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Fifteen (song)

"Fifteen" is a song written and recorded by the American singer-songwriter Taylor Swift for her second studio album, Fearless (2008). Inspired by Swift's high-school freshman year, the lyrics narrate how she and her friend Abigail Anderson, both at 15, experience teenage heartbreak and realize life aspirations. Swift included the track on the album after Anderson consented to the personal references. She and Nathan Chapman produced "Fifteen", a country pop song with a prominent pop melody. Big Machine Records released "Fifteen" to US country radio on August 31, 2009, as the fourth single from Fearless.

This article is about the Taylor Swift song. For other uses, see 15 (disambiguation) § Songs.

"Fifteen"

August 31, 2009 (2009-08-31)

2008

Blackbird (Nashville)

4:55

Taylor Swift

Swift partnered with the electronics retailer Best Buy for "@15", a charity initiative for teenagers. "Fifteen" peaked at number 23 on the US Billboard Hot 100 and was certified double platinum by the Recording Industry Association of America. It peaked at number 19 on the Canadian Hot 100 and was certified gold by Music Canada. Music critics lauded Swift's songwriting on "Fifteen" for portraying teenage experiences with vivid storytelling and catchy hooks, with many picking it as an album and career highlight. The single won a Teen Choice Award for Choice Country Song. Some feminist authors criticized the lyrics mentioning Anderson's disappointment after she "gave everything she had to a boy who changed his mind" as sex-negative.


Roman White directed the music video for "Fifteen", which was filmed using a green screen and features Swift walking through a garden, where she relives many memories with Anderson. It received a nomination for Best Female Video at the 2010 MTV Video Music Awards. Swift included "Fifteen" on the regular set lists of her first two headlining tours, the Fearless Tour (2009–2010) and the Speak Now World Tour (2011–2012), and on a few dates of her later tours. After a 2019 dispute regarding the ownership of Swift's back catalog, she released a re-recorded version, "Fifteen (Taylor's Version)", as part of her re-recorded album Fearless (Taylor's Version), on April 9, 2021.

Background[edit]

Taylor Swift wrote songs for her second studio album, Fearless, while touring as an opening act for other country musicians to promote her self-titled debut studio album during 2007–2008, when she was 17–18 years old.[1][2] Continuing the romantic themes of her first album, Swift wrote songs about love and personal experiences from the perspective of a teenage girl to ensure her fans could relate to Fearless. To this extent, Swift said that nearly every album track had a "face" that she associated with it.[3] The end product is a collection of songs about the challenges of love with prominent high-school and fairy-tale lyrical imagery.[4] Swift and the producer Nathan Chapman recorded over 50 songs for Fearless, and "Fifteen" was one of the 13 tracks that made the final cut.[5] They produced the track, and Justin Niebank mixed it at Blackbird Studios in Nashville.[6]


Swift began writing "Fifteen" with the lyric "And Abigail gave everything she had to a boy/ Who changed his mind/ We both cried", which eventually became the song's bridge, and continued writing everything else in a backwards manner.[7] The song was written about Swift's freshman year of high school at Hendersonville High School,[7][8] where she met her then best friend Abigail Anderson.[9] "I just decided I really wanted to tell that story about our first year of high school because I felt in my freshman year, I grew up more than any year in my life so far", Swift stated.[7] The events it focused on were how both Swift and Anderson fell in love for the first time, but both suffered heartbreaks.[9] Aside from reminiscing on the events she and Anderson experienced, Swift wrote cautionary lyrics, intended to target teenage girls entering or already in their freshman year of high school. She described it as incorporating things she wished someone would have told her in a song when she was younger.[10] "The thing about high school, you don't know anything. You don't know anything, but you think you know everything", Swift said.[9]


After the completion of composing "Fifteen", Swift became very nervous to show Anderson the song, for she did not know how her friend would respond. "It was a really personal song, especially from her angle of it." However, when Swift performed the song for Anderson and asked whether she was comfortable with the song, Anderson confirmed: "She said, 'Does it bother you that your name is in a song that's so personal?' And it really doesn't just because of the way Taylor and I feel about it. If one girl can kind of learn from it or connect to a song like that, it's totally worth it."[10] With Anderson's consent, Swift recorded "Fifteen" with producer Nathan Chapman, who produced all but one track on Swift's 2006 eponymous debut album, Taylor Swift.[11] Recording the highly personal track caused Swift to cry. Swift attributed the event to the fact that she is most likely to cry over when her loved ones undergo pain, as she witnesses it, rather than her own experiences. She went to say "Fifteen" usually gets her every time.[12]

Composition[edit]

