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Luciano Pavarotti

Luciano Pavarotti OMRI (/ˌpævəˈrɒti/, US also /ˌpɑːv-/, Italian: [luˈtʃaːno pavaˈrɔtti]; 12 October 1935 – 6 September 2007) was an Italian operatic tenor who during the late part of his career crossed over into popular music, eventually becoming one of the most acclaimed tenors of all time. He made numerous recordings of complete operas and individual arias, gaining worldwide fame for his tone, and gaining the nickname "King of the High Cs".

"Pavarotti" redirects here. For the documentary, see Pavarotti (film).

Luciano Pavarotti

(1935-10-12)12 October 1935

6 September 2007(2007-09-06) (aged 71)

Modena, Italy

Opera singer (tenor)

1955–2006

  • Adua Veroni
    (m. 1961; div. 2000)
  • Nicoletta Mantovani
    (m. 2003)

4

As one of the Three Tenors, who performed their first concert during the 1990 FIFA World Cup before a global audience, Pavarotti became well known for his televised concerts and media appearances. From the beginning of his professional career as a tenor in 1961 in Italy to his final performance of "Nessun dorma" at the 2006 Winter Olympics in Turin, Pavarotti was at his best in bel canto operas, pre-Aida Verdi roles, and Puccini works such as La bohème, Tosca, Turandot and Madama Butterfly. He sold over 100 million records, and the first Three Tenors recording became the best-selling classical album of all time. Pavarotti was also noted for his charity work on behalf of refugees and the Red Cross, amongst others. He was appointed a Knight Grand Cross of the Order of Merit of the Italian Republic in 1988,[1] and died from pancreatic cancer on 6 September 2007.

Biography

Early life and musical training

Luciano Pavarotti was born in 1935 on the outskirts of Modena in Northern Italy, the son of Fernando Pavarotti, a baker and amateur tenor, and Adele Venturi, a cigar factory worker.[2] Although he spoke fondly of his childhood, the family had little money; its four members were crowded into a two-room apartment. According to Pavarotti, his father had a fine tenor voice but rejected the possibility of a singing career because of nervousness. World War II forced the family out of the city in 1943. For the following year, they rented a single room from a farmer in the neighbouring countryside, where the young Pavarotti developed an interest in farming.


After abandoning the dream of becoming a football goalkeeper, Pavarotti spent seven years in vocal training. Pavarotti's earliest musical influences were his father's records, most of them featuring the popular tenors of the day—Beniamino Gigli, Giovanni Martinelli, Tito Schipa, and Enrico Caruso. Pavarotti's favourite tenor and idol was Giuseppe Di Stefano and he was also deeply influenced by Mario Lanza, saying: "In my teens I used to go to Mario Lanza movies and then come home and imitate him in the mirror". At around the age of nine, he began singing with his father in a small local church choir.


In addition to music, as a child, Pavarotti enjoyed playing football. When he graduated from the Scuola Magistrale he was interested in pursuing a career as a professional football goalkeeper, but his mother convinced him to train as a teacher. He subsequently taught in an elementary school for two years but finally decided to pursue a music career. His father, recognising the risk involved, only reluctantly gave his consent. Pavarotti began the serious study of music in 1954 at the age of 19 with Arrigo Pola, a respected teacher and professional tenor in Modena who offered to teach him without remuneration. According to conductor Richard Bonynge, Pavarotti never learned to read music.[3]


In 1955, he experienced his first singing success when he was a member of the Corale Rossini, a male voice choir from Modena that also included his father, which won first prize at the International Eisteddfod in Llangollen, Wales. He later said that this was the most important experience of his life, and that it inspired him to become a professional singer.[4] At about this time Pavarotti first met Adua Veroni. They married in 1961. When his teacher Arrigo Pola moved to Japan, Pavarotti became a student of Ettore Campogalliani, who at that time was also teaching Pavarotti's childhood friend, Mirella Freni, whose mother worked with Luciano's mother in the cigar factory. Like Pavarotti, Freni went on to become a successful opera singer; they would go on to collaborate in various stage performances and recordings together.


