Katana VentraIP

Godzilla vs. Kong

Godzilla vs. Kong is a 2021 American monster film directed by Adam Wingard. Produced by Legendary Pictures and distributed by Warner Bros. Pictures, it is a sequel to Kong: Skull Island (2017) and Godzilla: King of the Monsters (2019), and is the fourth film in the Monsterverse. It is also the 36th film in the Godzilla franchise, the 12th film in the King Kong franchise, and the fourth Godzilla film to be completely produced by an American film studio.[b] The film stars Alexander Skarsgård, Millie Bobby Brown, Rebecca Hall, Brian Tyree Henry, Shun Oguri, Eiza González, Julian Dennison, Lance Reddick, Kyle Chandler, and Demián Bichir. Brown and Chandler reprise their roles from the previous Godzilla film. In the film, Kong clashes with Godzilla after humans move the ape from Skull Island to the Hollow Earth, homeworld of the monsters known as "Titans", to retrieve a power source for a secret weapon intended to stop Godzilla's mysterious attacks.

This article is about the 2021 film. For the 1962 film, see King Kong vs. Godzilla.

Godzilla vs. Kong

Josh Schaeffer

  • March 24, 2021 (2021-03-24) (International)
  • March 31, 2021 (2021-03-31) (United States)

113 minutes[2]

United States

English

$155–200 million[a]

$470.1 million[9]

The project was announced in October 2015 when Legendary Pictures declared plans for a shared cinematic universe between Godzilla and King Kong. The film's writers' room was assembled in March 2017, and Wingard was announced as the director in May 2017. Principal photography began in November 2018 in Hawaii, Australia, and Hong Kong, and wrapped in April 2019.


After being delayed from a November 2020 release date due to the COVID-19 pandemic, Godzilla vs. Kong was theatrically released internationally on March 24, 2021, and in the United States on March 31, where it was released on HBO Max simultaneously. The film received generally positive reviews from critics, with praise for the visual effects and action sequences, but criticism towards the human characters. It broke several pandemic box office records, and grossed $470 million worldwide, against a production budget between $155–200 million and a break-even point of $330 million, making it the eighth-highest-grossing film of 2021. The film was a streaming hit, becoming the most successful launch title in HBO Max's history until it was overtaken by Mortal Kombat.[13]


A sequel, Godzilla x Kong: The New Empire, was released on March 29, 2024, with Wingard returning as director.

Plot[edit]

Five years after the dragon-like extraterrestrial King Ghidorah awakened the monstrous "Titans" around the world and was defeated by Godzilla,[c] Kong is monitored by Monarch within a giant dome on Skull Island, which has been taken over by the storm that previously kept it hidden from the world. Kong is visited by Jia, the last Iwi native and young adopted daughter of Kong expert Ilene Andrews. Jia is deaf and communicates via sign language.


Apex Cybernetics employee and Titan conspiracy podcast host Bernie Hayes extracts data suggesting sinister activities at Apex's Pensacola facility. Godzilla attacks the facility and Bernie stumbles on a massive device during the rampage. Madison Russell, a listener to Bernie's podcast, enlists Josh Valentine to investigate Godzilla's attacks.


Apex CEO Walter Simmons recruits former Monarch scientist and Hollow Earth theorist Nathan Lind to guide a search for a power source into the Hollow Earth, the Titans' homeworld. Lind is hesitant as his brother died in an expedition to the Hollow Earth due to a strong reverse-gravitational effect. He agrees when Walter reveals that Apex has developed HEAVs, specialized craft able to withstand the gravity field.


Lind convinces Andrews to let Kong guide them via an outpost in Antarctica. Lind, Andrews, and an Apex team led by Walter's daughter Maia board a barge escorted by the US Navy, carrying a sedated and restrained Kong. Godzilla attacks the convoy and defeats Kong, then retreats after the ships trick him into thinking they are destroyed. Kong is airlifted to the Hollow Earth entrance and the team follows him into the tunnel in the HEAVs.


Bernie joins Madison and Josh in their investigation. They sneak into the wrecked Apex base, discover a secret underground facility, and become locked into a hyperloop transport to Apex's Hong Kong headquarters where they find a test of Mechagodzilla. It is telepathically controlled by Ren Serizawa, the son of the late Ishirō Serizawa,[c] via neural networks from the severed head of Ghidorah.[c] Walter intends to harness the Hollow Earth's energy to overcome Mechagodzilla's power supply limitations.


