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Celtic music

Celtic music is a broad grouping of music genres that evolved out of the folk music traditions of the Celtic people of Northwestern Europe (the modern Celtic nations).[1][2] It refers to both orally-transmitted traditional music and recorded music and the styles vary considerably to include everything from traditional music to a wide range of hybrids.

For the music and instruments of ancient Celts, see Ancient Celtic music. For the record label, see Celtic Music (record label).

Across just one Celtic group.

By more than one Celtic language population belonging to different Celtic groups.

Celtic music means two things mainly. First, it is the music of the people that identify themselves as Celts. Secondly, it refers to whatever qualities may be unique to the music of the Celtic nations. Many notable Celtic musicians such as Alan Stivell and Paddy Moloney[3] claim that the different Celtic music genres have a lot in common.[1][2][4]


These following melodic practices may be used[4] widely across the different variants of Celtic Music:


These two latter usage patterns may simply be remnants of formerly widespread melodic practices.


Often, the term Celtic music is applied to the music of Ireland and Scotland because both lands have produced well-known distinctive styles which actually have genuine commonality and clear mutual influences. The definition is further complicated by the fact that Irish independence has allowed Ireland to promote 'Celtic' music as a specifically Irish product. However, these are modern geographical references to a people who share a common Celtic ancestry and consequently, a common musical heritage.


These styles are known because of the importance of Irish and Scottish people in the English speaking world, especially in the United States, where they had a profound impact on American music, particularly bluegrass and country music.[5] The music of Wales, Cornwall, the Isle of Man, Brittany, Galician traditional music (Spain) and music of Portugal are also considered Celtic music, the tradition being particularly strong in Brittany,[6] where Celtic festivals large and small take place throughout the year,[7] and in Wales, where the ancient eisteddfod tradition has been revived and flourishes. Additionally, the musics of ethnically Celtic peoples abroad are vibrant, especially in Canada and the United States. In Canada the provinces of Atlantic Canada are known for being a home of Celtic music, most notably on the islands of Newfoundland, Cape Breton and Prince Edward Island. The traditional music of Atlantic Canada is heavily influenced by the Irish, Scottish and Acadian ethnic makeup of much of the region's communities.[8] In some parts of Atlantic Canada, such as Newfoundland, Celtic music is as or more popular than in the old country. Further, some older forms of Celtic music that are rare in Scotland and Ireland today, such as the practice of accompanying a fiddle with a piano, or the Gaelic spinning songs of Cape Breton remain common in the Maritimes. Much of the music of this region is Celtic in nature, but originates in the local area and celebrates the sea, seafaring, fishing and other primary industries.


Instruments associated with Celtic Music include the Celtic harp, uilleann pipes or Great Highland bagpipe, fiddle, tin whistle, flute, bodhrán, bones, concertina, accordion and a recent addition, the Irish bouzouki.[9]

Celtic traditional music

Music of Ireland

Music of Scotland

Music of Wales

are specific to Highland Scotland, for example, and it has been hypothesized that they mimic the rhythms of the Scottish Gaelic language.[23]

Strathspeys

Reels

Pibroch

(string music) or Canu Penillion (verse singing) is the art of vocal improvisation over a given melody in Welsh musical tradition. It is an important competition in eisteddfodau. The singer or (small) choir sings a counter melody over a harp melody.[24]

Cerdd Dant

Waulking song

Puirt à beul

Kan ha diskan

Sean-nós singing

Celtic hip hop

Celtic rock

Celtic metal

Celtic punk

Celtic fusion

Progressive music

Folk music

There are musical genres and styles specific to each Celtic country, due in part to the influence of individual song traditions and the characteristics of specific languages:[22]

(Ortigueira, Galicia, Spain)

Festival Internacional do Mundo Celta de Ortigueira

(Avilés, Asturies, Spain)

Festival Intercéltico de Avilés

(Mieres, Asturies, Spain)

Folixa na Primavera

(León, Spain)

Festival Celta Internacional Reino de León

(Collado Villalba, Spain)

Festival Internacional de Música Celta de Collado Villalba

(Isle of Man)

Yn Chruinnaght

(Glasgow, Scotland)[25]

Celtic Connections

(Stornoway, Scotland)[26]

Hebridean Celtic Festival

The modern Celtic music scene involves a large number of music festivals, as it has traditionally. Some of the most prominent festivals focused solely on music include:

Other modern adaptations[edit]

Outside of America, the first deliberate attempts to create a "Pan-Celtic music" were made by the Breton Taldir Jaffrennou, having translated songs from Ireland, Scotland, and Wales into Breton between the two world wars. One of his major works was to bring "Hen Wlad Fy Nhadau" (the Welsh national anthem) back in Brittany and create lyrics in Breton. Eventually this song became "Bro goz va zadoù" ("Old land of my fathers") and is the most widely accepted Breton anthem. In the 70s, the Breton Alan Cochevelou (future Alan Stivell) began playing a mixed repertoire from the main Celtic countries on the Celtic harp his father created.[21]
Probably the most successful all-inclusive Celtic music composition in recent years is Shaun Daveys composition The Pilgrim. This suite depicts the journey of St. Colum Cille through the Celtic nations of Ireland, Scotland, the Isle of Man, Wales, Cornwall, Brittany and Galicia. The suite which includes a Scottish pipe band, Irish and Welsh harpists, Galician gaitas, Irish uilleann pipes, the bombardes of Brittany, two vocal soloists and a narrator is set against a background of a classical orchestra and a large choir.


Modern music may also be termed "Celtic" because it is written and recorded in a Celtic language, regardless of musical style. Many of the Celtic languages have experienced resurgences in modern years, spurred on partly by the action of artists and musicians who have embraced them as hallmarks of identity and distinctness. In 1971, the Irish band Skara Brae recorded its only LP (simply called Skara Brae), all songs in Irish. In 1978 Runrig recorded an album in Scottish Gaelic. In 1992 Capercaillie recorded "A Prince Among Islands", the first Scottish Gaelic language record to reach the UK top 40. In 1996, a song in Breton represented France in the 41st Eurovision Song Contest, the first time in history that France had a song without a word in French. Since about 2005, Oi Polloi (from Scotland) have recorded in Scottish Gaelic. Mill a h-Uile Rud (a Scottish Gaelic punk band from Seattle) recorded in the language in 2004.


Several contemporary bands have Welsh language songs, such as Ceredwen, which fuses traditional instruments with trip hop beats, the Super Furry Animals, Fernhill, and so on (see the Music of Wales article for more Welsh and Welsh-language bands). The same phenomenon occurs in Brittany, where many singers record songs in Breton, traditional or modern (hip hop, rap, and so on.).

Folk music of Ireland

Music of Brittany

Music of Cornwall

Galician traditional music

Music of the Isle of Man

Music of Scotland

Music of Wales

Music of Portugal

Traditional Gaelic music

at Curlie

European Music

Celtic melody library

Free sheet music on CelticScores.com

Free sheet music, chords, midis at Vashon Celtic Tunes