During his years of musical study, Pavarotti held part-time jobs in order to sustain himself—first as an elementary school teacher and then as an insurance salesman. The first six years of study resulted in only a few recitals, all in small towns and without pay. When a nodule developed on his vocal cords, causing a "disastrous" concert in Ferrara, he decided to give up singing. Pavarotti attributed his immediate improvement to the psychological release connected with this decision. Whatever the reason, the nodule not only disappeared but, as he related in his autobiography: "Everything I had learned came together with my natural voice to make the sound I had been struggling so hard to achieve".

Career: 1960s–1970s

Pavarotti began his career as a tenor in smaller regional Italian opera houses, making his debut as Rodolfo in La bohème at the Teatro Municipale in Reggio Emilia in April 1961. His first known recording of "Che gelida manina" was recorded during this performance.[5] Pavarotti's first of two marriages was to Adua Veroni which lasted from 1961 to 2000 and they had three daughters: Lorenza, Cristina, and Giuliana.[6]

Legacy and estate assignment

His first will was opened the day after his death; a second will was opened within the same month of September.[58] He left an estate outside his native Modena (now a museum), a villa in Pesaro, his flat in Monte Carlo, and three flats in New York City.[59]


Pavarotti's widow's lawyers, Giorgio Bernini and Anna Maria Bernini, and manager Terri Robson announced on 30 June 2008 that his family amicably settled his estate—€300 million ($474.2 million, including $15 million in U.S. assets). Pavarotti drafted two wills before his death: one divided his assets by Italian law, giving half to his second wife, Nicoletta Mantovani, and half to his four daughters; the second gave his U.S. holdings to Mantovani. The judge confirmed the compromise by the end of July 2008. However, a Pesaro public prosecutor, Massimo di Patria, investigated allegations that Pavarotti was not of sound mind when he signed the will.[60][61] Pavarotti's estate has been settled "fairly", a lawyer for Mantovani said in statements after reports of a dispute between her and his three daughters from his first marriage.[62]


He posthumously received the Italy-USA Foundation's America Award in 2013 and the Brit Award for Outstanding Contribution to Music in 2014.

Favourite Italian Arias – Arias from , Tosca and Rigoletto. Orchestra of the Royal Opera House, Covent Garden Edward Downes Decca Records 1966

La Bohème

Arias by Verdi & Donizetti – Arias from Luisa Miller, , Un ballo in maschera, Macbeth, Lucia di Lammermoor, Il duca d'Alba, La favorita and Don Sebastiano (with the Wiener Opernorchester under Edward Downes, 1968).[65]

I due Foscari

Tenor Arias from Italian Opera – Arias from , I puritani, Il trovatore, L'arlesiana, La bohème, Mefistofele, Don Pasquale, La Gioconda and Giuseppe Pietri's it:Maristella. Luciano Pavarotti tenor with Arleen Auger soprano. Leone Magiera (piano) Wiener Opernorchester and choir. Ambrosian Singers New Philharmonia Orchestra Nicola Rescigno 1971

Guglielmo Tell

The World's Favourite Tenor Arias'Tosca, , Aida, Faust, Pagliacci, Martha. Royal Philharmonic Orchestra. Wiener Volksoper Orchester. Leone Magiera. New Philharmonia Orchestra Richard Bonynge 1973

Carmen

Pavarotti in Concert – Arias and songs by , Handel, Alessandro Scarlatti, Bellini, Tosti, Respighi, Rossini. Orchestra del Teatro Comunale di Bologna. Richard Bonynge. 1973

Bononcini

O Holy Night – Songs and carols by Adam, , Franck, Mercadante, Schubert, Bach (arranged Gounod), Bizet, Berlioz, Pietro Yon, Alois Melichar. Wandsworth School Boys' Choir. London Voices. National Philharmonic Orchestra, Kurt Herbert Adler 1976

Stradella

O Sole Mio – Favourite Neapolitan Songs 13 songs by : O sole mio Francesco Paolo Tosti: 'A vucchella, Enrico Cannio: O surdato 'nnammurato, it:Salvatore Gambardella: O marenariello, Traditional: Fenesta vascia, Tosti: A Marechiare, Ernesto de Curtis: Torna a Surriento, Gaetano Errico Pennino: Pecchè?, Vincenzo d'Annibale: 'O paese d' 'o sole, Ernesto Tagliaferri: Piscatore 'e Pusilleco, Curtis: it:Tu ca nun chiagne, Capua: Maria, Mari, Luigi Denza: Funiculì funiculà. Orchestra del Teatro Comunale di Bologna Anton Guadagno National Philharmonic Orchestra it:Giancarlo Chiaramello 1979

