Katana VentraIP

Glam metal

Glam metal (also known as hair metal or pop metal) is a subgenre of heavy metal that features pop-influenced hooks and guitar riffs, upbeat rock anthems, and slow power ballads. It borrows heavily from the fashion and image of 1970s glam rock.

Not to be confused with Glam rock.

Glam metal

  • Hair metal

Late 1970s and early 1980s, Los Angeles and New York City

Early glam metal evolved directly from the glam rock movement of the 1970s, as visual elements taken from acts such as T. Rex, the New York Dolls, and David Bowie (and to a lesser extent, the punk and new wave movements taking place concurrently in New York City) were fused with the decidedly more heavy metal leaning and theatrical acts such as Alice Cooper and Kiss. The first examples of this fusion began appearing in the late 1970s and early 1980s in the United States, particularly on the Los Angeles Sunset Strip music scene. Early glam metal bands include Mötley Crüe, Hanoi Rocks, Night Ranger, Ratt, Quiet Riot, Twisted Sister, Bon Jovi, and Dokken. Glam metal achieved significant commercial success from approximately 1983 to 1991, bringing to prominence bands such as Poison, Skid Row, Cinderella and Warrant. From a strictly visual perspective, glam metal is defined by flashy and tight-fitting clothing, makeup, and an overall androgynous aesthetic in which the traditional "denim & leather" aspect of heavy metal culture is replaced by spandex, lace, and usually heavy use of bright colours.


Glam metal suffered a decline in popularity in the early-mid 1990s, as the grunge and alternative phenomena revolutionized hard rock, and fans' tastes moved toward a more natural and stripped-down aesthetic and a rejection of the glam metal visual style. During this period, many of the most successful acts of the genre's 1980s pinnacle suddenly found themselves facing disbandment as their audiences moved in another direction. Glam metal has experienced a resurgence since the late 1990s, with successful reunion tours of many popular acts from the genre's 1980s heyday, as well as the emergence of new, predominantly European bands, including the Darkness, Crashdiet, Reckless Love, and American band Steel Panther.

Characteristics, fashion, and terminology[edit]

Musically, glam metal combines a traditional heavy metal sound with elements of hard rock and punk rock,[4] adding pop-influenced catchy hooks and guitar riffs.[5][6] Like other heavy metal songs of the 1980s (most notably thrash metal songs), they often feature shred guitar solos.[7] They also include extensive use of harmonies, particularly in the characteristic power ballads – slow, emotional songs that gradually build to a strong finale.[8] These were among the most commercially successful singles in the genre and opened it up to a wider audience that would otherwise not have been attracted to traditional heavy metal. Lyrical themes often deal with love and lust, with songs often directed at a particular woman.[9]


Aesthetically glam metal draws heavily on the glam rock or glitter rock of the 1970s,[10] often with very long backcombed hair, use of hair spray, use of make-up, gaudy clothing and accessories (chiefly consisting of tight denim or leather jeans, spandex, and headbands).[11] The visual aspects of glam metal appealed to music television producers, particularly MTV, whose establishment coincided with the rise of the genre.[12] Glam metal performers became infamous for their debauched lifestyles of drugs, strippers and late-night parties, which were widely covered in the tabloid press.[13]


Sociologist Deena Weinstein points to the large number of terms used to describe more commercial forms of heavy metal, which she groups together as lite metal. These include, beside glam metal: melodic metal, false metal, poodle bands, nerf metal, pop metal or metal pop, the last of which was coined by critic Philip Bashe in 1983 to describe bands such as Van Halen and Def Leppard.[9] AllMusic employs the umbrella term "pop metal", which refers a late-1980s variation of pop metal characterized by flashy clothing and heavy makeup influenced by glam rock (as embodied by Poison and Mötley Crüe).[14] Use of the derogatory term "hair metal" started in the early 1990s, as grunge gained popularity at the expense of 1980s metal.[14] In the "definitive metal family tree" of his documentary Metal: A Headbanger's Journey, anthropologist Sam Dunn differentiates pop metal, which includes bands like Def Leppard, Europe, and Whitesnake, from glam metal bands such as Mötley Crüe and Poison.[15]

List of glam metal albums and songs

List of glam metal bands and artists

Price, Simon (1999). Everything (A Book About Manic Street Preachers). London: Virgin Books.  0-7535-0139-2.

ISBN

Auslander, P., Performing Glam Rock: Gender and Theatricality in Popular Music (Ann Arbor, MI: University of Michigan Press, 2006),  0-7546-4057-4.

ISBN

Batchelor, R., and Stoddart, S., The 1980s (London: Greenwood Publishing Group, 2007),  0-313-33000-X.

ISBN

Bogdanov, V., Woodstra, C., and Erlewine, S. T., All Music Guide to Rock: The Definitive Guide to Rock, Pop, and Soul (Milwaukee, WI: Backbeat Books, 3rd edn., 2002),  0-87930-653-X.

ISBN

Bukszpan, D., The Encyclopedia of Heavy Metal (London: Barnes & Noble Publishing, 2003),  0-7607-4218-9.

ISBN

Chapman, A., and Silber, L., Rock to Riches: Build Your Business the Rock & Roll Way (Capital Books, 2008),  1-933102-65-9.

ISBN

Danville, E., and Mott, C., The Official Heavy Metal Book of Lists (Fayetteville, AR: University of Arkansas Press, 2009),  0-87930-983-0.

ISBN

Davis, S., Watch You Bleed: The Saga of Guns N' Roses (New York: Gotham Books, 2008),  978-1-59240-377-6.

ISBN

Hurd, M. G., Women Directors and their Films (London: Greenwood Publishing Group, 2007),  0-275-98578-4.

ISBN

Macdonald, B., Harrington, J., and Dimery, R., Albums You Must Hear Before You Die (London: Quintet, 2006),  0-7893-1371-5.

ISBN

Moore, R., Sells Like Teen Spirit: Music, Youth Culture, and Social Crisis (New York: New York University Press, 2009),  0-8147-5748-0.

ISBN

Nicholls, D., The Cambridge History of American Music (Cambridge: Cambridge University Press, 1998),  0-521-45429-8.

ISBN

Smith, C., 101 Albums that Changed Popular Music (Oxford: Oxford University Press, 2009),  0-19-537371-5.

ISBN

Walser, R., Running with the Devil: Power, Gender, and Madness in Heavy Metal Music (Middletown, CT: Wesleyan University Press, 1993),  0-8195-6260-2.

ISBN

Weinstein, D., Heavy Metal: The Music and Its Culture (Cambridge, MA: Da Capo Press, 2000),  0-306-80970-2.

ISBN

Weinstein, D., "Rock critics need bad music", in C. Washburne and M. Derno, eds, Bad Music: the Music we Love to Hate (London: Routledge, 2004),  0-415-94366-3.

ISBN

Yfantis, V., "Power Ballads And The Stories Behind", (Athens: CreateSpace Independent Publishing Platform, 2021),  1546723404.

ISBN