Layla and Other Assorted Love Songs
Layla and Other Assorted Love Songs is the only studio album by the English–American rock band Derek and the Dominos, released on 9 November 1970 as a double album by Polydor Records and Atco Records. It is best known for its title track, "Layla", which is often regarded as Eric Clapton's greatest musical achievement. The other band members were Bobby Whitlock (vocals, keyboard), Jim Gordon (drums, percussion), and Carl Radle (bass). Duane Allman played lead and slide guitar on 11 of the 14 songs.
Initially regarded as a critical and commercial disappointment, it failed to chart in Britain and peaked at number 16 on the Billboard Top LPs chart in the United States. It returned to the US albums chart again in 1972, 1974 and 1977, and has since been certified Gold by the RIAA. The album finally debuted on the UK Albums Chart in 2011, peaking at number 68. In 2000, the album was inducted into the Grammy Hall of Fame. In 2003, television network VH1 named Layla and Other Assorted Love Songs the 89th-greatest album of all time. In the same year, Rolling Stone ranked it number 117 on its list of "The 500 Greatest Albums of All Time".[1] It was ranked at number 226 on the 2020 reboot of the list.[2] It was voted number 287 in the third edition of Colin Larkin's All Time Top 1000 Albums (2000).[3] In 2012, the Super Deluxe Edition of Layla won a Grammy Award for Best Surround Sound Album.
Background[edit]
Derek and the Dominos grew out of Eric Clapton's frustration with the hype associated with his previous bands, the supergroups Cream and Blind Faith. Following the latter's dissolution, he joined Delaney & Bonnie and Friends, whom he had come to know while they were the opening act on Blind Faith's US tour in the summer of 1969. After that band also split up, a Friends alumnus, Bobby Whitlock, joined up with Clapton in Surrey, England.[4] From April 1970, the two spent weeks writing a number of songs "just to have something to play", as Whitlock put it. These songs would later make up the bulk of the material on Layla and Other Assorted Love Songs.
Having toured with Joe Cocker straight after leaving Delaney & Bonnie, Carl Radle and Jim Gordon reunited with Clapton and Whitlock in England. Clapton attempted to avoid the limelight under cover of the anonymous "Derek and the Dominos", with whom he played a tour of small clubs in Britain during the first three weeks of August. The group's name had reportedly resulted from a gaffe made by the announcer at their first concert, who mispronounced the band's provisional name, "Eric & The Dynamos". In fact, Clapton chose "Derek and the Dominos" because he did not want his name and celebrity to get in the way of maintaining a "band" image. When the tour was over, they headed for Criteria Studios in Miami to record an album.
The source of the album's eventual centrepiece, "Layla", was rooted in Clapton's infatuation with Pattie Boyd, the wife of his friend and Beatle lead guitarist George Harrison,[5] who had joined Clapton as a guitarist on Delaney & Bonnie's European tour in December 1969.[6] Dave Marsh, in The Rolling Stone Illustrated History of Rock and Roll, wrote that "there are few moments in the repertoire of recorded rock where a singer or writer has reached so deeply into himself that the effect of hearing them is akin to witnessing a murder, or a suicide … to me, 'Layla' is the greatest of them."[7]
Duane Allman's arrival[edit]
Veteran producer Tom Dowd was working on the Allman Brothers second album, Idlewild South, when the studio received a phone call that Clapton was bringing the Dominos to Miami to record. Upon hearing this, guitarist Duane Allman indicated that he would love to drop by and watch, if Clapton approved.
Allman later called Dowd to let him know that his band was in town to perform a benefit concert on 26 August. When Clapton learned of this he insisted on going to see their show, saying, "You mean that guy who plays on the back of (Wilson Pickett's) 'Hey Jude'? … I want to see him play … let's go." Stage hands seated Clapton and company in front of the barricade separating the audience from the stage. When they sat down, Allman was playing a solo. As he turned around and opened his eyes and saw Clapton, he froze. Dickey Betts, the Allmans' other lead guitarist, picked up where Allman left off, but when he followed Allman's eyes to Clapton, he had to turn his back to keep from freezing, himself.[8]
After the show, Allman asked Clapton if he could come by the studio to watch some recording sessions, but Clapton invited him there directly, saying: "Bring your guitar; you got to play!" Jamming together overnight, the two bonded; Dowd reported that they "were trading licks, they were swapping guitars, they were talking shop and information and having a ball – no holds barred, just admiration for each other's technique and facility."[9] Clapton wrote later in his autobiography that he and Allman were inseparable during the sessions in Florida; he talked about Allman as the "musical brother I'd never had but wished I did".[10]
Artwork[edit]
The album's front cover is credited as "Cover painting by Frandsen-De Schomberg with thanks to his son, Emile, for the abuse of his house". Bobby Whitlock revealed in an interview that while they were staying at Emile Frandsen's house in France in August 1970, he took them to his father's studio just after they had made a mess by having an egg fight. It was there that they saw "La Fille au Bouquet" (Girl with bouquet), the painting by Émile-Théodore Frandsen de Shomberg which became the cover of Layla.[16] Eric Clapton immediately spotted a likeness between the blonde-haired woman it depicted and Pattie Boyd. Clapton also insisted that the image be used unadorned on the ''Layla'' sleeve, with no text added to give either the band's name or the title of the album.[17]
46 years after Frandsen gave the painting to Eric Clapton, it was the subject of a French lawsuit in which Clapton was ordered to pay compensation for altering the image on a cardboard pop up used on the 40th anniversary reissue of the album. The family of Frandsen de Schomberg, who died in 1969, received €15,000 ($16,400).[18]
Clapton later gave the painting to George Harrison, who subsequently gave the painting to Boyd.[19][20] Boyd put the painting up for sale at auction at Christie's in February 2024 alongside letters and notes from both Clapton and Harrison, with an estimate of £40-60,000. After a prolonged bidding battle, the painting was sold for £1,976,000.[21]
Live performances[edit]
Derek and the Dominos went on tour to support Layla and performances from the October–December 1970 US tour were released in January 1973 on In Concert. Allman never toured with Derek and the Dominos, but made two guest appearances with them: on 1 December 1970 at the Curtis Hixon Hall in Tampa (Soul Mates bootleg LP) and the following day at Onondaga County War Memorial in Syracuse, New York.
The band appeared on The Johnny Cash Show, which became their only television appearance. Filmed at the Grand Ole Opry House in Nashville, Tennessee, and broadcast on 6 January 1971, the band performed "It's Too Late" and then joined Cash and Carl Perkins for the Perkins' classic, "Matchbox".[48]
Clapton continued to play the song "Layla" live, as at Live Aid (in Philadelphia) in 1985.[49] In 2006, Clapton and J.J. Cale recorded The Road to Escondido, on which Allman Brothers guitarist Derek Trucks played guitar. Following this, Clapton went on tour with Trucks as part of his band. Clapton explained later that playing with Trucks made him feel like he was in Derek and the Dominos again. As the tour progressed the set changed, with the first half of the show consisting entirely of songs from Layla and Other Assorted Love Songs and culminating in "Layla".[50]
Tedeschi Trucks Band covered the album in its entirety on 24 August 2019 at Lockn' with Trey Anastasio of Phish and Doyle Bramhall II sitting in.