Eduardo di Capua

Verismo – Arias from Fedora, Mefistofele, , Iris, L'Africaine, Werther, La fanciulla del West, Manon Lescaut, Andrea Chénier. National Philharmonic Orchestra Oliviero de Fabritiis (Riccardo Chailly for Andrea Chénier arias) 1979

Adriana Lecouvreur

Mattinata – 14 songs by , formerly attrib. Pergolesi, probably by Vincenzo Ciampi: Tre giorni son che Nina, Bellini, Tommaso Giordani, Rossini, Gluck, Tosti, Donizetti, Leoncavallo, Beethoven and Francesco Durante. Philharmonia Orchestra Piero Gamba National Philharmonic Orchestra. Antonio Tonini (conductor) 1983

Caldara

Mamma – songs by , Ernesto de Curtis, Arturo Buzzi-Peccia, Stanislao Gastaldon, Cesare Cesarini, A. Walter Kramer, Carlo Innocenzi, Giovanni D'Anzi, Eldo Di Lazzaro, Vincenzo De Crescenzo, Domenico Martuzzi, Aniello Califano, Colombino Arona. Arranged and conducted by Henry Mancini, 1984.

Cesare Andrea Bixio

Passione – 12 songs by , Paolo Tosti, :it:Pasquale Mario Costa, Teodoro Cottrau, it:Evemero Nardella, Rodolfo Falvo, De Curtis, Di Capua, E. A. Mario, Gaetano Lama and Salvatore Cardillo. Orchestra del Teatro Comunale di Bologna. Giancarlo Chiaramello 1985

Ernesto Tagliaferri

Volare – 16 songs by , Luigi Denza, Cesare Andrea Bixio, Gabriele Sibella, Giovanni D'Anzi, Michael John Bonagura, Edoardo Mascheroni, Ernesto De Curtis, Ermenegildo Ruccione, Pietro Mascagni, Guido Maria Ferilli. arranged and conducted by Henry Mancini 1987

Domenico Modugno

Ti Adoro – songs by , Carlo Mioli, Ornella D'Urbano, Michele Centonze, Andrea Bellantani, Daniel Vuletic, Veris Giannetti, Nino Rota/Elsa Morante, Edoardo Bennato, Hans Zimmer/Gavin Greenaway/Jeffrey Pescetto, Lucio Dalla. Royal Philharmonic Orchestra Orchestra di Roma. Bulgarian Symphony Orchestra. Romano Musumarra Giancarlo Chiaramello, 2000

Romano Musumarra

(1982), Deutsche Grammophon DVD, 00440-073-4234, 2006

Mozart: Idomeneo

(1983), Deutsche Grammophon DVD, 00440-073-4538, 2009

The Metropolitan Opera Centennial Gala

, Deutsche Grammophon DVD, 00440-073-4582, 2010

The Metropolitan Opera Gala 1991

1976 – 3rd Class / Commander of the Order of Merit of the Italian Republic

Italy

1980 – 2nd Class / Grand Officer of the Order of Merit of the Italian Republic

Italy

1988 – 1st Class / Knight Grand Cross of the Order of Merit of the Italian Republic

Italy

1992 – Officer of the National Order of the Legion of Honour

France

1993 – Commander of the Order of Cultural Merit of Monaco

Monaco

List of best-selling music artists

Pavarotti & Friends for the Children of Bosnia

Pavarotti & Friends for the Children of Liberia

Pavarotti & Friends for Guatemala and Kosovo

Centro Educativo Pavarotti

a 2019 documentary film by Ron Howard

Pavarotti

Official website

– Home in Modena, now a museum

Casamuseo Luciano Pavarotti

at IMDb

Luciano Pavarotti

(Capon's Lists of Opera Recordings)

Discography

discography at MusicBrainz

Luciano Pavarotti

Pavarotti Video Biography by National Italian American Foundation NIAF