Hedi Slimane
Hedi Slimane (French pronunciation: [eˈdi sliˈman]; born July 5, 1968) is a French photographer and couturier. From 2000 to 2007, he was creative director for Dior Homme (the menswear line of Christian Dior). From 2012 to 2016, he was the creative director for Yves Saint Laurent.[1][2] Since February 2018, Slimane has been the creative, artistic and image director of Celine.[3]
Hedi Slimane
- Photographer
- fashion designer
In November 2018, Slimane topped the annual list of Vanity Fair's "50 most influential French people in the world".[4]
Early life[edit]
Slimane was born in the 11th arrondissement of Paris and grew up in the 19th arrondissement. His father was "Arab-Tunisian" and an accountant, and his mother was "Italian" and a dressmaker.[5][6][7]Two of his uncles were tailors.[6] In his youth, he and his mother made clothes together: Slimane sketched designs, the two would shop for fabrics and complete fittings, and his mother would cut and sew them.[6] He considered finding a career in the fashion industry as too competitive; instead, he studied political science and pursued a career in journalism.[6][8] At 11, he discovered photography, received his first camera and learned black and white darkroom printing. He studied Art History at the École du Louvre and completed a tailor apprenticeship at a men's designer house.[9]
Fashion[edit]
Slimane has no formal training in fashion.[6] Early in his career, he worked for designer José Lévy.[8] From 1992 to 1995 he assisted fashion consultant and press agent Jean-Jacques Picart on the centenary of the project "monogram canvas[10]" of Louis Vuitton. The project invited seven fashion designers—Azzedine Alaia, Helmut Lang, Sybilla, Manolo Blahnik, Isaac Mizrahi, Romeo Gigli, and Vivienne Westwood—to reinterpret the monogram canvas in celebration of its longevity.[11]
Picart introduced Slimane to Pierre Bergé, who was searching for a men's wear designer for Yves Saint Laurent.[6] To Slimane's surprise, Pierre Bergé hired him in 1996 as ready-to-wear director of men's collections at the house, where he would later become artistic director. Slimane expressed great admiration for Yves Saint Laurent, yet, he was not interested in paying homage to the legendary designer—he was more interested in capturing the "spirit" and "mystique" of him.[6][8] When Slimane started, there were only a handful of men's designs at the house dating from Mr. Saint Laurent's early years.[6][8] Slimane created a new line built on these iconic pieces that was imbued with mystery, seduction, and an element of subversiveness.[6][8] It also challenged gender roles, just as Mr. Saint Laurent had done earlier.[8] Slimane expressed that "everything I do is based on seduction."[6] One report describes his designs' sex appeal as, "not based on over-the-top embellishment ... rather, it comes from the same honest principles that have always driven fashion: cut, proportion and silhouette."[8] Slimane's designs catapulted sales and led to their increased availability at boutiques around the world.[8]
After the Black Tie collection for autumn-winter 2000–01, which foreshadowed the advent of Slimane's silhouette, and the debuts of "skinny," he chose to leave YSL, declined the offer of creative directorship at Jil Sander, and accepted the position of creative director for menswear at Christian Dior. In June 2001, he headed up the launch of Dior Homme's first fragrance under his creative control, named Higher.[12] He designed the packaging and worked with Richard Avedon on the accompanying advertising campaign.[11] In April 2002, Hedi Slimane was the first menswear designer to receive the CFDA award for International Designer.[13] David Bowie, whom Hedi Slimane dressed for his tours, presented the Award.[14][15][16]
Thanks in part to Slimane as the creative director of the fashion house, Dior's business, which includes haute couture, ready-to-wear and accessories, increased volume and profit by 41 percent in 2002. Brad Pitt had Slimane create his wedding suit for his marriage to Jennifer Aniston.[17] Although he never designed a womenswear collection, he dressed female celebrities including Madonna and Nicole Kidman during his tenure at Dior.[18] He also created stagewear for groups such as The Libertines, Daft Punk, Franz Ferdinand, and The Kills, and artists such as Mick Jagger, Beck, and Jack White.[19][20][21][22]
Slimane commissioned original soundtracks for his runway shows for Dior Homme, created by artists such as Beck, Readymade FC (Jean-Philippe Verdin), and bands such as Phoenix, The Rakes, and Razorlight. The track "In the Morning" was composed by Razorlight exclusively for the Dior Homme show. Slimane was known for working with emerging avant-garde artists. Readymade FC composed "F Me" (2001–02) and the legendary "Flexion" (2002–03). These New Puritans, composed "Navigate, Navigate" for the last défilé of Dior Homme in January 2007. Slimane became known for redefining the male silhouette, widely recreated in fashion and advertising (fashion and fragrances).