"Fifteen" is a country pop[13][14] ballad[15][16] that lasts 4 minutes and 55 seconds.[17] Driven by a mandolin,[16] it is set in common time and has a moderate tempo of 96 beats per minute.[18] It is written in the key of G major and Swift's vocals spans a little over one octave, from G3 to C5.[18] It follows the chord progression Gsus2–Csus2–Em–Csus2.[18] It concludes with an outro that consists of Swift singing "la la la"[19] and rephrasing the song's opening lines.[18]


Many critics described "Fifteen" as a straightforward pop song with a prominent pop melody;[20] Larry Rodgers of The Arizona Republic described it as "roots pop",[21] and John Terauds of the Toronto Star deemed it guitar pop.[22] Terauds and Tom Gardner of The Daily Gleaner wrote that "Fifteen" was musically reminiscent of Janis Ian's "At Seventeen" (1975).[23] Grady Smith of Rolling Stone listed "Fifteen" as one of the "countriest" songs Swift has ever released, stating the song was a good counterpart to the more radio-friendly "Love Story" and "You Belong with Me" during the Fearless-era.[24]


The lyrics of "Fifteen" have Swift narrating about multiple events. In the first verse, Swift details first entering high school with intentions of merely staying out of her peers' way. The second verse bears Swift meeting Anderson and gossiping about the school's queen bees with her. Successively, Swift describes first dates[25] and falling in love for the first time.[26] However, Swift and Anderson become heartbroken, revealing that Anderson "gave everything she had" to someone who later changed his mind.[19] The song's refrains have Swift cautioning young girls to not fall in love easily and acknowledging that she came to the realization of being able to accomplish more than dating a football team member.[26]

Critical reception[edit]

In reviews of Fearless, critics lauded Swift's songwriting craftsmanship on "Fifteen". Grady Smith of Rolling Stone wrote that while "Love Story" and "You Belong with Me" brought Swift to mainstream fame, "Fifteen" consolidated her status as a songwriter because it is a "deftly worded tune" that deals with subject matters like "the perils of high school, young love and even the loss of virginity".[24] Many reviewers recommended "Fifteen" for download.[a] Elysa Gardner of USA Today and Chris Richards of The Washington Post opined that its adolescent sentiments are genuine and authentic, as opposed to the general music by other teenage artists,[30][31] a sentiment that was corroborated by Leah Greenbelt of Entertainment Weekly ("When she sings about sexuality, she sounds like a real teen, not some manufactured vixen-Lolita")[32] and Craig Mathieson of The Age ("[The song] is high-school angst that rings truer than most eruptions of mall-boy emo").[33] James Reed of The Boston Globe wrote, "You can practically see the lyrics ... scribbled in a diary."[34]


Elysa Gardner, the Telegram & Gazette's Craig S. Semon, and The Guardian's Alexis Petridis added that the track showcased a precociousness.[30][35][36] Stephen Thomas Erlewine of AllMusic found that Swift portrays "a big sister instead of a big star" in "Fifteen", which exemplified her "maturation" that was "deliberate and careful".[17] Ken Tucker of Billboard believed the song could appeal with teenagers looking for hope and adult women reminiscing the past,[37] and Rob Sheffield of Blender wrote that the track showcased an "adult restraint" while still letting the teenage sentiments shine.[38] In The Village Voice, Josh Love selected "Fifteen" as a standout for showcasing Swift's "sharp, unsparing" talent for portraying high-school romance as "neither as fairy tale nor tragedy, but instead as the mixed-up cycle of fun and frustration it really is", compared to other "ridiculously idealized" country songs.[26] Semon was impressed by Swift's ability at 18 years old to look back at her early teenage years with mature hindsight,[35] but Petridis thought that it was "a bit creepy" to see an 18-year-old reflecting through "wizened-but-wise eyes", writing: "You applaud her skill, while feeling slightly unsettled by the thought of a teenager pontificating away like Yoda."[36]


Other critics commented on the melody. Tucker wrote that "no one speaks with more authority and catchy precision than Taylor Swift".[39] Greenbalt said that "Fifteen" was a "beautifully crafted" song,[32] and the Belfast Telegraph hailed it as a "really great modern pop song".[20] Writing for the Philadelphia Daily News, Jonathan Takiff described the sound as "equally endearing, vulnerable and flirty".[14] Jody Rosen, in a review for Rolling Stone, selected "Fifteen" as a demonstration of Swift as "a songwriting savant with an intuitive gift for verse-chorus-bridge architecture". Rosen compared her songwriting to that of the producers Dr. Luke and Max Martin, whom he referred to as "Swedish pop gods".[40] He also thought the song contained Swift's "peculiar charm": "Her music mixes an almost impersonal professionalism—it's so rigorously crafted it sounds like it has been scientifically engineered in a hit factory—with confessions that are squirmingly intimate and true."[40] In a less enthusiastic review, Jonathon Keefe of Slant Magazine agreed that the lyrics, particularly those in the bridge, made it clear why Swift's music resonated "so strongly with her audience", but he criticized the vocals in the outro as "noticeably, consistently flat by anywhere from a quarter to a half pitch".[19]


