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Lord Dunsany

Edward John Moreton Drax Plunkett, 18th Baron of Dunsany, FRSL FRGS (/dʌnˈsni/; 24 July 1878 – 25 October 1957), commonly known as Lord Dunsany, was an Anglo-Irish writer and dramatist. He published more than 90 books during his lifetime,[2][4][a] and his output consisted of hundreds of short stories, plays, novels, and essays.[1] He gained a name in the 1910s as a great writer in the English-speaking world. Best known today are the 1924 fantasy novel The King of Elfland's Daughter,[1] and his first book, The Gods of Pegāna, which depicts a fictional pantheon. Many critics feel his early work laid grounds for the fantasy genre.[6]

"Edward Plunkett" redirects here. For other people named Edward Plunkett, see Edward Plunkett (disambiguation). For the peerage title, see Baron of Dunsany.


The Lord Dunsany

Edward John Moreton Drax Plunkett
(1878-07-24)24 July 1878
London, England

25 October 1957(1957-10-25) (aged 79)
Dublin, Ireland

Writer (short story writer, playwright, novelist, poet)

English

Irish, British

Crime, high fantasy, horror, science fiction, weird fiction

Early short story collections, The King of Elfland's Daughter, The Gods of Pegāna

Lady Beatrice Child Villiers
(m. 1904)

1

Born in London as heir to an old Irish peerage, he was raised partly in Kent, but later lived mainly at Ireland's possibly longest-inhabited home, Dunsany Castle near Tara. He worked with W. B. Yeats and Lady Gregory supporting the Abbey Theatre and some fellow writers. He was a chess and pistol champion of Ireland, and travelled and hunted. He devised an asymmetrical game called Dunsany's chess. In later life, he gained an honorary doctorate from Trinity College Dublin. He retired to Shoreham, Kent, in 1947. In 1957 he took ill when visiting Ireland and died in Dublin of appendicitis.

Biography[edit]

Early life[edit]

Edward Plunkett (Dunsany), known to his family as "Eddie", was the first son of John William Plunkett, 17th Baron of Dunsany (1853–1899), and his wife, Ernle Elizabeth Louisa Maria Grosvenor Ernle-Erle-Drax (née Burton) (1855–1916).[7]


From a historically wealthy and famous family, Lord Dunsany was related to many well-known Irish figures. He was a kinsman of the Catholic Saint Oliver Plunkett, the martyred Archbishop of Armagh whose ring and crozier head are still held by the Dunsany family. He was also related to the prominent Anglo-Irish unionist and later nationalist / Home Rule politician Sir Horace Plunkett and George Count Plunkett, Papal Count and Republican politician, father of Joseph Plunkett, executed for his part in the 1916 Rising.


His mother was a cousin of Sir Richard Burton, and he inherited from her considerable height, being 1.93 metres tall (6'4"). The Countess of Fingall, wife of Dunsany's cousin, the Earl of Fingall, wrote a best-selling account of the life of the aristocracy in Ireland in the late 19th century and early 20th century called Seventy Years Young.


Plunkett's only adult sibling, a younger brother, from whom he was estranged from about 1916, for reasons not fully clear but connected to his mother's will, was the noted British naval officer Sir Reginald Drax. Another younger brother died in infancy.


Edward Plunkett grew up at the family properties, notably Dunstall Priory in Shoreham, Kent, and Dunsany Castle in County Meath, but also in family homes such as in London. His schooling was at Cheam, Eton College and the Royal Military College, Sandhurst, which he entered in 1896.

Most of Dunsany's plays were performed in his lifetime, some many times in many venues, including the , Broadway and Off-Broadway. At one time, five ran simultaneously in New York, possibly all on Broadway,[21] On another occasion he was being performed in four European capitals as well as New York.

West End

Memberships, awards and honours[edit]

Lord Dunsany was a Fellow of the Royal Society of Literature,[30] a member and at one point President of the Authors' Society, and likewise President of the Shakespeare Reading Society from 1938 until his death in 1957, when he was succeeded by Sir John Gielgud.[31]


Dunsany was also a Fellow of the Royal Geographical Society and an honorary member of the Institut Historique et Heraldique de France. He was initially an Associate Member of the Irish Academy of Letters, founded by Yeats and others, and later a full member. At one of their meetings, after 1922, he asked Seán Ó Faoláin, who was presiding, "Do we not toast the King?" Ó Faoláin replied that there was only one toast: to the Nation; but after it was given and O'Faolain had called for coffee, he saw Dunsany, standing quietly among the bustle, raise his glass discreetly, and whisper "God bless him".[32]


The Curse of the Wise Woman received the Harmsworth Literary Award in Ireland.


Dunsany received an honorary doctorate, D.Litt., from Trinity College Dublin, in 1940.