Inside the Hollow Earth, Kong and the team find an ecosystem similar to Skull Island. In his species' ancestral throne room, they find the remains of an ancient war with Godzilla's kind and a glowing axe made from another Godzilla's dorsal plates. Identifying the power source, the Apex team sends its signature back to their Hong Kong base despite Andrews' protests. Attracted by Mechagodzilla's activation, Godzilla arrives in Hong Kong and drills a shaft directly into the throne room with his atomic breath. After provoking him with gunfire, Maia and the Apex team's HEAV is crushed by Kong. Kong, Andrews, Jia, and Lind ascend to Hong Kong, where Kong engages Godzilla in a ferocious final battle in which Godzilla emerges victorious, leaving Kong nearly dead.


Madison, Josh, and Bernie are caught by security and taken to Walter, who orders Ren to activate Mechagodzilla, which is then possessed by Ghidorah's consciousness. It kills Walter, electrocutes Ren, and overwhelms Godzilla. Lind revives the dying Kong by detonating the HEAV on his chest, acting like a defibrillator. Jia convinces Kong to help Godzilla. As Mechagodzilla overpowers both Titans, Josh momentarily short-circuits Mechagodzilla's controls with Bernie's liquor flask on its control panel. Godzilla then charges up Kong's axe with his atomic breath, allowing Kong to destroy Mechagodzilla. Madison, Bernie, and Josh reunite with Madison's father, Mark, while Godzilla and Kong acknowledge and make peace with each other before they go their separate ways, knowing that they will definitely see each other again some day.


Sometime later, Monarch establishes an observation post in Hollow Earth, where Kong now rules.

as Dr. Nathan Lind:
A Monarch geologist and chief cartographer who works closely with Kong and charts the mission into the Hollow Earth. Skarsgård described his character as a reluctant hero who is "not an alpha, bad-ass" and "thrown into this very dangerous situation and is definitely not equipped for it." Skarsgård called Nathan an homage to 1980s films like Indiana Jones, Romancing the Stone, Lethal Weapon, and Die Hard.[14][15][16][17] Skarsgård prepped for the film by researching the Hollow Earth,[18] and learning sign language to communicate with Kaylee Hottle.[19]

Alexander Skarsgård

as Madison Russell:
The daughter of Monarch scientists Mark and the late Emma Russell. Madison believes there is a reason for Godzilla's erratic behavior, suspecting a conspiracy formulated by the Apex Cybernetics. She proceeds to investigate with Josh Valentine and Bernie Hayes. Brown described the film as a coming of age story for Madison, noting that the character has "grown-up" and become more "independent" since the events of the previous film, stating, "Her storyline has definitely evolved greatly in the way she deals with things, her attitude towards life, how much more stronger [sic] of a person." Producer Alex Garcia described Madison as the "advocate for Godzilla in this film" who tries to "vindicate" Godzilla and his reasons.[8][20]

Millie Bobby Brown

as Dr. Ilene Andrews:
A Monarch anthropological linguist, and Jia's adoptive mother. Hall described her participation as "overwhelming" due to the film being her first project after her pregnancy, but found the experience "thrilling". Hall described Ilene as "the Jane Goodall of Kong".[17][21][22]

Rebecca Hall

as Bernie Hayes:
An Apex Cybernetics technician turned conspiracy theorist and whistleblower aiding Madison and Josh to expose Apex. Henry described Bernie as a "crackpot" with a level of "heart" and "loyalty". Henry noted that the tragic death of Bernie's wife shaped him to become a conspiracy theorist with a podcast and further elaborated, "his goal is to use the tools at his disposal to bring the truth to the people. I always refer to Bernie as Anonymous. He can see the injustices, but no one really listens to him." Due to Bernie's protective nature of Madison and Josh, Henry jokingly likened Bernie to Brienne of Tarth.[8][20]

Brian Tyree Henry

as Ren Serizawa:
The son of the late Monarch scientist Ishirō Serizawa, and Apex's chief technology officer,[23] who is the telepathic pilot for Mechagodzilla. Oguri described Ren's goal as trying to "protect the Earth"; however, the means to his goal differ from "everyone else, and his father." Oguri noted that Ren "sort of" followed in his father's footsteps but stated, "he doesn't believe he was heard by his father."[8] Wingard stated that the character was underwritten due to a lack of time to explore the character and felt it was interesting to leave him a mystery.[24]

