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Broadway theatre

Broadway theatre,[nb 1] or Broadway, is a theatre genre that consists of the theatrical performances presented in 41 professional theaters, each with 500 or more seats, in the Theater District and Lincoln Center along Broadway, in Midtown Manhattan, New York City.[1][2] Broadway and London's West End together represent the highest commercial level of live theater in the English-speaking world.[3]

This article is about the type of theatre. For the individual theatre, see Broadway Theatre (53rd Street). For other uses, see Broadway Theatre.

While the Broadway thoroughfare is eponymous with the district, it is closely identified with Times Square. Only three theaters are located on Broadway itself: Broadway Theatre, Palace Theatre, and Winter Garden Theatre. The rest are located on the numbered cross streets, extending from the Nederlander Theatre one block south of Times Square on West 41st Street, north along either side of Broadway to 53rd Street, and Vivian Beaumont Theater, at Lincoln Center on West 65th Street. While exceptions exist, the term "Broadway theatre" is used predominantly to describe venues with seating capacities of at least 500 people. Smaller theaters in New York City are referred to as off-Broadway, regardless of location, while very small venues with fewer than 100 seats are called off-off-Broadway, a term that can also apply to non-commercial, avant-garde, or productions held outside of traditional theater venues.[4]


The Theater District is an internationally prominent tourist attraction in New York City. According to The Broadway League, for the 2018–19 season total attendance was 14,768,254. Broadway shows had $1,829,312,140 in grosses, with attendance up 9.5%, grosses up 10.3%, and playing weeks up 9.3%.[5] The Museum of Broadway on West 45th Street, opened to the public in November 2022, became the first museum to document the history and experience of Broadway theatre and its profound influence upon shaping Midtown Manhattan and Times Square.


Most Broadway shows are musicals. Historian Martin Shefter argues that "Broadway musicals, culminating in the productions of Rodgers and Hammerstein, became enormously influential forms of American popular culture" and contributed to making New York City the cultural capital of the world.[6]

Description[edit]

Schedule[edit]

Although there are some exceptions, shows with open-ended runs generally have evening performances Tuesday through Saturday, with a 7:00 p.m. or 8:00 p.m. "curtain". The afternoon "matinée" performances are at 2:00 p.m. on Wednesdays and Saturdays and at 3:00 p.m. on Sundays. This makes for an eight-performance week. On this schedule, most shows do not play on Monday and the shows and theatres are said to be "dark" on that day.[55][56] The actors and the crew in these shows tend to regard Sunday evening through Monday evening as their weekend. The Tony award presentation ceremony is usually held on a Sunday evening in June to fit this schedule.


In recent years, some shows have moved their Tuesday show time an hour earlier to 7:00 pm.[55] The rationale for this move was that since fewer tourists take in shows midweek, Tuesday attendance depends more on local patrons. The earlier curtain makes it possible for suburban patrons to get home by a reasonable hour after the show. Some shows, especially those produced by Disney, change their performance schedules fairly frequently depending on the season. This is done in order to maximize access to their target audience.

Producers and theatre owners[edit]

Most Broadway producers and theatre owners are members of The Broadway League (formerly "The League of American Theatres and Producers"), a trade organization that promotes Broadway theatre as a whole, negotiates contracts with the various theatrical unions and agreements with the guilds, and co-administers the Tony Awards with the American Theatre Wing, a service organization. While the League and the theatrical unions are sometimes at loggerheads during those periods when new contracts are being negotiated, they also cooperate on many projects and events designed to promote professional theatre in New York.


Of the four non-profit theatre companies with Broadway theatres, all four (Lincoln Center Theater, Manhattan Theatre Club, Roundabout Theatre Company, and Second Stage Theatre) belong to the League of Resident Theatres and have contracts with the theatrical unions which are negotiated separately from the other Broadway theatre and producers. (Disney also negotiates apart from the League, as did Livent before it closed down its operations.)


The majority of Broadway theatres are owned or managed by three organizations: the Shubert Organization, a for-profit arm of the non-profit Shubert Foundation, which owns seventeen theatres; the Nederlander Organization, which controls nine theatres; and ATG Entertainment, which owns seven Broadway houses.

Personnel[edit]

Both musicals and straight plays on Broadway often rely on casting well-known performers in leading roles to draw larger audiences or bring in new audience members to the theatre. Actors from film and television are frequently cast for the revivals of Broadway shows or are used to replace actors leaving a cast. There are still, however, performers who are primarily stage actors, spending most of their time "on the boards", and appearing in screen roles only secondarily. As Patrick Healy of The New York Times noted:

An * after the opening date indicates that the listed production has yet to open and is scheduled for the given date at that theatre.

An * after the closing date indicates that there is another show scheduled for that theatre.

If the next show planned is not announced, the applicable columns are left blank.

Capacity is based on the capacity given for the respective theatre at the .[74]

Internet Broadway Database

Off-Broadway

Off-Off-Broadway

Ackerman, Alan. "Liberalism, Democracy, and the Twentieth-Century American Theater", American Literary History (2005) 17#4 pp. 765–780.

. American Musical Comedy (Oxford University Press, 1982)

Bordman, Gerald

Bordman, Gerald. American Operetta (Oxford University Press, 1981)

Knapp, Raymond. The American Musical and the Formation of National Identity (Princeton University Press, 2005)

Middeke, Martin, et al. The Methuen Drama Guide to Contemporary American Playwrights (2013)

Mordden, Ethan. Anything Goes: A History of American Musical Theatre (2013)

Roudane, Matthew Charles. American Drama Since 1960: A Critical History (1996)

Shiach, Don. American Drama 1900–1990 (2000)

Stempel, Larry. Showtime: A History of the Broadway Musical Theater (WW Norton, 2010) 826 pp.

Weales, Gerald Clifford. American drama since World War II (1962)

White, Timothy R. Blue-Collar Broadway: The Craft and Industry of American Theater (2014)

Wolf, Stacy. Changed for Good: A Feminist History of the Broadway Musical (2010)

The Internet Broadway Database

The New York Times, April 30, 2010

The Houses of Broadway