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Erich Auerbach

Erich Auerbach (November 9, 1892 – October 13, 1957) was a German philologist and comparative scholar and critic of literature. His best-known work is Mimesis: The Representation of Reality in Western Literature, a history of representation in Western literature from ancient to modern times frequently cited as a classic in the study of realism in literature.[1] Along with Leo Spitzer, Auerbach is widely recognized as one of the foundational figures of comparative literature.[2][3][4][5]

For the Czech photographer, see Erich Auerbach (photographer).

Erich Auerbach

Biography[edit]

Auerbach, who was Jewish and born in Berlin, was trained in the German philological tradition and eventually became, along with Leo Spitzer, one of its best-known scholars.[6] After participating as a combatant in World War I, he earned a doctorate in 1921 at the University of Greifswald, served as librarian at the Prussian State Library for some years,[7] and in 1929 became a member of the philology faculty at the University of Marburg, publishing a well-received study titled Dante: Poet of the Secular World.


With the rise of National Socialism Auerbach was forced to vacate his position in 1935. Exiled from Nazi Germany, he took up residence in Istanbul, Turkey, where he wrote Mimesis: The Representation of Reality in Western Literature (1946), generally considered his masterwork.[8]: 4  He was chair of the faculty for Western languages and literatures at Istanbul University from 1936 to 1947.[9] Auerbach's life and work in Turkey is detailed and placed in historical and sociological context in Kader Konuk's East West Mimesis: Auerbach in Turkey (2010).[9]


Auerbach moved to the United States in 1947, teaching at Pennsylvania State University and then working at the Institute for Advanced Study. He was appointed professor of Romance philology at Yale University in 1950, a position he held until his death in 1957 in Wallingford, Connecticut.[10]


While at Yale, Auerbach was one of Fredric Jameson's teachers.[11]

Reception[edit]

In the 50-year commemoration reprinting of Auerbach's Mimesis, Edward Said of Columbia University included an extended introduction to Auerbach and mentioned the book's debt to Giambattista Vico, writing: "As one can immediately judge by its subtitle, Auerbach's book is by far the largest in scope and ambition out of all the other important critical works of the past half century. Its range covers literary masterpieces from Homer and the Old Testament right through to Virginia Woolf and Marcel Proust, although as Auerbach says apologetically at the end of the book, for reasons of space he had to leave out a great deal of medieval literature as well as some crucial modern writers like Pascal and Baudelaire."[12]

Roman Filolojisine Giriş Istanbul Universitesi Edebiyat Fakultesi: Horoz Yayinevi, 1944.

Scenes from the Drama of European Literature. New York: Meridian, 1959. Republished 1984 by Manchester University Press.  0-7190-1457-3.

ISBN

Dante: Poet of the Secular World Trans. . New York: NYRB Classics, 1929, 1961, 2007. ISBN 978-1-59017-219-3.

Ralph Manheim

Figura, 1938

Mimesis: Dargestellte Wirklichkeit in der abendländischen Literatur

Princeton University Press

Literary Language and Its Public in Late Latin Antiquity and in the Middle Ages. Trans. Ralph Manheim. Princeton: Princeton University Press, 1993.  978-0-691-02468-4.

ISBN

Time, History, and Literature: Selected Essays of Erich Auerbach. Ed. James I. Porter. Trans. Jane O. Newman. Princeton University Press, 2013.  978-0-691-13711-7.

ISBN

. "Mimesis as Performance: Rereading Auerbach’s First Chapter." Poetics Today 20.1 (1999): 11–26.

Bakker, Egbert

Baldick, Chris. "Realism." Oxford Concise Dictionary of Literary Terms. New York: , 1996. 184.

Oxford University Press

Bremmer, Jan. "Erich Auerbach and His Mimesis." Poetics Today 20.1 (1999): 3–10.

. "Erich Auerbach’s Mimesis – ’Tis Fifty Years Since: A Reassessment." Style 33.3 (1999): 463–474.

Calin, William

. "Auerbach y la literatura comparada ante Babel." Cuadernos de teoría y crítica 3 (2017): 137–149.

Domínguez, César

Doran, Robert. "." New Literary History 38.2 (2007): 353–369.

Literary History and the Sublime in Erich Auerbach´s Mimesis

Doran, Robert. "Erich Auerbach's Humanism and the Criticism of the Future." Moderna: semestrale di teoria e critica della letteratura 11.1/2 (2009): 31–39.

Green, Geoffrey. "Erich Auerbach." Literary Criticism & the Structures of History: Erich Auerbach & Leo Spitzer. Nebraska: , 1982.

University of Nebraska Press

Holmes, Jonathan, and Streete, Adrian, eds. Refiguring Mimesis: Representation in Early Modern Literature. Hatfield: , 2005.

University of Hertfordshire Press

Holquist, Michael. "Erich Auerbach and the Fate of Philology Today." Poetics Today 20.1 (1999): 77–91.

Landauer, Carl. "Mimesis and Erich Auerbach’s Self-Mythologizing." German Studies Review 11.1 (1988): 83–96.

Lerer, Seth, Literary History and the Challenge of Philology: The Legacy of Erich Auerbach. Stanford: , 1996.

Stanford University Press

(2005). "Auerbach, Erich". Johns Hopkins Guide to Literary Theory and Criticism (2 ed.). Johns Hopkins University Press. Archived from the original on 2005-10-30. Retrieved 2004-01-13.

Lerer, Seth

Nuttall, A. D. "New Impressions V: Auerbach’s Mimesis." Essays in Criticism 54.1 (2004): 60–74.

Porter, James I. "Erich Auerbach and the Judaizing of Philology." Critical Inquiry 35 (2008): 115–47.

Said, Edward. "Fifty Year Anniversary of Mimesis," included in Fifty Year Anniversary edition of Mimesis. Princeton University Press, 2003.

Bibliography

Sebastian Sobecki (2006). "Erich Auerbach". In Bautz, Traugott (ed.). (in German). Vol. 26. Nordhausen: Bautz. cols. 55–71. ISBN 3-88309-354-8.

Biographisch-Bibliographisches Kirchenlexikon (BBKL)

by Erich Auerbach, Editor by Beyaz Arif Akbas, Yalnizgoz Books, Edirne 2011 (in Turkish)

Rousseau Hakkinda Bir Baslangic Yazisi