Philology
Philology (from Ancient Greek φιλολογία (philología) 'love of word') is the study of language in oral and written historical sources. It is the intersection of textual criticism, literary criticism, history, and linguistics with strong ties to etymology.[1][2][3] Philology is also defined as the study of literary texts and oral and written records, the establishment of their authenticity and their original form, and the determination of their meaning. A person who pursues this kind of study is known as a philologist. In older usage, especially British, philology is more general, covering comparative and historical linguistics.[4][5]
Not to be confused with philosophy.
Classical philology studies classical languages. Classical philology principally originated from the Library of Pergamum and the Library of Alexandria[6] around the fourth century BC, continued by Greeks and Romans throughout the Roman and Byzantine Empire. It was eventually resumed by European scholars of the Renaissance, where it was soon joined by philologies of other European (Germanic, Celtic), Eurasian (Slavistics, etc.), Asian (Arabic, Persian, Sanskrit, Chinese, etc.), and African (Egyptian, Nubian, etc.) languages. Indo-European studies involve the comparative philology of all Indo-European languages.
Philology, with its focus on historical development (diachronic analysis), is contrasted with linguistics due to Ferdinand de Saussure's insistence on the importance of synchronic analysis. While the contrast continued with the emergence of structuralism and the emphasis of Noam Chomsky on syntax, research in historical linguistics often relies on philological materials and findings.
Etymology[edit]
The term philology is derived from the Greek φιλολογία (philología),[7] from the terms φίλος (phílos) 'love, affection, loved, beloved, dear, friend' and λόγος (lógos) 'word, articulation, reason', describing a love of learning, of literature, as well as of argument and reasoning, reflecting the range of activities included under the notion of λόγος. The term changed little with the Latin philologia, and later entered the English language in the 16th century, from the Middle French philologie, in the sense of 'love of literature'.
The adjective φιλόλογος (philólogos) meant 'fond of discussion or argument, talkative', in Hellenistic Greek, also implying an excessive ("sophistic") preference of argument over the love of true wisdom, φιλόσοφος (philósophos).
As an allegory of literary erudition, philologia appears in fifth-century postclassical literature (Martianus Capella, De nuptiis Philologiae et Mercurii), an idea revived in Late Medieval literature (Chaucer, Lydgate).
The meaning of "love of learning and literature" was narrowed to "the study of the historical development of languages" (historical linguistics) in 19th-century usage of the term. Due to the rapid progress made in understanding sound laws and language change, the "golden age of philology" lasted throughout the 19th century, or "from Giacomo Leopardi and Friedrich Schlegel to Nietzsche".[8]
Contention[edit]
In English-speaking countries, usage of the term "philology" to describe work on languages and works of literature, which had become synonymous with the practices of German scholars, was abandoned as a consequence of anti-German feelings following World War I.[12] Most continental European countries still maintain the term to designate departments, colleges, position titles, and journals. J. R. R. Tolkien opposed the nationalist reaction against philological practices, claiming that "the philological instinct" was "universal as is the use of language".[13][14] In British English usage, and British academia, philology remains largely synonymous with "historical linguistics", while in US English, and US academia, the wider meaning of "study of a language's grammar, history and literary tradition" remains more widespread.[15][16] Based on the harsh critique of Friedrich Nietzsche, some US scholars since the 1980s have viewed philology as responsible for a narrowly scientistic study of language and literature.[12]
Disagreements in the modern day of this branch of study are followed with the likes of how the method is treated amongst other scholars, as noted by both the philologists R.D Fulk and Leonard Neidorf who have been quoted saying "This field "philology's commitment to falsification renders it "at odds with what many literary scholars believe because the purpose of philology is to narrow the range of possible interpretations rather than to treat all reasonable ones as equal".[17] This use of falsification can be seen in the debate surrounding the etymology of the Old English character Unferth from the heroic epic poem Beowulf.
James Turner further disagrees with how the use of the term is dismissed in the academic world, stating that due to its branding as a "simpleminded approach to their subject"[18] the term has become unknown to college-educated students, furthering the stereotypes of "scrutiny of ancient Greek or Roman texts of a nit-picking classicist" and only the "technical research into languages and families".[19]
In popular culture[edit]
In the Space Trilogy by C. S. Lewis, the main character, Elwin Ransom, is a philologist – as was Lewis' close friend J. R. R. Tolkien.
Dr. Edward Morbius, one of the main characters in the science fiction film Forbidden Planet, is a philologist.
Philip, the main character of Christopher Hampton's 'bourgeois comedy' The Philanthropist, is a professor of philology in an English university town.
Moritz-Maria von Igelfeld, the main character in Alexander McCall Smith's 1997 comic novel Portuguese Irregular Verbs is a philologist, educated at Cambridge.
The main character in the Academy Award Nominee for Best Foreign Language Film in 2012, Footnote, is a Hebrew philologist, and a significant part of the film deals with his work.
The main character of the science fiction TV show Stargate SG-1, Dr. Daniel Jackson, is mentioned as having a PhD in philology.