Katana VentraIP

Book design

Book design is the art of incorporating the content, style, format, design, and sequence of the various components and elements of a book into a coherent unit. In the words of renowned typographer Jan Tschichold (1902–1974), book design, "though largely forgotten today, [relies upon] methods and rules upon which it is impossible to improve, [and which] have been developed over centuries. To produce perfect books, these rules have to be brought back to life and applied".[1] Richard Hendel describes book design as "an arcane subject", and refers to the need for a context to understand what that means.[2]

has three parts (either in one volume each, or in a single volume), with each part containing two books, each containing, in turn, multiple chapters.

The Lord of the Rings

The Bible (usually bound as a single volume) comprises two "testaments" (which might more typically be described as "parts", and differ in length by a factor of three or four), each containing dozens of books of varying lengths. In turn, each book (except for the shortest) contains multiple chapters, which are traditionally divided (for purposes of citation) into "verses" each containing roughly one independent clause.

Christian

top-to-bottom (descending):

The front cover is the front of the book, and is marked appropriately by text or graphics in order to identify it as such (namely as the very beginning of the book). The front cover usually contains at least the title or author, with possibly an appropriate illustration. When the book has a soft or hard cover with dust jacket, the cover yields all or part of its informational function to the dust jacket.


On the inside of the cover page, extending to the facing page is the front endpaper sometimes referred as FEP. The free half of the end paper is called a flyleaf. Traditionally, in hand-bound books, the endpaper was just a sheet of blank or ornamented paper physically masking and reinforcing the connection between the cover and the body of the book. In modern publishing it can be either plain, as in many text-oriented books, or variously ornamented and illustrated in books such as picture books, other children's literature, some arts and craft and hobbyist books, novelty/gift-market and coffee table books, and graphic novels. These books have an audience and traditions of their own where the graphic design and immediacy is especially important and publishing tradition and formality are less important.


The spine is the vertical edge of a book as it normally stands on a bookshelf. Early books did not have titles on their spines; rather they were shelved flat with their spines inward and titles written with ink along their fore edges. Modern books display their titles on their spines.


In languages with Chinese-influenced writing systems, the title is written top-to-bottom. In languages written from left to right, the spine text can be pillar (one letter per line), transverse (text line perpendicular to long edge of spine) and along spine. Conventions differ about the direction in which the title along the spine is rotated:


In texts published or printed in the United States, the United Kingdom, the Commonwealth, Scandinavia and the Netherlands, the spine text, when the book is standing upright, runs from the top to the bottom. This means that when the book is lying flat with the front cover upwards, the title is oriented left-to-right on the spine. This practice is reflected in the industry standards ANSI/NISO Z39.41[11] and ISO 6357.,[12] but "... lack of agreement in the matter persisted among English-speaking countries as late as the middle of the twentieth century, when books bound in Britain still tended to have their titles read up the spine ...".[13]


In many continental European countries, where the ascending system has been used in the past, the descending system has been used in recent decades, probably due to the influence of the English-speaking countries, such as Italy, Russia, Poland and elsewhere.


In many continental European and Latin American countries, the spine text, when the book is standing upright, runs from the bottom up, so the title can be read by tilting the head to the left. This allows the reader to read spines of books shelved in alphabetical order in accordance to the usual way left-to-right and top-to-bottom.[14]


The spine usually contains all, or some, of four elements (besides decoration, if any), and in the following order: (1) author, editor, or compiler; (2) title; (3) publisher; and (4) publisher logo.


On the inside of the back cover page, extending from the facing page before it, is the endpaper. Its design matches the front endpaper and, in accordance with it, contains either plain paper or pattern, image etc.


The back cover often contains biographical matter about the author or editor, and quotes from other sources praising the book. It may also contain a summary or description of the book

Other items[edit]

Some books such as Bibles or dictionaries may have a thumb index to help find material quickly. Gold leaf may also be applied to the edges of the pages, so that when closed, the side, top, and bottom of the book have a golden color. On some books, a design may be printed on the edges, or marbling or a simple colour applied. Some artist's books go even further, by using fore-edge painting. Pop-up elements and fold-out pages may be used to add dimensions to the page in different ways. Children's books commonly incorporate a wide array of design features built into the fabric of the book. Some books for preschoolers include textured fabric, plastic on other materials. Die-cut techniques in the work of Eric Carle are one example. Clear or reflective surfaces, flaps, textiles and scratch-and-sniff are other possible features.

Galley proof

Imprint

Letterpress

Page numbering

Visual design

Recto and verso

Page (paper)

Bassoe, Pedro Thiago. “Judging a book by its cover: Natsume Sōseki, Book Design, and the value of art.” Review of Japanese Culture and Society, vol. 29, no. 1, 2017, pp. 159–174, https://doi.org/10.1353/roj.2017.0011.

Van de Graaf, J. A. (1946). Nieuwe berekening voor de vormgeving [A new calculation for giving form].

(archived 26 May 2013)

Dutch Art Nouveau and Art Deco Book Design

(archived 3 December 2013)

Binding design and paper conservation of antique books, albums and documents

The Rollo Books by Jacob Abbott: an example of first edition designs

virtual exhibition of the German Museum of Books and Writing, i.a. with a thematic module on book design

"Signs – Books – Networks"