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Christmas music

Christmas music comprises a variety of genres of music regularly performed or heard around the Christmas season. Music associated with Christmas may be purely instrumental, or, in the case of carols, may employ lyrics about the nativity of Jesus Christ, traditions such as gift-giving and merrymaking, cultural figures such as Santa Claus, or other topics. Many songs simply have a winter or seasonal theme, or have been adopted into the canon for other reasons.

For the 1940 compilation album, see Christmas Music (album).

While most Christmas songs before the 20th century were of a traditional religious character, the Great Depression brought a stream of U.S. songs that did not explicitly mention the Christian nature of the holiday, but rather the more secular traditional Western themes and customs associated with it. These included songs aimed at children such as "Santa Claus Is Comin' to Town" and "Rudolph the Red-Nosed Reindeer", as well as sentimental ballad-type songs performed by famous crooners of the era, such as "Have Yourself a Merry Little Christmas" and "White Christmas", the latter of which remained the best-selling single of all time as of 2018.[1][2] Elvis' Christmas Album (1957) by Elvis Presley is the best-selling Christmas album of all time, having sold more than 20 million copies worldwide.[3]


Performances of Christmas music at public concerts, in churches, at shopping malls, on city streets, and in private gatherings are a staple of the Christmas season in many cultures across the world. Many radio stations convert to a 24-7 Christmas music format leading up to the holiday; though the standard for most stations in the US is on or near Veterans Day,[4] some stations adopt the format as early as the day after Halloween (or, exceptionally rarely, even sooner)[5][6] as part of a phenomenon known as "Christmas creep". Liturgically, Christmas music traditionally ceases to be performed at the arrival of Candlemas, the traditional end of the Christmas-Epiphanytide season.[7]

: Mass "Puer natus est nobis" (1554)

Thomas Tallis

: O magnum mysterium (1569)

Giovanni Pierluigi da Palestrina

: Resonet in laudibus (1569)

Orlande de Lassus

: Weihnachtshistorie (1664)

Heinrich Schütz

: several cantatas for Christmas to Epiphany and Christmas Oratorio (1734)

Johann Sebastian Bach

: Czech Christmas Mass "Hey, Master!" (1796)

Jakub Jan Ryba

: Virga Jesse floruit (1885)

Anton Bruckner

Marc-Antoine Charpentier

(1847) an unfinished oratorio by Felix Mendelssohn

Christus

(1853–54) by Hector Berlioz

L'enfance du Christ

(1858) by Camille Saint-Saëns

Oratorio de Noël

(1892) by Pyotr Ilyich Tchaikovsky[30]

The Nutcracker

(1912) and Hodie (1954), both by Ralph Vaughan Williams

Fantasia on Christmas Carols

(1942) by Benjamin Britten.

A Ceremony of Carols

Many large-scale religious compositions are performed in a concert setting at Christmas. Performances of George Frideric Handel's oratorio Messiah are a fixture of Christmas celebrations in some countries,[25] and although it was originally written for performance at Easter, it covers aspects of the Biblical Christmas narrative.[26][27] Informal Scratch Messiah performances involving public participation are very popular in the Christmas season.[28] Johann Sebastian Bach's Christmas Oratorio (Weihnachts-Oratorium, BWV 248), written for Christmas 1734, describes the birth of Jesus, the annunciation to the shepherds, the adoration of the shepherds, the circumcision and naming of Jesus, the journey of the Magi, and the adoration of the Magi.[29] Antonio Vivaldi composed the Violin Concerto RV270 "Il Riposo per il Santissimo Natale" ("For the Most Holy Christmas"). Arcangelo Corelli composed the Christmas Concerto in 1690. Peter Cornelius composed a cycle of six songs related to Christmas themes he called Weihnachtslieder. Setting his own poems for solo voice and piano, he alluded to older Christmas carols in the accompaniment of two of the songs.


Other classical works associated with Christmas include:

"" (in the UK the text of "Angels from the Realms of Glory" is sung to this tune)

Angels We Have Heard on High

""

Away in a Manger

""

Deck the Halls

""

Ding Dong Merrily on High

""

The First Noel

""

Go Tell It on the Mountain

""

God Rest You Merry, Gentlemen

""

Good King Wenceslas

""

Hark! The Herald Angels Sing

""

I Saw Three Ships

""

It Came Upon the Midnight Clear

""

Joy to the World

"" (O Tannenbaum)

O Christmas Tree

"" (Adeste Fideles)

O Come, All Ye Faithful

""

O come, O come, Emmanuel

"" (Cantique de Noël)

O Holy Night

""

O Little Town of Bethlehem

""

Once in Royal David's City

"" (Stille Nacht, heilige Nacht)

Silent Night

""

The Twelve Days of Christmas

""

We Three Kings of Orient Are

""

We Wish You a Merry Christmas

""

What Child Is This?

