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Breakdancing

Breaking, also called b-boying, b-girling or breakdancing, is a style of street dance developed by African American and Puerto Rican communities in The Bronx, New York City, United States.

"Breakdance" redirects here. For other uses, see Breakdance (disambiguation).

Genre

Street dancers

Early 1970s

New York City

Breakdancing consists mainly of four kinds of movement—toprock, downrock, power moves, and freezes—and is typically set to songs containing drum breaks, especially in funk, soul, and hip-hop. Its modern dance elements originated among the poor youth of New York during the early 1970s.[1] It is tied to the birth of hip-hop, whose DJs developed rhythmic breaks for dancers.[2]


The dance form has expanded globally, with an array of organizations and independent competitions supporting its growth. Breaking will become an Olympic sport at the 2024 Summer Olympics in Paris,[3] per a December 7, 2020 decision by the International Olympic Committee, after a proposal by the World DanceSport Federation.[4]

generally refers to any string of steps performed from a standing position. It is usually the first and foremost opening display of style, though dancers often transition from other aspects of breakdancing to toprock and back. Toprock has a variety of steps which can each be varied according to the dancer's expression (i.e. aggressive, calm, excited). A great deal of freedom is allowed in the definition of toprock: as long as the dancer maintains cleanliness, form, and attitude, theoretically anything can be toprock. Toprock can draw upon many other dance styles such as popping, locking, tap dance, Lindy hop, or house dance. Transitions from toprock to downrock and power moves are called "drops".[49]

Toprock

(also known as "footwork" or "floorwork") is used to describe any movement on the floor with the hands supporting the dancer as much as the feet. Downrock includes moves such as the foundational 6-step, and its variants such as the 3-step. The most basic of downrock is done entirely on feet and hands but more complex variations can involve the knees when threading limbs through each other.

Downrock

are acrobatic moves that require momentum, speed, endurance, strength, flexibility, and control to execute. The breaker is generally supported by his upper body while the rest of his body creates circular momentum. Some examples are the windmill, swipe, back spin, and head spin. Some power moves are borrowed from gymnastics and martial arts. An example of a power move taken from gymnastics is the Thomas Flair which is shortened and spelled flare in breakdancing.

Power moves

are stylish poses that require the breaker to suspend himself or herself off the ground using upper body strength in poses such as the pike. They are used to emphasize strong beats in the music and often signal the end of a set. Freezes can be linked into chains or "stacks" where breakers go from freeze to freeze to freeze in order to hit the beats of the music, which displays musicality and physical strength.

Freezes

There are four primary elements that form breakdancing: toprock, downrock, power moves, and freezes.

Power: This style is what most members of the general public associate with the term "breakdancing". Power moves comprise full-body spins and rotations that give the illusion of defying gravity. Examples of power moves include head spins, backspins, windmills, flares, air tracks/air flares, 1990s, 2000s, jackhammers, crickets, turtles, hand glides, halos, and elbow spins. Those breakers who use "power moves" almost exclusively in their sets are referred to as "power heads".

Abstract: A very broad style which may include the incorporation of "threading" footwork, freestyle movement to hit beats, house dance, and "circus" styles (tricks, contortion, etc.).

Blow-up: A style which focuses on the "wow factor" of certain power moves, freezes, and circus styles. Blowups consist of performing a sequence of as many difficult trick combinations in as quick succession as possible in order to "smack" or exceed the virtuosity of the other breaker's performance. The names of some of these moves are air baby, hollow backs, solar eclipse, and reverse air baby, among others. The main goal in blow-up style is the rapid transition through a sequence of power moves, ending in a skillful freeze or "suicide". Like freezes, a suicide is used to emphasize a strong beat in the music and signal the end to a routine. While freezes draw attention to a controlled final position, suicides draw attention to the motion of falling or losing control. B-boys or b-girls will make it appear that they have lost control and fall onto their backs, stomachs, etc. The more painful the suicide appears, the more impressive it is, but breakers execute them in a way to minimize pain.

Flavor: A style that is based more on elaborate toprock, downrock, and/or freezes. This style is focused more on the beat and musicality of the song than having to rely on power moves only. Breakers who base their dance on "flavor" or style are known as "style heads".

There are many individual styles used in breakdancing. Individual styles often stem from a dancer's region of origin and influences. However, some people such as Jacob "Kujo" Lyons believe that the internet inhibits individual style. In a 2012 interview with B-Boy Magazine he expressed his frustration:


Luis "Alien Ness" Martinez, the president of Mighty Zulu Kings, expressed a similar frustration in a separate interview three years earlier with "The Super B-Beat Show" about the top five things he hates in breakdancing:


Although there are some generalities in the styles that exist, many dancers combine elements of different styles with their own ideas and knowledge in order to create a unique style of their own. Breakers can therefore be categorized into a broad style, which generally showcases the same types of techniques.

