Keyboard amplifier
A keyboard amplifier is a powered electronic amplifier and loudspeaker in a wooden speaker cabinet used for the amplification of electronic keyboard instruments. Keyboard amplifiers are distinct from other types of amplification systems such as guitar amplifiers due to the particular challenges associated with making keyboards sound louder on stage; namely, to provide solid low-frequency sound reproduction for the deep basslines that keyboards can play and crisp high-frequency sound for the high-register notes. Another difference between keyboard amplifiers and guitar/bass amplifiers is that keyboard amps are usually designed with a relatively flat frequency response and low distortion. In contrast, many guitar and bass amp designers purposely make their amplifiers modify the frequency response, typically to "roll-off" very high frequencies, and most rock and blues guitar amps, and since the 1980s and 1990s, even many bass amps are designed to add distortion or overdrive to the instrument tone (for bass, this is called "fuzz bass").
Keyboard amplifiers differ from guitar amplifiers and bass amplifiers in that whereas guitar and bass amps are usually designed for use with one guitar at a time, keyboard amplifiers almost always have a mixer with inputs for two, three, or four keyboards, because many performers often use multiple keyboards. For example, a single player may perform with a stage piano, a keytar and a synthesizer keyboard. Each channel input typically has its own pre-amplifier and volume knob. Keyboard amps in the lower cost range and power output range may only provide equalization controls (for modifying the bass and treble response) for the overall mix. Higher-priced, higher power output keyboard amps designed for professionals may have equalizer controls for each channel. Keyboard amplifiers also differ from guitar amps and bass amps in that whereas many guitar and bass amplifier companies often sell standalone amplifier units (which contain a preamplifier and power amplifier) for use with one or more separate speaker enclosures, keyboard amplifiers are almost always combination (or "combo") amplifiers, so-named because they combine a preamplifier, power amplifier, full-range speaker, and a horn-loaded tweeter, all in a single wooden speaker cabinet.
Two notable exceptions to the "low distortion" rule are keyboard amplifiers designed for the Hammond organ or clonewheel organs and amps used with electric pianos such as the Fender Rhodes. With organs used in blues or hard rock, performers often use the vintage Leslie speaker cabinet and modern recreations, which have a tube amplifier which is often turned up to add a warm, "growling" overdrive to the organ sound. With electric pianos used in a rock or funk band, natural tube overdrive is often added to the sound.
Use of subwoofer[edit]
Keyboardists who want powerful low-end may use a powered subwoofer cabinet designed for use in a PA system. Some keyboard combo amps have a "sub out" jack so that the amp can be plugged into an external powered subwoofer cabinet for extra bass. Subwoofers can only produce deep bass frequencies up to about 150 or 200 Hz, so a subwoofer cabinet must be paired with a full-range speaker to obtain the full tonal range of an electric piano or organ. Keyboard players who use subwoofers for on-stage monitoring include electric organ players who use bass pedal keyboards (which go down to a low "C" which is about 33 Hz) and synth bass players who play rumbling sub-bass parts that go as low as 18 Hz. Of all of the keyboard instruments that are amplified onstage, synthesizers can produce some of the lowest pitches, because unlike a traditional electric piano or electric organ, which have as their lowest notes a low "A" and a low "C", respectively, a synth does not have a fixed lowest octave. A synth player can add lower octaves to a patch by pressing an "octave down" button, which can produce pitches that are at the limits of human hearing.
Several concert sound subwoofer manufacturers suggest that their subs can be used for instrument amplification. Meyer Sound suggests that its 650-R2 Concert Series Subwoofer, a 14-cubic-foot (0.40 m3) enclosure with two 18-inch (460 mm) drivers, can be used for bass instrument amplification.[1] While performers who use concert sound subwoofers for onstage monitoring may like the powerful sub-bass sound that they get onstage, sound engineers may find the use of large subwoofers (e.g., two 18-inch (460 mm) drivers) for onstage instrument monitoring to be problematic, because it may interfere with the "Front of House" sub-bass sound.