""

While Shepherds Watched Their Flocks

Of the top 30 most performed Christmas songs in 2015, 13 (43%) were written in the 1930s or 1940s and 12 (40%) were written in the 1950s and 1960s; only five (17%) were written from the 1970s on, two (7%) were from after 1990, and none after 1995. This phenomenon was noted in the webcomic and referred to as "a massive project to carefully recreate...baby boomers' childhoods".[45]

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The newest song in the top 30 most performed Christmas songs – "All I Want for Christmas is You", co-written and performed by Mariah Carey in 1994 – entered the list for the first time in 2015; the song hit the top 10 for the first time in 2017,[46] and was named "the UK's favourite Christmas song" the same year by The Independent.[47] Troy Powers and Andy Stone wrote a song with the same title and theme,[48] which Vince Vance & the Valiants recorded in 1989 and independently became popular at the same time as Carey's song. The melody is similar to Bobby Vinton's "My Heart Belongs to Only You".[49]

Billboard Hot 100

Johnny Marks wrote three songs that appear in these most-performed Christmas songs in 2015: "Rudolph the Red-Nosed Reindeer", "Holly Jolly Christmas", and "Rockin' Around the Christmas Tree". Irving Berlin wrote two: "White Christmas" and "Happy Holiday". These are the only songwriters to appear on the list more than once – and both are non-Christian.

[50]

Gene Autry was the first to sing three songs on the list of top 30 most performed Christmas songs in 2015 – "Rudolph the Red-Nosed Reindeer", "Frosty the Snowman", and "Here Comes Santa Claus (Right Down Santa Claus Lane)" – co-writing the latter song.

Two of the songs, "Carol of the Bells" and "Christmas Eve/Sarajevo 12/24", rely on the same melody, 's "Shchedryk", which was published in 1918 and is thus out of copyright, no longer subject to ASCAP royalties. The lyrics to "Carol of the Bells" are still under copyright. The copyright on "Christmas Eve/Sarajevo 12/24" extends only to the arrangement.

Mykola Leontovych

"", a romantic spring carol with Latin words dating to the 13th-century Carmina Burana and a melody attested no later than 1584, became associated with Christmas after John Mason Neale set his epic ballad "Good King Wenceslas" to its melody in 1853. Neale's poem does not directly mention Christmas or the nativity but describes Bohemian Duke Wenceslas I's journey to aid a poor traveler on a cold St. Stephen's Day; that day falls on the day after Christmas and within the traditional Twelve Days of Christmas.

Tempus Adest Floridum

"", with words written by Isaac Watts in 1719 and music by Lowell Mason (who in turn borrowed liberally from Handel) in 1839, was originally written anticipating the Second Coming.[95]

Joy to the World

"Jingle Bells", first published under the title "One Horse Open Sleigh" in 1857, was originally associated with rather than Christmas.[96]

Thanksgiving

With a Welsh melody dating back to the sixteenth century, and English lyrics from 1862, "Deck the Halls" celebrates the holiday of Yule and the New Year, but not explicitly Christmas ("Troll the ancient Yuletide carol/See the blazing Yule before us/While I tell of Yuletide treasure").

pagan

What is known as Christmas music today, coming to be associated with the holiday season in some way, has often been adopted from works initially composed for other purposes. Many tunes adopted into the Christmas canon carry no Christmas connotation at all. Some were written to celebrate other holidays and gradually came to cover the Christmas season.


"Shchedryk", a Ukrainian tune celebrating the arrival of springtime, was adapted in 1936 with English lyrics to become the Christmas carol "Carol of the Bells" and in 1995 as the heavy-metal instrumental "Christmas Eve/Sarajevo 12/24." "When You Wish Upon a Star", an Academy Award-winning song about dreams, hope, and magic featured in Walt Disney's Pinocchio (1940). What later became the main theme for Disney studios was sung by Cliff Edwards, who voiced Jiminy Cricket in the film. In Scandinavian countries and Japan, the song is used in reference to the Star of Bethlehem and the "ask, and it will be given to you" discourse in Matthew 7:7–8; in the movie it is in reference to the Blue Fairy.


