James Weldon Johnson
James Weldon Johnson (June 17, 1871 – June 26, 1938) was an American writer and civil rights activist. He was married to civil rights activist Grace Nail Johnson. Johnson was a leader of the National Association for the Advancement of Colored People (NAACP), where he started working in 1917. In 1920, he was chosen as executive secretary of the organization, effectively the operating officer.[1] He served in that position from 1920 to 1930. Johnson established his reputation as a writer, and was known during the Harlem Renaissance for his poems, novel and anthologies collecting both poems and spirituals of Black culture. He wrote the lyrics for "Lift Every Voice and Sing", which later became known as the Black National Anthem, the music being written by his younger brother, composer J. Rosamond Johnson.
James Weldon Johnson
June 17, 1871
Jacksonville, Florida, U.S.
June 26, 1938 (aged 67)
Wiscasset, Maine, U.S.
J. Rosamond Johnson (brother)
Stephen Dillet (maternal grandfather)
Harlem Renaissance (1891–1938)
Civil rights
"Lift Ev'ry Voice and Sing" (1900)
The Autobiography of an Ex-Colored Man (1912)
God's Trombones (1927)
Johnson was appointed under President Theodore Roosevelt as U.S. consul in Venezuela and Nicaragua for most of the period from 1906 to 1913. In 1934, he was the first African American professor to be hired at New York University.[2] Later in life, he was a professor of creative literature and writing at Fisk University, a historically Black university.
Life[edit]
Johnson was born in 1871 in Jacksonville, Florida, the son of James Johnson, a mulatto headwaiter and Helen Louise Dillet, a native of Nassau in the Bahamas. His maternal great-grandmother, Hester Argo, had escaped from Saint-Domingue (today Haiti) during the revolutionary upheaval in 1802, along with her three young children, including James' grandfather Stephen Dillet (1797–1880). Although originally headed to Cuba, their boat was intercepted by privateers and they were taken to Nassau, where they permanently settled. In 1833, Stephen Dillet became the first man of color to win election to the Bahamian legislature.[3][4]
James' brother John Rosamond Johnson became a composer. The boys were first educated by their mother, a musician and public-school teacher, before attending Edwin Stanton School. After James earned his Bachelor's degree, he also completed some graduate coursework.[5]
The achievement of his father, a preacher and the headwaiter at the St. James Hotel, a luxury establishment built when Jacksonville was one of Florida's first winter resort destinations, inspired young James to pursue a professional career. Molded by the classical education for which Atlanta University was known, Johnson regarded his academic training as a trust. He knew he was expected to devote himself to helping Black people advance. Johnson was a prominent member of Phi Beta Sigma fraternity.[1]
Johnson and his brother Rosamond moved to New York City as young men, joining the Great Migration out of the South in the first half of the 20th century. They collaborated on songwriting and achieved some success on Broadway in the early 1900s. Over the next 40 years, Johnson served in several public capacities, working in education, the diplomatic corps, and civil rights activism. In 1904, he participated in Theodore Roosevelt's successful presidential campaign. After becoming president, Roosevelt appointed Johnson as United States consul at Puerto Cabello, Venezuela, where he served from 1906 to 1908, and then to Nicaragua, where he served from 1909 to 1913.
In 1910 Johnson married Grace Nail, whom he had met in New York City several years earlier while he was working as a songwriter. A cultured, well-educated New Yorker, Grace Nail Johnson later collaborated with her husband on a screenwriting project.[6] After their return to New York from Nicaragua, Johnson became increasingly involved in the Harlem Renaissance, a great flourishing of art and writing. He wrote his own poetry and supported work by others, also compiling and publishing anthologies of spirituals and poetry. Owing to his influence and his innovative poetry, Johnson became a leading voice in the Harlem Renaissance of the 1920s.[7]
Education and law careers[edit]
In the summer of 1891, following his freshman year at Atlanta University, Johnson went to a rural district in Georgia to teach the descendants of former slaves. "In all of my experience there has been no period so brief that has meant so much in my education for life as the three months I spent in the backwoods of Georgia," Johnson wrote. "I was thrown for the first time on my own resources and abilities."[1] Johnson graduated from Atlanta University in 1894.[12]
After graduation, he returned to Jacksonville, where he taught at Stanton, a school for African-American students (the public schools were segregated) that was the largest of all the schools in the city. In 1906, at the young age of 35, he was promoted to principal. In the segregated system, Johnson was paid less than half of what white colleagues earned. He improved black education by adding the ninth and tenth grades to the school, to extend the years of schooling. He later resigned from this job to pursue other goals.[12]
While working as a teacher, Johnson also read the law to prepare for the bar. In 1897, he was the first African American admitted to the Florida Bar Exam since the Reconstruction era ended. He was also the first black in Duval County to seek admission to the state bar. In order to be accepted, Johnson had a two-hour oral examination before three attorneys and a judge. He later recalled that one of the examiners, not wanting to see a black man admitted, left the room.[12] Johnson drew on his law background especially during his years as a civil rights activist and leading the NAACP.