In July 2007, Slimane did not renew his contract at Dior Homme. The fashion house discussed the funding of Slimane's own label, but the discussions failed.[23] Slimane had written on his website that he did not want to lose control of his name, and management of his own brand. He returned to fashion and portrait photography.
In March 2011, following John Galliano's dismissal from Dior, Slimane was linked with the job of new Dior creative director.[11] In March 2012, Yves Saint Laurent and its parent company, PPR, officially stated that Slimane would replace Stefano Pilati as creative director at Yves Saint Laurent, after the departure of the latter, who held said position for almost eight years.[24] He based his creative studio in Los Angeles, rather than the brand's Parisian headquarters. In April 2016, Slimane was succeeded by Anthony Vaccarello as creative director for Yves Saint Laurent.
In January 2018, LVMH announced that Slimane would take on the role of creative director at Céline. Following the rebranding direction, Slimane has dropped the French accent for Céline, making it Celine.[25]
In April 2018, Slimane won more than 8 million euros in a lawsuit against Kering after he was paid only €667,000 instead of €10 million for his non-compete clause.[26]
In January 2019, Slimane presented his first stand-alone menswear show for Celine.[27]
In July 2020, Hedi Slimane presented his men's spring-summer 2021 collection in a video shot at the Castelet circuit in France[28][29] during confinement. In 2021 and subsequent years, he dissociated himself from the official Parisian ready-to-wear calender [30]and presented his men's and women's collections[31] in a short film format, featuring mythical locations such as the Château de Chambord[32], the Baie des Anges in Nice[33] , the Hotel de la Marine in Paris[34], The Wiltern in Los Angeles[35], the Bibliothèque Nationale de France in Paris[36] and the Mojave Desert in the USA.[37]
In April 2021, Hedi Slimane presented his Fall-Winter 2021 women's collection in a video shot at the Château de Vaux-le-Vicomte.[38][39]
On June 26, 2022, Slimane showed his spring/summer 2023 collection for Celine at the Palais de Tokyo, the same location where he presented his autumn/winter collection for Dior Homme twenty years earlier.[40] Published notes accompanying the show quote him as saying, "[I] wanted to pay tribute to the institution and remember this moment in [my] menswear reform."[40] The show demonstrated his "unrelenting aesthetic vision that is defined by the fusion of the high-luxury of the Celine atelier and a rebellious, rock and roll sensibility."[40]
Perfumery[edit]
Dior[edit]
In 2004, when he was in charge of Dior Homme collections,[41] Hedi Slimane created a private collection of colognes.[42] The first collection encompassed three colognes, including Cologne Blanche, Eau Noire and Bois d'Argent.[42] Hedi Slimane designed the bottle and changed the typography of the Dior logo by using uppercase letters.[43][44] The distribution of the collection was then carried out exclusively in Maison Christian Dior boutiques.[45][46] These are the first colognes by Dior.[47]
In 2005, after the launch of the Collection Privée Christian Dior, Hedi Slimane, in collaboration with Olivier Polge, created a new fragrance Dior Homme which revolved around Masculinized Iris.[48] Similar to the colognes, he designed the bottle, the concept and the advertising campaign.[49][50]
In 2006, he also created a line of six skincare products called Dior Homme Dermo System, developed in collaboration with the Harvard Medical Center.[51][52]
Celine[edit]
In 2019, while artistic director of Celine, he created a collection named Celine Haute Parfumerie. This collection included 11 fragrances, 2 of which were announced for later dates: "Rimbaud" and "Bois Dormant".[53][54][42] He also opened boutiques dedicated to this new Haute Parfumerie collection, first on Rue Saint Honoré,[55] then at Le Bon Marché in Paris,[56] as well as Harrods in London.[57][58][59] Between 1964[60] and 2019, Celine had not released any perfumes.[61][62] He designed the bottles, created the fragrances' names[42] and conceptualized the packaging.[63] The 11 names chosen by Hedi Slimane for each perfume were derived from the couturier's olfactory journal.[62][61] The collection was unisex as it was designed for both men and women.[64]
In 2021, Slimane launched a line of scented candles.[65]
In April 2024, Hedi Slimane created Zouzou, the latest fragrance of his Haute Parfumerie collection for Celine. It is Celine's twelfth fragrance.[66][67][68][69]