Many popular Christmas tunes of the 20th-century mention winter imagery, leading to their being adopted into the Christmas and holiday season. These include:


"Do You Want to Build a Snowman?" (2013), from the movie Frozen, features lyrics that are more of an illustration of the relationship between the two main characters than a general description of winter or the holidays, but its title rhetoric and the winter imagery used throughout the film have led it to be considered a holiday song.


"Sleigh Ride", composed originally in 1948 as an instrumental by Leroy Anderson, was inspired by a heatwave in Connecticut. The song premiered with the Boston Pops Orchestra in May 1948 with no association with Christmas. The lyrics added in 1950 have "nothing to do with Santa, Jesus, presents or reindeer," but the jingling bells and "sleigh" in the title made it a natural Christmas song. Lyricist Sammy Cahn and composer Jule Styne also found themselves in a heatwave in July 1945 when they wrote "Let It Snow! Let It Snow! Let It Snow!", inserting no reference to Christmas in the song.[97] "Holiday" (2010) is about the summer holidays, but has been used in some Christmas ad campaigns.


Perry Como famously sang Franz Schubert's setting of "Ave Maria" in his televised Christmas special each year, including the song on The Perry Como Christmas Album (1968). The song, a prayer to the Virgin Mary sung in Latin, would become a "staple of family holiday record collections."[98] American a capella group Pentatonix released their version of "Hallelujah", the 1984 song written by Leonard Cohen and covered famously by a number of acts, on their Christmas album shortly before the songwriter's death in 2016. Besides the title, and several biblical references, the song contains no connection to Christmas or the holidays per se. Various versions have been added to Christmas music playlists on radio stations in the United States and Canada.


In the United Kingdom, songs not explicitly tied to Christmas are popularly played during the year-end holidays. "Stop the Cavalry", written and performed by English musician Jona Lewie in 1980, was intended as a war protest. The line "Wish I was at home for Christmas" with brass band arrangements styled it as an appropriate song to play in the Christmas season. Children's songs such as "Mr Blobby" (No. 1, 1993) and the theme from Bob the Builder (No. 1, 2000), novelty songs such as Benny Hill's "Ernie" (No. 1, 1971) and South Park's "Chocolate Salty Balls" (No. 2, 1998), and "He Ain't Heavy, He's My Brother" from an ensemble of Liverpudlian celebrities in commemoration of the 1989 Hillsborough Disaster (No. 1, 2012) are often heard around Christmas.

A wider library of core records—over 250 during the station's last season in existence—with 50 or so (the most frequently played) records replayed every four hours and most of the rest played two to three times per day;

power rotation

An emphasis on new releases and contemporary and/or upbeat selections, as this not only fit Star's regular format but helped play against the all-Christmas format's reputation of being slow and boring;

A willingness to play local artists;

Judicious spacing of similar records (a half-hour between different instrumental records or religious songs, 112 hours between of the same song, and two hours between songs by the same artist or collective) this would include similar-sounding but different groups that appear on the same album, such as selections from A Christmas Gift for You from Phil Spector);

cover versions

The withholding of and other records that do not withstand recurrent rotation without complaints until later in the Christmas season.[111]

novelty songs

"Seasonal Songs With Twang, Funk and Harmony", , November 26, 2010.

The New York Times

Stories Behind The Best-Loved Songs of Christmas by Ace Collins, 160 pages,  0-7624-2112-6, 2004.

ISBN

The International Book of Christmas Carols by W. Ehret and G. K. Evans, Stephen Greene Press, Vermont,  0-8289-0378-6, 1980.

ISBN

Victorian Songs and Music by Olivia Bailey, Caxton Publishing,  1-84067-468-7, 2002.

ISBN

Spirit of Christmas: A History of Our Best-Loved Carols by Virginia Reynolds and Lesley Ehlers,  0-88088-414-2, 2000.

ISBN

Christmas Music Companion Fact Book by Dale V. Nobbman,  1-57424-067-6, 2000.

ISBN

Joel Whitburn presents Christmas in the charts, 1920–2004 by Joel Whitburn,  0-89820-161-6, 2004.

ISBN

Angels We Have Heard: The Christmas Song Stories by James Richliano,  0-9718810-0-6, 2002.

ISBN

at Curlie

Christmas music

in the Choral Public Domain Library (ChoralWiki)

Free Christmas sheet music