Canned Heat
Canned Heat is an American blues and rock band that was formed in Los Angeles in 1965.[4] The group has been noted for its efforts to promote interest in blues music and its original artists. It was launched by two blues enthusiasts Alan Wilson and Bob Hite, who took the name from Tommy Johnson's 1928 "Canned Heat Blues", a song about an alcoholic who had desperately turned to drinking Sterno, generically called "canned heat". After appearances at the Monterey and Woodstock festivals at the end of the 1960s, the band acquired worldwide fame with a lineup of Hite (vocals), Wilson (guitar, harmonica and vocals), Henry Vestine and later Harvey Mandel (lead guitar), Larry Taylor (bass), and Adolfo de la Parra (drums).
For other uses, see Canned Heat (disambiguation).
Canned Heat
Los Angeles, California, U.S.
1965–present
The music and attitude of Canned Heat attracted a large following and established the band as one of the popular acts of the hippie era. Canned Heat appeared at most major musical events at the end of the 1960s, performing blues standards along with their own material and occasionally indulging in lengthy "psychedelic" solos. Three of their songs — "Going Up the Country", "On the Road Again", and "Let's Work Together" — became international hits.
Since the early 1970s, following the early death of Wilson, numerous personnel changes have occurred. For much of the 1990s and 2000s and following Taylor's death in 2019, de la Parra has been the only member from the band's 1960s lineup. Walter Trout and Junior Watson are among the guitarists who played in later editions of the band.
History[edit]
Origins and early lineups[edit]
Canned Heat was started within the community of blues collectors.[5] Bob Hite had been trading blues records since his early teens, and his house in Topanga Canyon was a meeting place for people interested in music. In 1965, some blues devotees there decided to form a jug band and started rehearsals. The initial configuration included Hite as vocalist, Alan Wilson on bottleneck guitar, Mike Perlowin on lead guitar, Stu Brotman on bass and Keith Sawyer on drums. Perlowin and Sawyer dropped out within a few days, so guitarist Kenny Edwards (a friend of Wilson's) stepped in to replace Perlowin, and Ron Holmes agreed to sit in on drums until they could find a permanent drummer.
Another of Hite's friends, Henry Vestine (who had been let go from Frank Zappa's Mothers of Invention for smoking pot),[6] asked if he could join the band and was accepted, while Edwards was kept on temporarily. Soon Edwards departed (he went on to form the Stone Poneys with Bobby Kimmel and Linda Ronstadt), and at the same time Frank Cook came in to replace Holmes as their permanent drummer. Cook already had substantial professional experience, having performed with such jazz luminaries as bassist Charlie Haden, trumpeter Chet Baker, and pianist Elmo Hope, and had also collaborated with black soul/pop artists such as Shirley Ellis and Dobie Gray.
In 1966, producer Johnny Otis brought them into a studio to record material for a first album, with the ensemble of Hite, Wilson, Cook, Vestine, and Brotman. However, the recordings went unissued until 1970 when they appeared as Vintage Heat, released by Janus Records. Otis oversaw the session which produced a dozen tracks, including two versions of "Rollin' and Tumblin'" (with and without harmonica), "Spoonful" by Willie Dixon, and "Louise" by John Lee Hooker in his studio in Los Angeles. Over a summer hiatus in 1966, Stuart Brotman effectively left Canned Heat after he had signed a contract for a long engagement in Fresno with an Armenian belly-dance revue. Canned Heat had contacted Brotman, touting a recording contract which had to be signed the next day, but Brotman was unable to make the signing on short notice. Brotman would go on to join the world-music band Kaleidoscope with David Lindley, replacing Chris Darrow. Replacing Brotman in Canned Heat was Mark Andes, who lasted only a couple of months before he returned to his former colleagues in the Red Roosters, who adopted the new name Spirits Rebellious, later shortened to Spirit.
After joining up with managers Skip Taylor and John Hartmann, Canned Heat finally found a permanent bassist in Larry Taylor, who joined in March 1967. He was a former member of the Moondogs and the brother of Ventures' drummer, Mel Taylor, and already had experience backing Jerry Lee Lewis and Chuck Berry in concert, and recording studio sessions for the Monkees.[7]
This lineup (Hite, Wilson, Vestine, Taylor, Cook) started recording in April 1967 for Liberty Records with Calvin Carter, who had been the head of A&R for Vee-Jay Records and had recorded such bluesmen as Jimmy Reed and John Lee Hooker.[8] They recorded "Rollin' and Tumblin'", backed with "Bullfrog Blues", and this became Canned Heat's first single. The first official album, Canned Heat, was released three months later in July 1967. All tracks were re-workings of older blues songs. The Los Angeles Free Press reported: "This group has it! They should do very well, both live and with their recordings." Canned Heat fared reasonably well commercially, reaching number 76 on the Billboard chart.
Rise to fame and formation of the classic lineup[edit]
The first big live appearance of Canned Heat was at the Monterey Pop Festival on June 17, 1967. A picture of the band taken at the performance was featured on the cover of Down Beat where an article complimented their playing:
Style[edit]
AllMusic writer Joe Viglione wrote of the band, "With Bob Hite and Alan Wilson switching off on vocals, Canned Heat delivered as consistent a blues product as George Thorogood only with more diversity and subtle musical nuances keeping the listener involved".[43] Classic Rock described the band as "the badass blues band that death couldn't kill" and "America's first great boogie-rock band".[1] uDiscoverMusic described them as being among the elite country blues groups and as being "at the zenith of blues-rock", specializing in "psych trippy R&B"[2] Lindsay Planer described the band's style as a blend of "amplified late-'60s electric rhythm and blues, with an expressed emphasis on loose and limber boogie-woogie".[44] Goldmine described them as a "earthy, outlaw boogie-blues band".[45] Initially known for soulful interpretations of blues standards, Canned Heat would become known for lengthy psychedelic jams by the end of the '60s.[46] iLoveClassicRock wrote that "they were the first psychedelic band to gain popularity with their music catered to hipsters and any people who love to dance disco-style."[47] Describing them as "one of America's greatest boogie bands", Rocks Off magazine said that "Canned Heat was one of the first real hippie bands to gain popularity" and were known "for their bluesy style mixed with psychedelic funk."[3] SputnikMusic staff wrote that "Canned Heat used the old folk blues style played by legends such as John Lee Hooker as a platform, enriched it with driving boogie elements and served it with a psychedelic vibe."[48] Adolfo "Fito" de la Parra, who joined the band in 1967, said in a 1991 interview, "Bob Hite and Alan Wilson started Canned Heat in 1966 as a jug band, just to have fun. Both of them were musicologists, record collectors, not musicians."[49]