Kong: Skull Island
Kong: Skull Island is a 2017 American monster film directed by Jordan Vogt-Roberts. Produced by Legendary Pictures and distributed by Warner Bros. Pictures, it is a reboot[5][6] of the King Kong franchise and the second film in the MonsterVerse, serving as the 11th film in the King Kong franchise. The film stars Tom Hiddleston, Samuel L. Jackson, John Goodman, Brie Larson, Jing Tian, Toby Kebbell, John Ortiz, Corey Hawkins, Jason Mitchell, Shea Whigham, Thomas Mann, Terry Notary, and John C. Reilly. Set in 1973, the film follows a team of scientists and Vietnam War soldiers travelling to the uncharted Skull Island and meeting Kong, a gigantic ape who is the last of his species, closely followed by other terrifying creatures.
For the ride at Islands of Adventure, see Skull Island: Reign of Kong.Kong: Skull Island
- Thomas Tull
- Mary Parent
- Jon Jashni
- Alex Garcia
- February 28, 2017 (Empire, Leicester Square)
- March 10, 2017 (United States)
118 minutes[2]
United States
English
$185 million[3]
$568.6 million[4]
The film was announced in July 2014 at San Diego Comic-Con, and Vogt-Roberts was announced as the director in September 2014. The project initially began at Universal Pictures as an origin story but was later moved to Warner Bros. to develop a shared cinematic universe featuring Godzilla and Kong. Principal photography began in October 2015 in Hawaii and various locations around Vietnam and ended in March 2016.[7][8]
Kong: Skull Island was theatrically released on March 10, 2017, to generally positive reviews from critics, with praise for its visual effects, action sequences, and performances, particularly Jackson and Reilly. It was also a box office success, grossing $568 million worldwide, becoming the highest grossing installment in the MonsterVerse and the King Kong franchise to date.[9][10] The film received a Best Visual Effects nomination at the 90th Academy Awards. A sequel, Godzilla vs. Kong, was released in 2021, while an animated series, Skull Island was released in 2023.
Plot[edit]
In 1944, two World War II fighter pilots, American pilot Hank Marlow and Japanese pilot Gunpei Ikari, parachute onto an island in the South Pacific after a dogfight and engage in close combat until the fight is interrupted by a giant ape.
In 1973, Bill Randa, head of the U.S. government organization Monarch, plans a search for primeval creatures on the recently discovered Skull Island. He recruits a U.S. Army unit commanded by Lieutenant Colonel Preston Packard, tracker and former British Special Air Service Captain James Conrad, and anti-war photographer Mason Weaver. Arriving at Skull Island, Packard's men begin dropping seismic explosives, developed by Randa's seismologist Houston Brooks, to map out the island and prove Brooks's Hollow Earth theory. The unit is then attacked by the giant ape, scattering the survivors across the island. Two groups form between the survivors, one with Conrad, Weaver, Landsat official Nieves, the researchers, and one of the soldiers, the other with Randa and the rest. Packard searches for the transport helicopter piloted by Major Jack Chapman, intending to use the weapons on board to kill the ape.
Conrad's group encounters the local Iwi natives and an older Marlow. Marlow tells the group about the giant ape named Kong, which protects the island from predators, including a race of subterranean reptilian creatures dubbed "Skullcrawlers," which were awakened from the bombing and responsible for killing Kong's entire species, leaving him as the last of his kind. The Iwi believe when Kong dies, a giant Skullcrawler will awaken and ravage the island. Marlow reveals he and Ikari had become friends during their time on the island, but Ikari was killed by a Skullcrawler some time ago. As Chapman is ambushed and devoured by a Skullcrawler, Conrad's group helps Marlow finish a boat made from parts of Marlow's and Ikari's downed planes. They ride down the river, where Nieves is torn apart by carnivorous birds, and secure communication with Packard's group.
When they regroup with Packard, he insists on searching for Chapman. Marlow leads them through a mass grave of dinosaurs and Kong's family members. The Skullcrawler that killed Chapman attacks them, killing Randa and others before Weaver triggers a flammable gas explosion that kills it. Learning of Chapman's death, Packard reveals his plan to kill Kong and avenge his fallen men. Marlow and Brooks attempt to explain that killing Kong would lead to the Skullcrawlers running rampant, but Packard refuses to listen. The groups part ways, with Packard's group retrieving the weapons from Chapman's chopper and laying a trap for Kong at a nearby lake, while the non-military personnel head back to the boat. Conrad and Weaver meet Kong up-close and, seeing his true peaceful nature, resolve to save him.
Packard's group lures Kong with the remaining seismic charges and incapacitates him with ignited napalm. Conrad, Weaver, and Marlow arrive and, after a standoff, persuade the other soldiers to spare Kong, but Packard refuses to yield. As the others retreat, the giant Skullcrawler emerges from the lake, and Kong crushes Packard. The Skullcrawler fights and overpowers Kong, but in the end, the giant ape is victorious with the humans' help. The survivors reach the rendezvous point and leave the island as Kong stoically watches. In the aftermath, Marlow reunites with his wife and meets his son for the first time.
