Lie Down in Darkness
The Confessions of Nat Turner
Sophie's Choice
Darkness Visible

Rose Burgunder
(m. 1953)

4, including Alexandra

Early life[edit]

Styron was born in the Hilton Village historic district[2] of Newport News, Virginia, the son of Pauline Margaret (Abraham) and William Clark Styron.[3] — his birthplace less than a hundred miles from the site of Nat Turner's slave rebellion, the inspiration for Styron's most famous and controversial novel.


Styron's mother was from the North while his father was a Southern liberal, laying out broad racial perspectives in the household. Styron's father, a shipyard engineer, suffered clinical depression, as would later Styron himself. In 1939, at age 14, Styron lost his mother after her decade-long battle with breast cancer.


Styron attended public school in Warwick County, first at Hilton School and then at Morrison High School (now known as Warwick High School) for two years, until his father sent him to Christchurch School, an Episcopal college-preparatory school in the Tidewater region of Virginia. Styron once said "of all the schools I attended...only Christchurch ever commanded something more than mere respect—which is to say, my true and abiding affection."[4]


On graduation, Styron enrolled in Davidson College[5] and joined Phi Delta Theta. By age eighteen he was reading the writers who would have a lasting influence on his own work, especially Thomas Wolfe.[5] Styron transferred to Duke University in 1943 as a part of the U.S. Navy and Marine Corps V-12 program aimed at fast-tracking officer candidates by enrolling them simultaneously in basic training and bachelor's degree programs. There he published his first fiction, a short story heavily influenced by William Faulkner, in an anthology of student work . Styron published several short stories in the university literary magazine, The Archive, between 1944 and 1946.[6] Though Styron was made a lieutenant in the U.S. Marine Corps, the Japanese surrendered before his ship left San Francisco. After the war, he returned to full-time studies at Duke and completed his Bachelor of Arts (B.A.) in English in 1947.[6]

Nat Turner controversy[edit]

Styron's next two novels, published between 1967 and 1979, sparked much controversy. Feeling wounded by his first truly harsh reviews for Set This House on Fire, Styron spent the years after its publication researching and writing his next novel, the fictitious memoirs of the historical Nathaniel "Nat" Turner, a slave who led a slave rebellion in 1831.


During the 1960s, Styron became an eyewitness to another time of rebellion in the United States, living and writing at the heart of that turbulent decade, a time highlighted by the counterculture revolution with its political struggle, civil unrest, and racial tension. The public response to this social upheaval was furious and intense: battle lines were being drawn. In 1968, Styron signed the "Writers and Editors War Tax Protest" pledge, a vow refusing to pay taxes as a protest against the Vietnam War.[7]


In this atmosphere of dissent, many had criticized Styron's friend James Baldwin for his novel Another Country, published in 1962. Among the criticisms was outrage over a black author choosing a white woman as the protagonist in a story that tells of her involvement with a black man. Baldwin was Styron's house guest for several months following the critical storm generated by Another Country. During that time, he read early drafts of Styron's new novel, and predicted that Styron's book would face even harsher scrutiny than Another Country. "Bill's going to catch it from both sides," he told an interviewer immediately following the 1967 publication of The Confessions of Nat Turner.


Baldwin's prediction was correct, and despite public defenses of Styron by leading artists of the time, including Baldwin and Ralph Ellison, numerous other black critics reviled Styron's portrayal of Turner as racist stereotyping. The historian and critic John Henrik Clarke edited and contributed to a polemical anthology, William Styron's Nat Turner: Ten Black Writers Respond, published in 1968 by Beacon Press. Particularly controversial was a passage in which Turner fantasizes about raping a white woman. Several critics pointed to this as a dangerous perpetuation of a traditional Southern justification for lynching. Styron also writes of a situation where Turner and another slave boy have a homosexual encounter while alone in the woods. Despite the controversy, the novel was a runaway critical and financial success, and won both the 1968 Pulitzer Prize for Fiction[8] and the William Dean Howells Medal in 1970.

Sophie's Choice[edit]

Styron's next novel, Sophie's Choice (1979), also generated significant controversy, in part due to Styron's decision to portray a non-Jewish victim of Nazism and in part due to its explicit sexuality and profanity. It was banned in South Africa, censored in the Soviet Union, and banned in Poland for "its unflinching portrait of Polish anti-Semitism."[9] It has also been banned in some high schools in the United States.[10]


The novel tells the story of Sophie (a Polish Roman Catholic who survived Auschwitz), Nathan (her brilliant Jewish lover who had paranoid schizophrenia), and Stingo (a Southern transplant in post-World War II-Brooklyn who was in love with Sophie). It won the 1980 National Book Award[11][n 1] and was a nationwide bestseller. A 1982 film version was nominated for five Academy Awards, with Meryl Streep winning the Academy Award for Best Actress for her portrayal of Sophie. Kevin Kline and Peter MacNicol played Nathan and Stingo, respectively.