In 1930, at the age of 59, Johnson returned to education after his many years leading the NAACP. He accepted the Spence Chair of Creative Literature at Fisk University in Nashville, Tennessee. The university created the position for him in recognition of his achievements as a poet, editor and critic during the Harlem Renaissance. In addition to discussing literature, he lectured on a wide range of issues related to the lives and civil rights of black Americans. He held this position until his death. In 1934, he also was appointed as the first African-American professor at New York University, where he taught several classes in literature and culture.[2]
Diplomacy[edit]
In 1906, Johnson was appointed by the Roosevelt Administration as consul of Puerto Cabello, Venezuela. In 1909, he transferred to Corinto, Nicaragua.[12] During his stay at Corinto, a rebellion erupted against President Adolfo Diaz. Johnson proved an effective diplomat in such times of strain.[12]
His positions also provided time and stimulation to pursue his literary career. He wrote substantial portions of his novel, The Autobiography of an Ex-Colored Man, and his poetry collection, Fifty Years, during this period.[20] His poetry was published in major journals such as The Century Magazine and in The Independent.[21]
Literary writing[edit]
Johnson's first success as a writer was the poem "Lift Ev'ry Voice and Sing" (1899), which his brother Rosamond later set to music; the song became unofficially known as the "Negro National Anthem". During his time in the diplomatic service, Johnson completed what became his best-known book, The Autobiography of an Ex-Colored Man, which he published anonymously in 1912. He chose anonymity to avoid any controversy that might endanger his diplomatic career.[22] It was not until 1927 that Johnson acknowledged writing the novel, stressing that it was not a work of autobiography but mostly fictional.
In this period, he also published his first poetry collection, Fifty Years and Other Poems (1917). It showed his increasing politicization and adoption of the black vernacular influences that characterize his later work.[23]
Johnson returned to New York, where he was involved in the Harlem Renaissance of the 1920s. He had a broad appreciation for black artists, musicians and writers, and worked to heighten awareness in the wider society of their creativity. In 1922, he published a landmark anthology The Book of American Negro Poetry, with a "Preface" that celebrated the power of black expressive culture. He compiled and edited the anthology The Book of American Negro Spirituals, which was published in 1925.
He continued to publish his own poetry as well. Johnson's collection God's Trombones: Seven Negro Sermons in Verse (1927) is considered most important. He demonstrated that black folk life could be the material of serious poetry. He also comments on the violence of racism in poems such as "Fragment", which portrays slavery as against both God's love and God's law.
Following the flourishing of the Harlem Renaissance in the 1920s, Johnson reissued his anthology of poetry by black writers, The Book of American Negro Poetry, in 1931, including many new poets. This established the African-American poetic tradition for a much wider audience and also inspired younger poets.
In 1930, he published a sociological study, Black Manhattan (1930). His Negro Americans, What Now? (1934) was a book-length address advocating fuller civil rights for African Americans. By this time, tens of thousands of African Americans had left the South for Northern and Midwestern cities in the Great Migration, but the majority still lived in the South. There they were politically disenfranchised and subject to Jim Crow laws and white supremacy. Outside the South, many faced discrimination but had more political rights and chances for education and work.
Johnson assisted playwright Annie Nathan Meyer in crafting the Broadway play Black Souls (1924) by editing the work for authenticity of language. The work is credited as "one of the earliest known 'lynching dramas' written by a white woman.[24]