In 1950, he was nominated for the Nobel Prize in Literature by Irish PEN, citing his fiction, poetry, and support for younger writers. However, after a negative appraisal by Per Hallström, the Nobel Committee did not consider him for the prize,[33] which was won that year by Bertrand Russell.[34]

Dunsany studied Greek and Latin, particularly and Herodotus, the "Father of History". Dunsany wrote in a letter: "When I learned Greek at Cheam and heard of other gods a great pity came on me for those beautiful marble people that had become forsaken and this mood has never quite left me."1

Greek drama

The : In a letter to Frank Harris, Dunsany wrote: "When I went to Cheam School I was given a lot of the Bible to read. This turned my thoughts eastward. For years no style seemed to me natural but that of the Bible and I feared that I never would become a writer when I saw that other people did not use it."

King James Bible

The Library of Dunsany Castle had a wide-ranging collection dating back centuries and comprising many classic works, from early encyclopaedias through parliamentary records, Greek and Latin works to Victorian illustrated books.

His father's tale about also influenced him.[35]

ancient Egypt

He was affected by the of the Brothers Grimm and Hans Christian Andersen, and by the work of Edgar Allan Poe.[36]

fairy tales

and his works set in India were also read by him.[35]

Rudyard Kipling

speech patterns were an influence.

Irish

The Darling of the Gods, a stage play written by and John Luther Long, was first performed in 1902–1903. It presents a fantastical, imaginary version of Japan that powerfully affected Dunsany and may be a template for his own imaginary kingdoms.

David Belasco

who wrote the line "Time and the Gods are at strife" in his 1866 poem "Hymn to Proserpine": Dunsany later realised this was his unconscious influence for the title Time and the Gods.

Algernon Charles Swinburne

The heroic romances of , set in imaginary lands of the author's creation affected him, such as The Well at the World's End.[37]

William Morris

Dunsany's 1922 novel Don Rodriguez: Chronicles of Shadow Valley seems to draw openly on ' Don Quixote de la Mancha (1605 and 1615).

Cervantes

Dunsany named his play The Seventh Symphony, collected in Plays for Earth and Air [1937], after , which was one of Dunsany's favourite works of music.[38] One of the last Jorkens stories returns to this theme, referring to Beethoven's Tenth Symphony.

Beethoven's 7th Symphony

wrote to Dunsany in 1912 asking for help in getting his poetry published. After a delay due to a hunting trip in Africa, Dunsany invited him to his home and they met and corresponded regularly thereafter. Dunsany was so impressed that he helped with publication and with introductions to literary society. Dunsany, trying to discourage Ledwidge from joining the army when the First World War broke out, offered him financial support. Ledwidge, however, joined up and found himself for a time in the same unit as Dunsany, who helped with the publication of his first collection, Songs of the Fields – a critical success on its release in 1915. Ledwidge kept in contact with Dunsany through the war, sending him poems. He was killed at the Battle of Passchendaele in 1917, even as his second collection of poetry, also selected by Dunsany, circulated. Dunsany later arranged for a third collection to appear, and later still a first Collected Edition. Some unpublished Ledwidge poetry and drama, given or sent to Dunsany, are still held at the Castle.

Francis Ledwidge

who received support and encouragement from Dunsany over many years.

Mary Lavin

although he rarely acted as such, selected and edited a collection of Dunsany's work in 1912.

William Butler Yeats

a poet writing in a classical style, received support from Dunsany.

Lady Wentworth

was much impressed by Dunsany after seeing him on a speaking tour of the United States. His "Dream Cycle" stories, his dark pseudo-history of how the universe came to be, and his god Azathoth all clearly show Dunsany's influence. He once wrote: "There are my 'Poe' pieces and my 'Dunsany' pieces – but alas – where are my Lovecraft pieces?"[39]

H. P. Lovecraft

placed Dunsany in a list of his favourite poets in a 1932 letter to Lovecraft.[40]

Robert E. Howard

was a fan of Dunsany's work, which had some influence on his fantasy stories.[41]

Clark Ashton Smith

according to John D. Rateliff's report,[42] presented Clyde S. Kilby with a copy of The Book of Wonder as a preparation for his auxiliary role in compiling and developing The Silmarillion in the 1960s.[43] Tolkien's letters and divulged notes made allusions to two stories found in the volume, "Chu-Bu and Sheemish" and "The Distressing Tale of Thangobrind the Jeweller."[44] Dale J. Nelson has argued in Tolkien Studies 01 that Tolkien may have been inspired by another of The Book of Wonder tales, "The Hoard of the Gibbelins," while writing a poem, "The Mewlips", included in The Adventures of Tom Bombadil.[45]

J. R. R. Tolkien

Mexican film-maker, cited Dunsany as an influence; He dedicated his book The Hollow Ones to him among other "old-school horror/fantasy writers".[46]

Guillermo del Toro

expressed admiration for Dunsany and wrote an introduction to a collection of his stories. Some commentators have seen links between The King of Elfland's Daughter and Gaiman's Stardust (book and film). This is seemingly supported by a comment of Gaiman's quoted in The Neil Gaiman Reader.