Shun Oguri

as Maia Simmons:
A top-tier Apex Cybernetics executive, and Walter Simmons' daughter. González described her role as a "very smart woman behind a company". She described the film as "slightly comedic". González noted having enjoyed the fact that her character was a Latina woman with a high position within a company, and not forced into a stereotype.[17][25]

Eiza González

as Josh Valentine:
A friend of Madison aiding her and Bernie to investigate the source of Godzilla's erratic behavior. Dennison described his character as a "nerd" and Madison as his "only friend". Dennison called Josh, Madison's "tech wingman", and the "realist in the duo", stating, "he kind of brings it, 'Oh, we shouldn't do that because we'll die.' And she's, 'No, it will be fine.' So, I think they play very well. And they're a very good mix of just craziness." Dennison screen-tested with Brown using scenes from Romeo and Juliet.[8][17][20]

Julian Dennison

as Guillerman:
The director of Monarch. Reddick's role was originally larger, Wingard stated, "There was a scene earlier in the film, a big board room scene where they're setting up the mission. He had a larger role, but ultimately we didn't need that scene."[26] He only appears in two brief scenes.[27]

Lance Reddick

as Dr. Mark Russell:
Madison's father, Monarch's deputy director of special projects, and an animal behavior and communication specialist.[8][17]

Kyle Chandler

as Walter Simmons:
Maia's father, CEO, and founder of Apex Cybernetics, a tech organization invested in trying to solve the Earth's "Titan problem", secretly creating Mechagodzilla to exterminate them. Walter is a visionary entrepreneur and billionaire who wants to help humanity and make the world a safer place, but clashes with Monarch over their differing ideals on what is best for humanity. Producer Alex Garcia said Walter "has risen to a place… in the seats of power, and is wanting to help to stem and stop the madness and the destruction." Garcia stated that Walter is not necessarily a villain or a Machiavellian character but is "a very complex character who believes he's doing the right thing. And he may be, but that's where the mystery at the core of the film comes into play."[23]

Demián Bichir

as Jia:
A young, deaf orphaned Iwi native who forms a special bond with Kong and is Ilene's adopted daughter.[22][28]

Kaylee Hottle

Additionally, Hakeem Kae-Kazim portrays Admiral Wilcox; Ronny Chieng portrays Jay Wayne; John Pirruccello portrays Horace; and Chris Chalk portrays Ben.[29] Allan Henry provided the performance capture for Kong, while animation supervisor Eric Petey provided Kong's full body performance and facial capture for the ocean battle sequence.[30][31] Zhang Ziyi and Jessica Henwick were cast but did not appear in the final cut of the film,[27] with Ziyi intended to have been reprising her role from Godzilla: King of the Monsters.

Release[edit]

Marketing[edit]

In May 2019, the first promotional one-sheet poster was revealed at the Licensing Expo,[92] and in June 2019, Warner Bros screened an early look to European exhibitors at CineEurope.[93] In August 2019, it was announced that Disruptor Beam would develop a mobile game to tie in for the film's release.[94] In December 2019, a brief clip was revealed during a Warner Bros. reel at Comic Con Experience, and later leaked online.[95] In January 2020, images from the Hong Kong Toys & Games Fair displaying figures related to the film were leaked online.[96] In February 2020, Toho and Legendary announced the Godzilla vs. Kong Publishing Program and licensees. Through the publishing program, Legendary planned to release two graphic novels, one following Godzilla and the other following Kong, an art book, novelizations, and a children's book. Amongst the licensees named were Playmates Toys, Bioworld, Rubies, Funko, 60Out, and the Virtual Reality Company.[97]


In April 2020, images of toy figures were leaked online, revealing different forms for Godzilla and Kong, Mechagodzilla, and a new monster named Nozuki.[98] In July 2020, images of Playmate figures and packaging with concept art were released online.[99] In December 2020, brief clips from the film were shown during Comic Con Experience,[100] and in January 2021, more brief footage was included in a preview for HBO Max.[101] That same month, the first teaser poster was released online, along with confirmation of the trailer's release date.[102] The first full trailer was released on January 24, 2021.[103] It became Warner Bros' biggest trailer debut, earning 25.6 million views in 24 hours on YouTube; 15.8 million from Warner's channel and an additional 9.8 million views from the studio's secondary channels.[104] The film had its first official NFT art release in collaboration with a major studio.[105] On April 7, the professional wrestling show AEW Dynamite (airing on WarnerMedia-owned channel TNT) held a special Godzilla vs. Kong-themed match.[106]


Forbes reported that the film cost $70 million to promote.[45]

Theatrical and streaming[edit]

