Arnold Zweig
Arnold Zweig (10 November 1887 – 26 November 1968) was a German Jewish writer, pacifist and socialist. He is best known for his six-part cycle on World War I. In 1916 he married Beatrice Zweig,[1] a distant relative. They had two sons, Michael, who was born in 1920, and Adam, who was born in 1924.
Arnold Zweig
26 November 1968 (aged 81)
German
writer
Early life and education[edit]
Zweig was born in Glogau, Prussian Silesia (now Głogów, Poland), the son of Adolf Zweig, a Jewish shipping agent and harness maker, and his wife Bianca.[2] (He is not related to Stefan Zweig.) After attending a science-oriented gymnasium in Kattowitz (Katowice), between 1907 and 1914 he studied several branches of the humanities, history, philosophy and literature, at several universities – Breslau (Wrocław), Munich, Berlin, Göttingen, Rostock and Tübingen. He was especially influenced by Friedrich Nietzsche's philosophy. His first literary works, Novellen um Claudia (1913) and Ritualmord in Ungarn, gained him wider recognition.
World War One[edit]
Zweig volunteered for the German army in World War I and served as a private in France, Hungary and Serbia. He was stationed in the Western Front at the time when Judenzählung (the Jewish census) was administered in the German army. Shaken by the experience, he wrote in his letter dated 15 February 1917, to Martin Buber: "The Judenzählung was a reflection of unheard sadness for Germany's sin and our agony. ... If there was no antisemitism in the army, the unbearable call to duty would be almost easy." He began to revise his views on the war and came to view the war as one that pitted Jews against Jews.[3] Later he described his experiences in the short story Judenzählung vor Verdun. The war changed Zweig from a Prussian patriot to an eager pacifist.
In 1917, Zweig was assigned to the Press department of the German Army Headquarters in Kaunas, Lithuania where he was introduced to the East European Jewish organizations.
In a quite literal effort to put a face to the hated 'Ostjude' (Eastern European Jew), due to their Orthodox, economically depressed, "unenlightened", "un-German" ways, Zweig published with the artist Hermann Struck Das ostjüdische Antlitz (The Face of East European Jewry) in 1920. This was a blatant effort to at least gain sympathy among German-speaking Jews for the plight of their eastern European compatriots. With the help of many simple sketches of faces, Zweig supplied interpretations and meaning behind them.
After World War I Zweig was an active socialist Zionist in Germany. After Hitler's attempted coup in 1923 he went to Berlin and worked as an editor of a newspaper, the Jüdische Rundschau.
1920 - 1933[edit]
In the 1920s, Zweig became attracted to the psychoanalytical theories of Sigmund Freud and underwent Freudian therapy. In March 1927 he wrote to Freud asking permission to dedicate his new book to him. In his letter Zweig told Freud: "I personally owe to your psychological therapy the restoration of my whole personality, the discovery that I was suffering from a neurosis and finally the curing of this neurosis by your method of treatment." Freud replied with a warm letter, and their correspondence continued for a dozen years, a momentous period in Germany's history. Their correspondence was published in book form.[4]
In 1927 Zweig published the anti-war novel The Case of Sergeant Grischa, which made him an international literary figure, with the English version selected in the USA as a Book of the Month title.[5] The theme of his sequence of World War I fiction is that Germany was perverted by brutal men who shifted the purpose of the war from defense to conquest. Major contestants in this struggle are characters in his books. Some, like Kaiser Wilhelm II, Field Marshal von Hindenburg, and commander on the Eastern Front during the last two years of the war Prince Leopold of Bavaria, are named. Others are masked, but would have been easily identified by many readers at the time: for example, General Ludendorff is "Schieffenzahn", the politician Matthias Erzberger is "Deputy Hemmerle", General Max Hoffmann is "Clauss", and Field Marshal von Eichhorn is "von Lychow".
From 1929 he was a contributing journalist of socialist newspaper Die Weltbühne (World Stage). That year, Zweig would attend one of Hitler's speeches. He told his wife that the man was a Charlie Chaplin without the talent.[6] In 1933, Zweig witnessed the destruction of his books in the Nazi book burning. He remarked that the crowds "would have stared as happily into the flames if live humans were burning."[7] He decided to leave Germany that night.
Exile in Palestine[edit]
When the Nazi Party took power in Germany in 1933, Zweig was one of many Jews who immediately went into exile. Zweig went first to Czechoslovakia, then Switzerland and France. After spending some time with Thomas Mann, Lion Feuchtwanger, Anna Seghers and Bertolt Brecht in France, he set out for Mandatory Palestine, then under British rule.
In Haifa, Palestine, he published a German-language newspaper, the Orient.[8] In Palestine, Zweig became close to a group of German-speaking immigrants who felt distant from Zionism and viewed themselves as refugees or exiles from Europe, where they planned to return. This group included Max Brod, Else Lasker-Schüler and Wolfgang Hildesheimer.[9] During his years in Palestine, Zweig became disillusioned with Zionism and turned to socialism.
In Haifa, Zweig underwent psychoanalysis with Ilja Shalit.[10] His novels De Vriendt Goes Home and A Costly Dream are partly set in Mandatory Palestine and describe, among other things, the encounter between Zionism, socialism and psychoanalysis. In De Vriendt Goes Home, a young Zionist, recently immigrated to Palestine from Eastern Europe, kills the Dutch Jew De Vriendt who, on the basis of a more orthodox religious sentiment, was seeking an understanding with the local Arab population.[11] During his stay in Palestine, Zweig may have been the main link between Freud and the local psychoanalytic community.[12] In 1935, Education Before Verdun, the third novel of Zweig's cycle The Great War of the White Men came out and, like its predecessor The Case of Sergeant Grischa it was translated into many languages, and, once more, the US edition became a Book of the Month selection for 1936.[13]
Zweig's 1947 novel The axe of Wandsbek is based upon the Altona Bloody Sunday (in German: Altonaer Blutsonntag) riot which resulted from the march by the Sturmabteilung, the original paramilitary wing of the Nazi Party, in Altona on 17 July 1932. The march turned violent and resulted in 18 people being shot dead,[14] including four Communists including Bruno Tesch who were beheaded for their alleged involvement in the riot. An East German film, The Axe of Wandsbek, was later made about the riot and was adapted from Zweig's novel. The authorised version of the film, which was 20 minutes shorter than the original, was screened in 1962, in honour of Zweig's 75th birthday.
East Germany[edit]
In 1948, after a formal invitation from the East German authorities, Zweig decided to return to the Soviet occupation zone in Germany (which became East Germany in 1949). In East Germany he was in many ways involved in the communist system. He was a member of parliament, delegate to the World Peace Council Congresses and the cultural advisory board of the communist party. He was President of the DDR Academy of Arts, Berlin from 1950 to 1953.
He was rewarded with many prizes and medals by the regime. The USSR awarded him the Lenin Peace Prize (1958) for his anti-war novels. He was nominated for the Nobel Prize in Literature seven times.[15]
After 1962, due to poor health, Zweig virtually withdrew from the political and artistic fields. Arnold Zweig died in East Berlin on 26 November 1968, aged 81.