Jon Caramanica of The New York Times said "Fifteen" was one of Swift's best-written songs.[41] Prior to its single release, Kate Kiefer of Paste magazine suggested for the song be released as a single from Fearless, adding that she loved it.[25] Aidan Vaziri of San Francisco Chronicle ranked it twelfth on his top 12 singles of 2009 list, commenting, "Damn it if this song isn't too sweet, too vulnerable and just too real to ignore."[42] On a negative side, some critics took issue with the alleged themes of idealized femininity and virginity, interpreting the lyrics mentioning Anderson's disappointment after she "gave everything she had to a boy who changed his mind" as sex-negative and encouraging the idea of submissive femininity.[43][44]

Release and commercial performance[edit]

Following the release of Fearless, on the week ending November 29, 2008, "Fifteen" debuted at number 79 on the Billboard Hot 100[45] Its appearance, along with six other songs, on the chart tied Swift with Hannah Montana (Miley Cyrus) for the female act to have the most songs charting on the Billboard Hot 100 in the same week,[46] a record later surpassed by Swift herself when she charted 16 songs at once in 2020.[47] It re-entered at number 94 on the week ending October 3, 2009, after its single release.[48]


"Fifteen" was released to US country radio on August 31, 2009, by Big Machine Records.[49] On the week ending December 19, 2009, "Fifteen" reached its peak at number 23 on the Billboard Hot 100,[50] and, on the week ending February 6, 2010, spent its last week at number 40,[51] after 21 weeks on the chart.[50] The song is one of 13 songs from Fearless charted within the top 40 of the Billboard Hot 100, breaking the record for the most top 40 entries from a single album.[52] The single was certified double platinum by the Recording Industry Association of America.[53] As of November 2017, "Fifteen" has sold over 1.5 million copies in the United States.[54]


"Fifteen" debuted at number 41 on Hot Country Songs.[55] It jumped to number 31 in its second week and on the week ending November 7, 2009, it entered the top 10 at number 10.[55][56] Six weeks later, it reached its peak at number seven on the week ending December 12, 2009.[57] The single became her second single that did not reach the top three of Hot Country Songs since her debut single "Tim McGraw". "Fifteen" also peaked at number 10 on Pop Songs, number 12 on Adult Contemporary, and number 14 on Adult Pop Songs.[50]


On the week ending January 23, 2010, the song peaked at number 19 in Canada.[50] It was certified gold by Music Canada for sales of 40,000 digital downloads.[58] "Fifteen" peaked at number 48 in Australia on the week ending December 13, 2009.[59]

@15[edit]

Swift partnered with electronics retailer Best Buy for @15, a program that allowed teens to help decide how Best Buy's "@15 Fund" would be distributed among various charities. Swift taped a Public Service Announcement (PSA), called a "Teen Service Announcement" by Best Buy, for @15. Within the PSA, which was released on February 9, 2009, scenes of Swift reminiscing on high school and encouraging originality and uniqueness were inter-cut with scenes of her singing "Fifteen".[88] In June 2009, @15 became a partner for Swift's Fearless Tour. The announcement was shown at each stop during the North American leg of the tour. In fifteen tour stops, @15 donated forty concert tickets and a guitar autographed by Swift to local teen-oriented charity groups, such as chapters of Boys & Girls Clubs of America and Big Brothers Big Sisters.[89]

Taylor Swift – vocals, songwriter, producer

Nathan Chapman – producer

Drew Bollman – assistant mixer

Chad Carlson – recording engineer

Justin Niebank – mixer

Adapted from the liner notes of Fearless[90]

"Fifteen (Taylor's Version)"

April 9, 2021

4:54

Taylor Swift

Galloway, Kate (2020). "Musicking Fan Culture and Circulating the Materiality of Taylor Swift Musical Greeting Cards on YouTube". American Music. 38 (2): 240–261 – via Project MUSE.

Perone, James E. (2017). The Words and Music of Taylor Swift. The Praeger Singer-Songwriter Collection. . ISBN 978-1440852947.

ABC-Clio

Prins, Annelot (2020). "From awkward teen girl to aryan goddess meme: Taylor Swift and the hijacking of star texts". . 11 (1): 144–148. doi:10.1080/19392397.2020.1704431.

Celebrity Studies

Spencer, Liv (2010). Taylor Swift: Every Day Is a Fairytale – The Unofficial Story. . ISBN 978-1550229318.

ECW Press