Hunter S. Thompson

Thompson remains best known for Fear and Loathing in Las Vegas (1972), a book first serialized in Rolling Stone in which he grapples with the implications of what he considered the failure of the 1960s counterculture movement. It was adapted for film twice: loosely in 1980 in Where the Buffalo Roam and explicitly in 1998 in Fear and Loathing in Las Vegas.


Thompson ran unsuccessfully for sheriff of Pitkin County, Colorado in 1970 on the Freak Power ticket. He became known for his intense dislike of Richard Nixon, who he claimed represented "that dark, venal, and incurably violent side of the American character".^[2] He covered George McGovern's 1972 presidential campaign for Rolling Stone and later collected the stories in book form as Fear and Loathing: On the Campaign Trail '72.


Starting in the mid-1970s, Thompson's output declined, as he struggled with the consequences of fame and substance abuse, and failed to complete several high-profile assignments for Rolling Stone. For much of the late 1980s and early 1990s, he worked as a columnist for the San Francisco Examiner. Most of his work from 1979 to 1994 was collected in The Gonzo Papers. He continued to write sporadically for various outlets, including Rolling Stone, Playboy, Esquire, and ESPN.com until the end of his life.


Thompson was known for his lifelong use of alcohol and illegal drugs, his love of firearms, and his iconoclastic contempt for authority. He often remarked: "I hate to advocate drugs, alcohol, violence, or insanity to anyone, but they've always worked for me."^[3] Thompson died by suicide at the age of 67, following a series of health problems. Hari Kunzru wrote, "The true voice of Thompson is revealed to be that of American moralist ... one who often makes himself ugly to expose the ugliness he sees around him."^[4]

Late 1960s[edit]

Following the success of Hell's Angels, Thompson sold stories to several national magazines, including The New York Times Magazine, Esquire, Pageant, and Harper's.^[35]


In 1967, shortly before the Summer of Love, Thompson wrote "The 'Hashbury' is the Capital of the Hippies" for The New York Times Magazine. He criticized San Francisco's hippies as devoid of both the political convictions of the New Left and the artistic core of the Beats, resulting in a culture overrun with young people who spent their time in the pursuit of drugs. "The thrust is no longer for 'change' or 'progress' or 'revolution', but merely to escape, to live on the far perimeter of a world that might have been – perhaps should have been – and strike a bargain for survival on purely personal terms," he wrote.^[36]


Later that year, Thompson and his family moved back to Colorado and rented a house in Woody Creek, a small mountain hamlet outside Aspen. In early 1969, Thompson received a $15,000 royalty check for the paperback sales of Hell's Angels and used a portion of the proceeds on a down payment on a home and property where he would live for the rest of his life.^[37] It was a 110-acre piece of land that cost him $75,000.^[38] He named the house Owl Farm and often described it as his "fortified compound".


In early 1968, Thompson signed the "Writers and Editors War Tax Protest" pledge, vowing to refuse tax payments in protest against the Vietnam War.^[39] According to Thompson's letters from the period, he planned to write a book called The Joint Chiefs about "the death of the American Dream." He used a $6,000 advance from Random House to travel the country covering the 1968 United States presidential election and attend the Democratic National Convention in Chicago for research. He watched the clashes between police and anti-war protesters from his hotel, and later claimed that events had a significant effect on his political views, saying "I went to the Democratic convention as a journalist and returned a raving beast."^[40] While Thompson never completed the book, he carried its theme into later work. He also signed a deal with Ballantine Books in 1968 to write a satirical book called The Johnson File about President Lyndon B. Johnson. A few weeks later, the deal fell through after Johnson withdrew from the election.^[41]


Thompson was impressed by Rolling Stone magazine's coverage of the disastrous Altamont Free Concert in December 1969. After writing to Rolling Stone's editor, Jann Wenner, Thompson accepted an invitation to submit his work to the magazine, which soon became his primary outlet.^[42]