Godzilla vs. Kong was theatrically released internationally, beginning on March 24, 2021.[107][108] It was then released in the United States on March 31, simultaneously in theaters and on HBO Max,[109] where it streamed exclusively for a month.[110] The film was scheduled to be released in Japan on May 14, 2021, by Toho;[111] however, Toho announced on April 30, 2021, that the film's Japanese release had been postponed indefinitely due to COVID-19.[112] The film had its Japanese premiere on June 28, 2021, and was theatrically released in Japan on July 2, 2021.[113]


Regal Cinemas began exhibiting the film with a limited release upon its reopening on April 2, 2021, following its closure due to the COVID-19 pandemic.[114] The film was delayed several times, and was previously scheduled to be released in 2020 on March 13, May 22, May 29, and November 20, and later pushed to May 21, 2021, due to the COVID-19 pandemic.[115][116] In February 2020, Warner Bros. hosted an unannounced test screening which received a "mostly positive" response.[117]


In November 2020, The Hollywood Reporter confirmed that the film was being considered for a streaming release. Netflix had offered $200–250 million[4] but WarnerMedia blocked the deal in favor of their own offer to release the film on HBO Max. Warner Bros. iterated that their theatrical release plans would proceed as scheduled. WarnerMedia CEO Jason Kilar and Warner Bros. chairman Ann Sarnoff considered options that included a simultaneous theatrical and streaming release, a strategy that Warner Bros. had done for Wonder Woman 1984.[118] In December 2020, Warner Bros. announced that the film, along with their other tentpoles scheduled for 2021, would be given same-day simultaneous releases in theaters and HBO Max, with one-month access for its streaming release.[110]


A few days after the announcement, Variety and Deadline Hollywood reported that Legendary Entertainment, financiers, and talent with backend deals were not pleased with WarnerMedia's multi-release plans and non-transparent intentions. Legendary was not given advanced notice of the multi-release decision nor given a say in how Dune and Godzilla vs. Kong would be distributed. The studio planned to have discussions with Warner Bros. regarding a more "generous deal"; however, legal action was considered.[4][119] A few weeks later, Deadline reported that the film could keep its HBO Max release but only if Warner Bros. matches Netflix's $250 million bid.[120] In January 2021, The Hollywood Reporter revealed that a legal battle was averted due to Legendary and WarnerMedia nearing an agreement to keep the film's simultaneous release.[6]

Home media[edit]

The film was released on digital platforms on May 21, 2021, and on DVD, Blu-ray, and 4K Blu-ray on June 15, 2021.[121] The film was re-added to HBO Max on August 17, 2021.[122] In the United States and Canada, the DVD earned $13.2 million and the Blu-ray earned $22.8 million, totaling $36 million in domestic video sales.[3]

Reception[edit]

Audience viewership[edit]

Following its opening weekend, Warner Bros. said the film had a "larger viewing audience than any other film or show on HBO Max since launch."[123] Samba TV reported that 3.6 million households watched at least the first five minutes of the film in the United States between March 31–April 4, and 225,000 in the UK.[124] It was watched in 5.1 million households in the US over the first 17 days,[125] and in over 5.8 million US households by the end of its first 30 days.[126] In January 2022, tech firm Akamai reported that Godzilla vs. Kong was the most pirated film of 2021.[127]

Box office[edit]

Godzilla vs. Kong grossed $100.9 million in the United States and Canada, and $369.2 million in other territories, for a worldwide total of $470.1 million.[3][9] Variety reported the film needed to gross at least $330 million in order to break even.[123] Deadline Hollywood estimated it would turn a net profit of $96.4 million, when factoring together all expenses and revenue.[128]


A week prior to its United States release, the film was released in 38 overseas countries and was projected to gross around $70 million over its first five days.[129] In China, where it was projected to debut to around $50 million, the film made $21.5 million (RMB 140 million) on its first day.[130] The film exceeded predictions and debuted to $123.1 million worldwide, the biggest worldwide opening of the pandemic for a Hollywood film. Its largest markets were China ($69.2 million; RMB 450.5 million), Mexico ($6.5 million), Australia ($6.3 million), Russia ($5.9 million), Taiwan ($5.3 million), India ($4.9 million), Thailand ($3.3 million), South Korea ($2.8 million), Vietnam ($2.5 million), Malaysia ($2.1 million), and Spain ($1.7 million).[131] In Indonesia, the film earned $850,000 (Rp. 12.3 billion).[132]