Music[edit]

The musical selection for breakdancing is not restricted to hip-hop music as long as the tempo and beat pattern conditions are met. Breakdancing can be readily adapted to different music genres with the aid of remixing. The original songs that popularized the dance form borrow significantly from progressive genres of funk, soul, disco, electro, and jazz funk. A musical canon of these traditional b-boy songs have since developed, songs that were once expected to be played at every b-boying event.[37] As the dance form grew, this standardization of classic songs prompted innovation of dance moves and break beats that reimagined the standard melodies. These songs include “Give It Up or Turn It a Loose” by James Brown, “Apache” by the Incredible Bongo Band, and "The Mexican" by Babe Ruth to name a few.[37][52]


The most common feature of breakdance music exists in musical breaks, or compilations formed from samples taken from different songs which are then looped and chained together by the DJ. The tempo generally ranges between 110 and 135 beats per minute with shuffled sixteenth and quarter beats in the percussive pattern. History credits DJ Kool Herc for the invention of this concept[35] later termed the break beat.

(BOTY) was founded in 1990 by Thomas Hergenröther in Germany.[53] It is the first and largest international breakdancing competition for breakdance crews.[54] BOTY holds regional qualifying tournaments in several countries such as Zimbabwe, Japan, Israel, Algeria, Indonesia, and the Balkans. Crews who win these tournaments go on to compete in the final championship in Montpellier, France.[53] BOTY was featured in the independent documentary Planet B-Boy (2007) that filmed five dance crews training for the 2005 championship. A 3D film Battle of the Year was released in January 2013. It was directed by Benson Lee who also directed Planet B-Boy.[55]

Battle of the Year

is a Dutch-based breakdancing competition founded in 1998.[56] IBE (International Breakdance Event) is not a traditional competition because there are not any stages or judges. Instead, there are timed competitive events that take place in large multitiered ciphers—circular dance spaces surrounded by observers—where the winners are determined by audience approval.[56] There are several kinds of events such as the b-girl crew battle, the Seven 2 Smoke battle (eight top ranked breakers battle each other to determine the overall winner), the All vs. All continental battle (all the American breakers vs. all the European breakers vs. the Asian breakers vs. Mexican/Brazilian breakers), and the Circle Prinz IBE.[56] The Circle Prinz IBE is a knockout tournament that takes place in multiple smaller cipher battles until the last standing breaker is declared the winner.[56] IBE also hosts the European finals for the UK B-Boy Championships.[57]

The Notorious IBE

was created in 2001 and it is held every year in Chelles, France. There are two competitions. One is a kids competition for solo breakers who are 12 years old or younger. The other competition is a knock-out tournament for eight breaker crews. Some crews have to qualify at their country's local tournament; others are invited straight to the finale.[58]

Chelles Battle Pro

was created in 2004 by Red Bull and is hosted in a different country every year.[59] The competition brings together the top 16 breakers from around the world.[59] Six spots are earned through six regional qualifying tournaments. The other 10 spots are reserved for last year's winner, wild card selections, and recommendations from an international panel of experts. A past participant of the competition is world record holder Mauro "Cico" (pronounced CHEE-co) Peruzzi. B-boy Cico holds the world record in the 1990s. A 1990 is a move in which a breaker spins continuously on one hand—a hand spin rather than a head spin. Cico broke the record by spinning 27 times.[60][61] A documentary based on the competition called Turn It Loose (2009) profiled six breakdancers' training for the 2007 championship in Johannesburg.[62] Two of these breakdancers were Ali "Lilou" Ramdani from Pockémon Crew and Omar "Roxrite" Delgado from Squadron.

Red Bull BC One

The 2001 comedy film depicts Zoolander (Ben Stiller) and Hansel (Owen Wilson) performing breakdance moves on a catwalk.

Zoolander

The 2004 television series Samurai Champloo features one of the main characters, Mugen using a fighting style based on breakdancing.

anime

The films (2006–14) are dance movies that focus on the passion and love of dance. Breakdancing is featured in all five films, Step Up, Step Up 2: The Streets, Step Up 3D, and Step Up Revolution, and Step Up: All In, as well as the TV series Step Up: High Water.

Step Up

The "Step Up" series made dance movies popular by showcasing different dance styles, like breakdancing. This led to an increase in dance-themed films and made dance a popular subject in entertainment.

The 2007 comedy stars Jamie Kennedy as a breakdancer who hits his head during a talent show and wakes up from a coma in the year 2007, then plans to get his breakdancing team back together.

Kickin' It Old Skool

The 2009 Thai martial arts film features a fictional martial art called meiraiyutth based on a combination of Muay Thai and breakdancing.

Raging Phoenix

The 2009 British drama film stars Katie Jarvis as a 15-year-old who regularly practices hip-hop dance, including breakdancing, in her council estate.

Fish Tank

The 2013 American 3D dance film is a drama about the dance competition of the same name.

Battle of the Year

The 1968 film Bye Bye Braverman has elements of breakdancing in its final scene

History of B-boying

B-boy community and news outlet

B-boying media source

Breakdance: What does it mean to be a B-Boy