By 2024, Celine’s Haute Parfumerie collection, created by Slimane in 2019, included 12 fragrances. While 9 of these perfumes are for the day (Parade, Saint-Germain-Des-Prés, Cologne Française, La Peau Nue, Zouzou, Rimbaud, Bois Dormant and Eau de Californie), the others are designed for the night (Reptile, Black Tie and Nightclubbing).[70]
Watchmaking[edit]
In 2004, at Dior, he created the Chiffre Rouge watch, the brand's first automatic watch,[71] which was available in 21 models.[72]
The watch's caliber is developed by Zenith Manufacture.[73] Dior later introduced new versions: in 2015 and in 2024.[74] In 2024, on the occasion of its twentieth anniversary, commercialization was planned for February, with models targeting both women and men.[75]
The watch is characterized by an asymmetrical silhouette and the presence of elements in red, including a cherished date for the brand.[71] One edition, adorned with stones and decorated with a rainbow of jewels, was produced in only 20 pieces.[74]
Cosmetics[edit]
In March 2024, Celine announced the launch of its "Celine beauty" under the direction of Hedi Slimane, the house's first cosmetics line. Celine Beauty includes the lipstick "Rouge Triomphe" (released in autumn 2024), the first shade in a collection of fifteen announced in January 2025. [76][77][78]
Art and photography[edit]
In 2000, Visionaire magazine, a New York quarterly that commissions publication projects on fashion, asked Slimane to guest edit its next issue. Published in an edition of 6,000 and priced at $175, Slimane's proposal of his own vision of Paris as a city of the future involved the participation of 29 artists, photographers, architects, musicians, and graphic and Web site designers.[79]
Immediately after leaving Yves Saint Laurent, Slimane moved to Berlin, where, upon the invitation by curator Klaus Biesenbach, he took up a residency at the Kunst-Werke Institute for Contemporary Art between 2000 and 2002.[9] Berlin, a selection of black and white photographs published by Editions 7L/Steidl with Karl Lagerfeld and Steidl in 2002, was Slimane's first book documenting the Berlin scene.[80] Stage, published by Steidl in 2004, is his second book published on the rock revival and the 2.0 generation. Also in 2004, Slimane created the album cover for the band Phoenix's album Alphabetical.
London Birth of a Cult, released by Steidl in 2005, described the daily life of a young, unknown British rock star Pete Doherty. Pete Doherty is surrounded by the Paddingtons, his fans, and he symbolized the new generation of London punk rock. The book foreshadowed the project on "London". Slimane proposed "London" to the French daily Libération. The London issue, published in May 2005, marked the beginning of the British onslaught, and its adoption by a new generation of French fans. On July 5, 2005, Slimane celebrated his birthday at Tryptique club in Paris where Doherty took stage by surprise and sang Happy Birthday. The Paddingtons and The Others also performed.
In May 2006, Hedi Slimane created the photographic blog Hedi Slimane Diary. Slimane created his Rock Diary, beginning in 2004 in collaboration with the British journalist from NME, Alex Needham. In addition, he shot spreads for magazines including French Vogue, VMAN, and Purple.
When Slimane left for America and based himself in Los Angeles in 2007, California became the subject of many of his images and later the subject of several exhibitions.[81]
In 2011, he curated "Myths and Legends of Los Angeles" a group show of Californian artists, including John Baldessari, Ed Ruscha, Chris Burden, Sterling Ruby, Mark Hagen, and Patrick Hill at Almine Rech Gallery in Paris and Brussels. His own work was shown in 2011 at the MOCA, where Slimane presented a photographic installation that showcased an archive of images from his California period. The exhibition, titled "California Song", was created in a kinematics way, accompanied by a soundtrack by the musical group No Age. No Age performed on the opening night on November 11, 2011, drawing a record attendance of over 2,000 people for the MOCA. The opening night performance became the subject of a documentary by Slimane and Commonwealth. Christopher Owens, the singer of Girls, was the lead figure of "California Song". Digital slide show billboards were seen in the streets of Los Angeles showcasing the MOCA exhibition.
Commissioned for the 2011 debut issue of Garage, a magazine created by Dasha Zhukova, Slimane designed one of the three versions of the publication's covers. His photograph showed the lower half of 23-year-old nude model Shauna Taylor, whose crotch is covered by a green butterfly sticker created by Damien Hirst. The sticker peels off (inspired by the Velvet Underground album art by Andy Warhol) to reveal a butterfly tattoo, also of Hirst's design.[82] He is also a photographer for Hero magazine.[83]