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Art pop

Art pop (also typeset art-pop or artpop) is a loosely defined style of pop music[1] influenced by art theories[7] as well as ideas from other art mediums, such as fashion, fine art, cinema, and avant-garde literature.[3][8] The genre draws on pop art's integration of high and low culture, and emphasizes signs, style, and gesture over personal expression.[7][9] Art pop musicians may deviate from traditional pop audiences and rock music conventions,[10] instead exploring postmodern approaches and ideas such as pop's status as commercial art, notions of artifice and the self, and questions of historical authenticity.

This article is about a postmodern approach to pop music. For the integration of high art values into popular music, see Art music § Popular music. For the Lady Gaga album, see Artpop. For other uses, see Art pop (disambiguation).

Art pop

Mid-1960s, United Kingdom and United States

Starting in the mid-1960s, British and American pop musicians such as Brian Wilson, Phil Spector, and the Beatles began incorporating the ideas of the pop art movement into their recordings.[1] English art pop musicians drew from their art school studies,[8] while in America the style drew on the influence of pop artist Andy Warhol and the affiliated band the Velvet Underground.[11] The style would experience its "golden age" in the 1970s among glam rock artists such as David Bowie and Roxy Music, who embraced theatricality and throwaway pop culture.[4]


Art pop's tradition continued in the late 1970s and 1980s through styles such as post-punk and synthpop as well as the British New Romantic scene,[5][10] developing further with artists who rejected conventional rock instrumentation and structure in favor of dance styles and the synthesizer.[10] The 2010s saw new art pop trends develop, such as hip hop artists drawing on visual art and vaporwave artists exploring the sensibilities of contemporary capitalism and the Internet.

Gendron, Bernard (2002). . University of Chicago Press. ISBN 978-0-226-28737-9.

Between Montmartre and the Mudd Club: Popular Music and the Avant-Garde

Harron, Mary (1980). . In Hoskyns, Barney (ed.). The Sound and the Fury: 40 Years of Classic Rock Journalism: A Rock's Backpages Reader. Bloomsbury USA (published 2003). ISBN 978-1-58234-282-5. (subscription required)

"Pop Art/Art Pop: The Andy Warhol Connection"

Waterman, Bryan (2011). . Bloomsbury Publishing. ISBN 978-1-4411-4529-1.

Television's Marquee Moon