In a post-credits scene, Monarch detains and recruits Conrad and Weaver, who are informed by Monarch biologist San Lin and Brooks that Kong is not the only monster king and show archive footage of cave paintings depicting Godzilla, Mothra, Rodan, and King Ghidorah. The final image shows Godzilla and Ghidorah in battle.[a]
Additionally, Eugene Cordero appears as Reles, a Sky Devils warrant officer and Packard's door gunner; Marc Evan Jackson portrays Steve Woodward, a Landsat employee on the expedition; Richard Jenkins portrays Senator Al Willis, a politician who reluctantly funds the expedition; Miyavi portrays Gunpei Ikari, a Japanese World War II pilot who crash-lands on Skull Island alongside Marlow; and Robert Taylor plays the captain of the Athena. Thomas Middleditch, who would later play a key role in Godzilla: King of the Monsters, voices Jerry. Moisés Arias, Nick Robinson, and Erin Moriarty appear as bar guests, while Dat Phan portrays a bar thug.
Production[edit]
Development[edit]
In 2013, Peter Jackson, director of the 2005 remake of King Kong, initially handpicked Adam Wingard to direct Skull Island, a sequel to Jackson's film.[19] Jackson later suggested Guillermo del Toro.[20] Upon the film transitioning studios, Wingard and Jackson were dropped from the project, while producer Mary Parent remained on board.[19] The film was officially announced by Legendary Pictures at the 2014 San Diego Comic-Con, and Universal Pictures was the distributor.[21] Legendary then moved the project to Warner Bros. to develop a crossover film featuring Kong and Godzilla.[22][23][24] Legendary offered Joe Cornish the job of directing the film.[25] In September 2014, the studio announced that Jordan Vogt-Roberts would direct the film.[26]
Writing[edit]
The script had some screenwriters attached before filming. Seeking continuity between the King Kong and Godzilla worlds, Max Borenstein (writer of 2014's Godzilla) wrote the first draft, while John Gatins was hired to write the second draft.[27] In writing the script, Borenstein did not want to repeat the "Beauty and the Beast" plot synonymous with King Kong movies and took into account the outdated elements of the treatment of the island natives and the damsel in distress. His initial influence was Apocalypse Now, revealing,
Release[edit]
Merchandise[edit]
The merchandise for the film was a Walmart exclusive in 2017. A large Kong figure was the main toy featuring a Jack Chapman with a missile launcher. In addition to Walmart selling the toys, Amazon.com sells them too. Also, two costumes for Kong were made and sold during Halloween. One of them is a standard costume, while the other was an inflatable Kong suit.
On April 7, 2017, Legendary announced a four-issue graphic novel series called Skull Island: The Birth of Kong. Acting as both a prequel and sequel to the film, an adult Houston Brooks nearing retirement from Monarch in 2012 learns that his missing estranged son with San Lin, Aaron, led a team on a secret mission to Skull Island in the mid-1990s. During the mission, the team uncovered secrets of Kong's past and how he became the last of his kind.[65] Written by Arvid Nelson with interior and cover art by Mohammad "Zid" Yazid (issue No. 4 cover art done by Drew Johnson), the four-issue series was released between April 12 and November 21, 2017. On December 12, 2017, a paperback collection was released. A novelization by Tim Lebbon was released on March 14, 2017.[66]
Theatrical[edit]
Kong: Skull Island was originally scheduled to be released on November 4, 2016, but was pushed back to March 10, 2017. The new release date coincided with the franchise's 84th anniversary. It was presented in 70mm in select cinemas.[67][68] The film premiered at the Cineworld Empire Leicester Square in London on February 28, 2017.[69]
Home media[edit]
Kong: Skull Island was released on HD Digital on June 20, 2017, and on 4K Ultra HD, 3D Blu-ray, Blu-ray, and DVD on July 18, 2017.[70] The film debuted at the top of the NPD VideoScan First Alert sales chart and the dedicated Blu-ray chart for the week ending on July 23, 2017.[71] In the United States and Canada, the DVD earned $16.6 million and the Blu-ray earned $23.3 million, totaling $39.9 million in domestic video sales.[72]
Reception[edit]
Box office[edit]
Kong: Skull Island grossed $168 million in the United States and Canada and $400.6 million in other territories for a worldwide gross of $568.6 million.[4] With a production budget of $185 million, with about $136 million more spent on international marketing costs, the film needed to make at least $450–500 million worldwide to break-even.[73][74][75]
In the United States and Canada, Kong: Skull Island was projected to gross $40–50 million in its opening weekend, as well as a worldwide debut of $110–135 million.[3][76] The film made $20.2 million on its first day from 3,846 theaters, including $3.7 million it made from Thursday night previews.[77] In total, the film earned a better-than-expected $61 million on its opening weekend, defying the film's initial projection by 35%.[78][73] It made $7.6 million from 382 theaters in IMAX, representing 12.5% of the film's entire opening weekend.[78] In its second weekend, the film grossed $27.8 million (a drop of 54.4%), finishing second at the box office behind newcomer Beauty and the Beast.[79]
Internationally, the film debuted with $85.1 million from 20,900 screens in 65 markets. It opened in every market except Japan and China. The film scored the fourth-biggest March release with $4.8 million from 672 theaters in IMAX (the second biggest without China in it).[80] The biggest openings came from the United Kingdom, Ireland ($7.6 million); South Korea ($7.4 million); Russia ($6.2 million); Mexico ($5.7 million); France ($4.1 million); Taiwan ($3.6 million); Australia ($3.6 million); Brazil ($3.4 million), Germany ($3.4 million); Malaysia ($2.65 million); India ($2.4 million); Spain ($1.6 million), and Italy ($1.6 million). In Vietnam (where the film was primarily shot and set), it scored the biggest opening of all time there with $2.5 million; this was the week after a huge model of the primate outside the theater caught on fire at the film's premiere.[73][80] The film would eventually open in China with $71.6 million (its largest international market) and $3.5 million in Japan, where the film was released as King Kong: Giant God of Skull Island (Kingu Kongu: Dokurotou no Kyoshin).[81] After its overseas run, the film would gross US$400 million internationally.[82] It is the highest-grossing film in the MonsterVerse to date.