In the United States and Canada, Godzilla vs. Kong was initially projected to gross around $23 million over its five-day opening weekend, compared to expectations of around $68 million in a pre-COVID marketplace.[133] It made $9.6 million from 2,409 theaters in its first day, the best opening-day figure of the pandemic. After grossing $6.7 million on its second day, five-day projections were increased to $30–40 million. Playing in 3,064 theaters by Friday, the film went on to debut to $31.6 million in three days, and $48.1 million over five, the best opening weekend of the pandemic.[134] Collider attributed the film's box office results to "positive word-of-mouth".[135] The film grossed $13.9 million in its second weekend, remaining in first and becoming the highest-grossing domestic release of the pandemic (passing Tenet's $58.5 million).[136] During the weekend ending on June 20, 2021, Godzilla vs. Kong became the second film to cross the $100 million mark at the United States and Canadian box office during the COVID-19 pandemic, following A Quiet Place Part II.[137]

Critical response[edit]

Godzilla vs. Kong received generally positive reviews from critics.[138][139] On the review aggregator website Rotten Tomatoes, 76% of 391 critics' reviews are positive, with an average rating of 6.4/10. The website's consensus reads: "Delivering squarely on its title, Godzilla vs. Kong swats away character development and human drama to deliver all the spectacle you'd expect from giant monsters slugging it out."[140] Metacritic, which uses a weighted average, assigned the film a score of 59 out of 100, based on 57 critics, indicating "mixed or average" reviews.[141] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale (the highest of the Monsterverse), while PostTrak reported 86% of audience members gave it a positive score, with 74% saying they would definitely recommend it.[134]


Richard Roeper of the Chicago Sun-Times gave the film 3 out of 4 stars, writing, "Godzilla vs. Kong is the kind of movie you can pretty much forget about almost instantly after you've seen it—but it's also the kind of movie that makes you forget about everything else in your life while you're watching it."[142] Jamie Graham of Total Film gave the film 3 out of 5 stars, writing, "Watching these famous monsters share the screen for the first time since 1963's King Kong vs. Godzilla, in a series of expertly choreographed battles, packs real wallop, even if you can't help wishing that screen was 30ft high at your local cinema."[143]


Alonso Duralde of the TheWrap said that the franchise had "given up on everything but the monster fights" and wrote, "Yes, obviously, no one goes to these movies for the deep human characters or for plot machinations or even for the metaphors about the environment and industrialization. Here's the thing, though—they come in handy to fill in the gaps between the monster battles, and you miss them when they're not there. And since even those battles are somewhat perfunctory, what are we even doing here?"[144] John Nugent of Empire gave the film 2 out of 5 stars, writing, "Godzilla vs. Kong mostly delivers on its promise of a big monster fighting another big monster. It just depends whether you're willing to sit through the toe-curlingly bad set-up that surrounds it."[145] Reviewing for The Age, Jake Wilson gave the film 2.5 out of 5 stars, saying, "Overseeing the mayhem is director Adam Wingard, who started out making wittily brutal low-budget horror films before becoming a studio gun for hire. Absolutely no sign of his old personality is evident here."[146]

Accolades[edit]

The film was Honored by Seal of Authentic Representation from the Ruderman Family Foundation for Hottle's role as Jia. The seal is Honored Kaylee Hottle with disabilities who uses sign language to communicate with the latter creature. [147]

List of films featuring the deaf and hard of hearing

Subterranean fiction

King Kong vs. Godzilla

Holkenborg, Tom (2021). (YouTube Video). Junkie XL.

Godzilla's Theme – Godzilla vs. Kong [Studio Time: S4E3]

Kalat, David (2010). A Critical History and Filmography of Toho's Godzilla Series (Second ed.). McFarland.  9780786447497.

ISBN

Mirjahangir, Chris (2019). (Audio). Toho Kingdom.

Interview with Alex Garcia and Zach Shield

"UNTITLED GODZILLA VS KONG SEQUEL Feature Film". Production Weekly. No. 1299. May 19, 2022.

Ryfle, Steve (1998). . ECW Press. ISBN 1550223488.

Japan's Favorite Mon-Star: The Unauthorized Biography of the Big G

Wallace, Daniel (2021). Godzilla vs. Kong: The Art of the Ultimate Battle Royale. Insight Editions.  9781647221409.

ISBN

Official website

at the official Godzilla website by Toho Co., Ltd.

Godzilla vs. Kong

at IMDb

Godzilla vs. Kong

at AllMovie

Godzilla vs. Kong