Darkness Visible[edit]

Styron's readership expanded with the publication of Darkness Visible in 1990. This memoir, which began as a magazine article, chronicles the author's descent into depression and his near-fatal night of "despair beyond despair".[12] It is a first-hand account of a major depressive episode and challenged the modern taboo on acknowledging such issues. The memoir's goals included increasing knowledge and decreasing stigmatization of major depressive disorders and suicide. It explored the phenomenology of the disease among those with depression, their loved ones, and the general public as well. Earlier, in December 1989, Styron had written an op-ed for The New York Times responding to the disappointment and mystification among scholars about the apparent suicide of Primo Levi, the remarkable Italian writer who survived the Nazi death camps, but apparently had depression in his final years. Reportedly, it was the public's unsympathetic response to Levi's death that impelled Styron to take a more active role as an advocate for educating the public about the nature of depression, about which he was a dilettante, and the role it allegedly played in mental health and suicide.[5] Styron noted in an article for Vanity Fair that "the pain of severe depression is quite unimaginable to those who have not suffered it, and it kills in many instances because its anguish can no longer be borne. The prevention of many suicides will continue to be hindered until there is a general awareness of the nature of this pain. Through the healing process of time—and through medical intervention or hospitalization in many cases—most people survive depression, which may be its only blessing; but to the tragic legion who are compelled to destroy themselves there should be no more reproof attached than to the victims of terminal cancer."[13]

Personal life and death[edit]

In 1985, he had his first serious bout with depression. Once he recovered from his illness, Styron was able to write the memoir Darkness Visible (1990), the work for which he became best known during the last two decades of his life.


While doing a fellowship at the American Academy in Rome, Styron renewed a passing acquaintance with young Baltimore poet Rose Burgunder. They married in Rome in the spring of 1953. Together, they had four children: daughter Susanna Styron is a film director; daughter Paola is an internationally acclaimed modern dancer; daughter Alexandra is a writer, known for the 2001 novel All The Finest Girls and 2011 memoir Reading My Father: A Memoir; son Thomas is a professor of clinical psychology at Yale University.


Styron died from pneumonia on November 1, 2006, at age 81, on Martha's Vineyard. He is buried at West Chop Cemetery in Vineyard Haven, Dukes County, Massachusetts.[21]

. Indianapolis: Bobbs-Merrill, 1951.

Lie Down in Darkness

. New York: Random House, 1956.[n 2]

The Long March

. New York: Random House, 1960

Set This House on Fire

. New York: Random House, 1967.

The Confessions of Nat Turner

In the Clap Shack. New York: Random House, 1973.

. New York: Random House, 1979.

Sophie's Choice

Shadrach. Los Angeles: , 1979.

Sylvester & Orphanos

This Quiet Dust and Other Writings. New York: Random House, 1982. Expanded edition, New York: Vintage, 1993.

. New York: Random House, 1990.

Darkness Visible: A Memoir of Madness

A Tidewater Morning: Three Tales from Youth. New York: Random House, 1993

Inheritance of Night: Early Drafts of Lie Down in Darkness. Preface by William Styron. Ed. James L. W. West III. Durham and London: Duke University Press, 1993.

Havanas in Camelot: Personal Essays. New York: Random House, 2008.

The Suicide Run: Fives Tales of the Marine Corps. New York: Random House, 2009.

Selected Letters of William Styron. Edited by Rose Styron, with R. Blakeslee Gilpin. New York: Random House, 2012.

My Generation: Collected Nonfiction. Edited by James L.W. I West III. New York: Random House, 2015.

Note – the following is a list of the first American editions of Styron's books

Peter Matthiessen and George Plimpton (Spring 1954). . The Paris Review. Spring 1954 (5).

"William Styron, The Art of Fiction No. 5"

George Plimpton (Spring 1999). . The Paris Review. Spring 1999 (150).

"William Styron, The Art of Fiction No. 156"

The Guardian Unlimited website

James Campbell, "Tidewater traumas"

at IMDb

William Styron

Kenneth S. Greenberg, ed. Nat Turner: A Slave Rebellion in History and Memory, New York: Oxford University Press, 2003. xix + 289 pp.,  978-0-19-513404-9 (cloth); ISBN 978-0-19-517756-5 (paper).

ISBN

James L. W. West III [editor], Conversations with William Styron, Jackson, MS: University of Mississippi Press, 1985.  0-87805-260-7.

ISBN

James L. W. West III, William Styron: A Life, New York: Random House, 1998.  0-679-41054-6

ISBN

A discussion about mental illness, 50-minute interview

Charlie Rose with William Styron

/1989/covers a range of topics.

William Styron interview with William Waterway Marks on "The Vineyard Voice"

Charlie Rose, – 55-minute-long video

"An Appreciation of William Styron"

Archived September 7, 2015, at the Wayback Machine on-line reprint of interview published in Humanities, 18,3 (1997),

A Conversation with William Styron

William Styron interview by author and TV host William Waterway Marks with rare photo of Styron sitting at desk in his island writing studio.

William Styron interview on Martha's Vineyard

Michael Lackey, "The Theology of Nazi Anti-Semitism in William Styron's Sophie's Choice," Lit: Literature Interpretation Theory, 22,4 (2011), 277–300.

KCRW Bookworm Interview

.

A memoir of life with Styron by his writer daughter, Alexandra Styron

Stuart Wright Collection: William Styron Papers (#1169-011), East Carolina Manuscript Collection, J. Y. Joyner Library, East Carolina University

a comprehensive website maintained by James L. W. West III, Styron's biographer.

William Styron: An Author's Life and Career