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Fine art

In European academic traditions, fine art is made primarily for aesthetics or creative expression, distinguishing it from decorative art or applied art, which also has to serve some practical function, such as pottery or most metalwork. In the aesthetic theories developed in the Italian Renaissance, the highest art was that which allowed the full expression and display of the artist's imagination,[1] unrestricted by any of the practical considerations involved in, say, making and decorating a teapot. It was also considered important that making the artwork did not involve dividing the work between different individuals with specialized skills, as might be necessary with a piece of furniture, for example.[2] Even within the fine arts, there was a hierarchy of genres based on the amount of creative imagination required, with history painting placed higher than still life.

For other uses, see Fine art (disambiguation).

Historically, the five main fine arts were painting, sculpture, architecture, music, and poetry. Other "minor or subsidiary arts" were also included, especially performing arts such as theatre and dance, which were counted as "among the most ancient and universal."[3] In practice, outside education, the concept is typically only applied to the visual arts. The old master print and drawing were included as related forms to painting, just as prose forms of literature were to poetry. Today, the range of what would be considered fine arts (in so far as the term remains in use) commonly includes additional modern forms, such as film, photography, and video production/editing, as well as traditional forms made in a fine art setting, such as studio pottery and studio glass, with equivalents in other materials.


One definition of fine art is "a visual art considered to have been created primarily for aesthetic and intellectual purposes and judged for its beauty and meaningfulness, specifically, painting, sculpture, drawing, watercolor, graphics, and architecture."[4] In that sense, there are conceptual differences between the fine arts and the decorative arts or applied arts (these two terms covering largely the same media). As far as the consumer of the art was concerned, the perception of aesthetic qualities required a refined judgment usually referred to as having good taste, which differentiated fine art from popular art and entertainment.[5]


The word "fine" does not so much denote the quality of the artwork in question, but the purity of the discipline according to traditional European canons.[7] Except in the case of architecture, where a practical utility was accepted, this definition originally excluded the "useful" applied or decorative arts, and the products of what were regarded as crafts. In contemporary practice, these distinctions and restrictions have become essentially meaningless, as the concept or intention of the artist is given primacy, regardless of the means through which it is expressed.[8]


The term is typically only used for Western art from the Renaissance onwards, although similar genre distinctions can apply to the art of other cultures, especially those of East Asia. The set of "fine arts" are sometimes also called the "major arts", with "minor arts" equating to the decorative arts. This would typically be for medieval and ancient art.

Persian miniature of the Mi'raj of the Prophet by Sultan Mohammed, 1539–1543; British Library

Persian miniature of the Mi'raj of the Prophet by Sultan Mohammed, 1539–1543; British Library

The Swing; by Jean-Honoré Fragonard; 1767–1768; oil on canvas; Wallace Collection

The Swing; by Jean-Honoré Fragonard; 1767–1768; oil on canvas; Wallace Collection

is frequently considered both a performing art and a fine art.

Avant-garde music

– perhaps the newest medium for fine art, since it utilizes modern technologies such as computers from production to presentation. Includes, amongst others, video, digital photography, digital printmaking and interactive pieces.

Electronic media

including quilt art and "wearable" or "pre-wearable" creations, frequently reach the category of fine art objects, sometimes like part of an art display.

Textiles

is a performing art frequently considered to be fine art.

Western art (or Classical) music

– The last century has witnessed a renewed interest in understanding the behavior of folding matter with contributions from artists and scientists. Origami is different from other arts: while painting requires the addition of matter, and sculpture involves subtraction, origami does not add or subtract: it transforms. Origami artists are pushing the limits of an art increasingly committed to its time, with a bloodline ending in technology and spacecraft. Its computational aspect and shareable quality (empowered by social networks) are parts of the puzzle that is making origami a paradigmatic art of the 21st century.[23][24][25]

Origami

is a Chinese national university based in Guangzhou which provides Fine Arts and Design Doctoral, Master and bachelor's degrees.

The Guangzhou Academy of Fine Arts

is a Fine Art college in the Indian city of Kolkata, West Bengal.

Academy of Fine Arts, Kolkata

The arts

Performance art

Visual arts

Artistic Theory in Italy, 1450–1600, 1940 (refs to 1985 edn), OUP, ISBN 0198810504

Blunt Anthony

Ballard, A. (1898). . New York: A.S. Barnes & Company.

Arrows; or, Teaching a fine art

Caffin, Charles Henry. (1901). . New York: Doubleday, Page & Co.

Photography as a fine art; the achievements and possibilities of photographic art in America

Crane, L., and Whiting, C. G. (1885). . Boston: Chautauqua Press. Chapter 4 : Fine Arts

Art and the formation of taste: six lectures

Hegel, G. W. F., and Bosanquet, B. (1905). . London: K. Paul, Trench &.

The introduction to Hegel's Philosophy of fine art

Hegel, G. W. F. (1998). . Oxford: Clarendon Press.

Aesthetics: lectures on fine art

Neville, H. (1875). . London: R. Bentley and Son.

The stage: its past and present in relation to fine art

Rossetti, W. M. (1867). . London: Macmillan.

Fine art, chiefly contemporary: notices re-printed, with revisions

Shiner, Larry. (2003). "". Chicago: University of Chicago Press. ISBN 978-0-226-75342-3

The Invention of Art: A Cultural History

Torrey, J. (1874). . New York: Scribner, Armstrong, and Co.

A theory of fine art

ALBA (2018). Archived 20 September 2020 at the Wayback Machine.

[1]

Antonio Luis Ramos Molina, La magia de la química fotográfica: El quimigrama. Conceptos, técnicas y procedimientos del quimigrama en la expresión artística, In: Tesis Doctoral, Universidad de Granada 2018.