Critical response[edit]
Kong: Skull Island received generally positive reviews from critics.[83][84] On the review aggregator website Rotten Tomatoes, 75% of 395 critics' reviews are positive, with an average rating of 6.5/10. The website's consensus reads: "Offering exhilarating eye candy, solid acting, and a fast-paced story, Kong: Skull Island earns its spot in the movie monster's mythos without ever matching up to the classic original."[85] Metacritic, which uses a weighted average, assigned the film a score of 62 out of 100, based on 49 critics, indicating "generally favorable" reviews.[86] Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale.[87] Audiences surveyed by PostTrak gave the film an overall positive score of 80%, and 60% of the audience would definitely recommend it.[88]
Michael Phillips of The Chicago Tribune lauded the film, giving it three-and-a-half stars out of four: "I saw little in [Vogt-Roberts'] first feature to indicate the deftness and buoyant spirit he brings to Skull Island. This time, the money's on the screen, but it bought a really good movie, too."[89] Mike Ryan of Uproxx gave the film a positive review, noting, "Kong: Skull Island is still a hoot. It was a movie that was not at all on my radar as something I was dying to see and yet I had way too much fun watching it. I just wished it had embraced its craziness just a little bit more. (But, yes, there's still plenty of crazy to go around.)"[90] Todd McCarthy of The Hollywood Reporter gave the film a positive review as well, stating that "all the requisite elements are served up here in ideal proportion, and the time just flies by, which can rarely be said for films of this nature."[91] Kyle Anderson of Nerdist News found the film entertaining but flawed, saying, "It's certainly not a perfect movie, and a lot of the characters feel like sketches more than fully-fledged people, but it roars along enjoyably from start to finish."[92]
Conversely, Peter Bradshaw of The Guardian awarded the film one out of five stars. In his negative review, he described the movie as a "fantastically muddled and exasperatingly dull quasi-update of the King Kong story."[93] Matthew Lickona of The San Diego Reader also gave the film one out of five stars, writing: "It's fun to watch [the monsters] in action, but on the human side, the film is clumsily written, over-cast and underacted, with only frustrated soldier Samuel L. Jackson striking the right tone of crazy amid the chaos."[94] Chris Klimek of NPR mentions how "Kong is at its mediocre best when it pretends to be a nature documentary about Skull Island's bizarro flora and fauna," but lamented how "every time the movie threatens to get interesting, one of its hordes of ersatz, non-animated characters shows up and starts talking again."[95] Anthony Lane of The New Yorker noted that what the film "yearns to be, is a pop-culture Apocalypse Now, with the human foe removed, the political parable toned down, and the gonzo elements jacked up."[96] J.R. Jones questioned the film's setting, saying "this Jurassic Park knockoff takes place neither in the Depression era, which gave us the original King Kong, nor in the present, when satellite photos would surely alert us to the existence of a 100-foot gorilla. Instead—and for no reason I can fathom, except perhaps the classic-rock tunes desired for the soundtrack—the story takes place in 1973, when the Vietnam war is winding down and President Nixon is being driven from office."[97]
Regarding Larson's role in the film, Ann Hornaday of The Washington Post stated that Larson "serves as a cautionary poster girl for aspiring actresses everywhere: One year you're winning an Oscar for a sensitive, skillfully layered performance in an emotionally demanding drama; the next, you're widening your eyes and gasping your way through a great big monkey movie."[98] Michael Salfino of The Wall Street Journal remarked, "a starring role in a popcorn movie on the heels of a passion project can open up an actor to ridicule."[99]