Neil Gaiman

included Dunsany's short story "The Idle City" in Antología de la Literatura Fantástica (1940, revised 1976). He also, in his essay "Kafka and His Precursors," included Dunsany's story "Carcassonne" as one text that presaged or paralleled Franz Kafka's themes.[47]

Jorge Luis Borges

in a 7 February 1927 letter to H. P. Lovecraft, listed Dunsany's The King of Elfland's Daughter among his collection of "weird books" that Wandrei had read.[48]

Donald Wandrei

much admired Dunsany's "plays and fantasy", according to his biographer, Brian Taves.[49]

Talbot Mundy

an avid Dunsany reader as a young man, mentions him in a short fantasy story, "Mr. Packer Goes to Hell" (1941).[50]

Cyril M. Kornbluth

enjoyed Dunsany's work and corresponded with him between 1944 and 1956. The letters are collected in Arthur C. Clarke & Lord Dunsany: A Correspondence. Clarke also edited and allowed the use of an early essay as an introduction to a volume of The Collected Jorkens. The essay acknowledges the link between Jorkens and Tales from the White Hart.

Arthur C. Clarke

esteemed Dunsany's fiction.[51]

Manly Wade Wellman

was an admirer of Dunsany's work. Her story "The Man Who Sold Rope to the Gnoles" (1951) is a sequel to Dunsany's "How Nuth Would Have Practised His Art Upon the Gnoles".[52]

Margaret St. Clair

stated in an interview that Dunsany inspired her to write fantasy.[53]

Evangeline Walton

was a keen reader of Dunsany's work as a child.[54]

Jack Vance

was influenced by Dunsany.[55]

Michael Moorcock

cites Dunsany as an influence and wrote an introduction to one of the recent reprint editions.

Peter S. Beagle

once named Lord Dunsany as his personal favourite fantasy writer and recommended him to aspiring authors.[56]

David Eddings

used a Dunsany poem to open his 2004 work The Knight.[57]

Gene Wolfe

's 1948 novel The Well of the Unicorn was written as a sequel to Dunsany's play King Argimenes and the Unknown Warrior.

Fletcher Pratt

in an essay on style in fantasy, "From Elfland to Poughkeepsie", called Dunsany the "First Terrible Fate that Awaiteth Unwary Beginners in Fantasy", alluding to a common practice among young writers at the time to attempt to write in Lord Dunsany's style.[58]

Ursula K. Le Guin

has acknowledged Dunsany as an influence.[59]

M. J. Engh

author of numerous non-fantasy "blessing books" employing turn-of-the-century artwork, uses a pen name based on two of Lord Dunsany's famous stories.[60]

Welleran Poltarnees

's 1975 short story collection The House of the Worm is a double pastiche of Dunsany and Lovecraft.[61]

Gary Myers

acknowledged the influence of Lord Dunsany on his work and wrote him an epitaph included in "Herba de aquí e de acolá".

Álvaro Cunqueiro

List of fantasy authors

List of horror fiction authors

Amory, Mark (1972). A Biography of Lord Dunsany. London: Collins.  0002114844.

ISBN

, ed. (1948). The Checklist of Fantastic Literature. Chicago: Shasta Publishers. pp. 104–105. OCLC 1113926.

Bleiler, Everett

Braybrooke, Neville; (2004). Olivia Manning: A Life. London: Chatto and Windus. ISBN 978-0-7011-7749-2. OCLC 182661935.

Braybrooke, June

(1989). Cairo in the War, 1939–1945. London: Hamish Hamilton. ISBN 978-0-241-13280-7. OCLC 29519769.

Cooper, Artemis

Joshi, S. T.

(1995). Lord Dunsany: Master of the Anglo-Irish Imagination. New Jersey: Greenwood Press.

Joshi, S. T.

Joshi, S. T. "Lord Dunsany: The Career of a Fantaisiste" in (ed.). Discovering Classic Fantasy Fiction, Gillette, NJ: Wildside Press, 1996, pp. 7–48.

Schweitzer, Darrell

Schweitzer, Darrell. "Lord Dunsany: Visions of Wonder". Studies in Weird Fiction 5 (Spring 1989), pp. 20–26

Smith, Hazel Littlefield (1959). Lord Dunsany: King of Dreams: A Personal Portrait. New York: Exposition.

Touponce, William F. (2013). Lord Dunsany, H.P. Lovecraft, and Ray Bradbury: Spectral Journeys. Lanham, Maryland: . ISBN 978-0-8108-9219-4.

Scarecrow Press

(June 1973). "The World's Edge, and Beyond: The Fiction of Dunsany, Eddison, and Cabell". Imaginary Worlds: The Art of Fantasy. Vol. 58. New York: Ballantine Books. pp. 27–48. ISBN 0-345-03309-4.

Carter, Lin

at Standard Ebooks

Works by Lord Dunsany in eBook form

at Project Gutenberg

Works by Lord Dunsany

at Internet Archive

Works by or about Lord Dunsany

at Faded Page (Canada)

Works by Edward Plunkett

at LibriVox (public domain audiobooks)

Works by Lord Dunsany

at Online Books

Works by Lord Dunsany

: the author's page in the official family site

Lord Dunsany

at the Harry Ransom Center

Lord Dunsany Collection

including cover images and summaries

Dunsany Bibliography

extensively cross-referenced

A Lord Dunsany Bibliography

by Jo Walton

Review of Lord Dunsany's short stories

Lord Dunsany and Chess (2006)

Edward Winter