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Mario Davidovsky

Mario Davidovsky (March 4, 1934 – August 23, 2019)[1] was an Argentine-American composer. Born in Argentina, he emigrated in 1960 to the United States, where he lived for the remainder of his life. He is best known for his series of compositions called Synchronisms, which in live performance incorporate both acoustic instruments and electroacoustic sounds played from a tape.

Mario Davidovsky

(1937-03-04)March 4, 1937

August 23, 2019(2019-08-23) (aged 82)

Composer

Biography[edit]

Davidovsky was born in Médanos, Buenos Aires Province, Argentina, a town nearly 600 km southwest of the city of Buenos Aires and close to the seaport of Bahía Blanca. Aged seven, he began his musical studies on the violin. At thirteen he began composing. He studied composition and theory under Guillermo Graetzer at the University of Buenos Aires, from which he graduated.


In 1958, he studied with Aaron Copland and Milton Babbitt at the Berkshire Music Center (now the Tanglewood Music Center) in Lenox, Massachusetts. Through Babbitt, who worked at the Columbia-Princeton Electronic Music Center, and others, Davidovsky developed an interest in electroacoustic music. Copland encouraged Davidovsky to emigrate to the United States, and in 1960, Davidovsky settled in New York City, where he was appointed associate director of the Columbia-Princeton Electronic Music Center. It was at that time he began to compose electo-acoustic works called Synchronisms.


Most of his published compositions since the 1970s have been nonelectronic. His only published electroacoustic compositions since that time are Synchronisms No. 9 (1988) and Synchronisms No. 10 (1992). However, Davidovsky received a commission by a group led by the Society for Electro-Acoustic Music in the United States (SEAMUS) to compose two more electroacoustic works in the Synchronisms series. No. 11 and No. 12 premiered in 2007 at the SEAMUS National Conference in Ames, Iowa.


Davidovsky's association with the Columbia-Princeton Electronic Music Center continued, and from 1981 to 1993 he was the lab's director as well as professor of music at Columbia.[2] In 1994 he became professor of music at Harvard.[2] During his career, Davidovsky has also taught at many other institutions: University of Michigan (1964), the Di Tella Institute of Buenos Aires (1965), the Manhattan School of Music (1968–69), Yale University (1969–70), and the City College of New York (1968–80).[2]


He served on the composition faculty of Mannes College The New School for Music.[3]


In 1982, Davidovsky was elected a member of the American Academy of Arts and Letters.[4]

Personal life[edit]

Davidovsky married Elaine Blaustein in 1962; she died in 2017. They had two children, and three grandchildren. He died in New York City on August 23, 2019, at the age of 85.[5]

The American Academy of Arts and Letters' Academy Award (1965)

(1971)

Pulitzer Prize

Brandeis University Creative Arts Award

Aaron Copland-Tanglewood Award

(1989)

SEAMUS Lifetime Achievement Award

Naumburg Award

Peggy Guggenheim Award (1982)

Barlow Endowment for Music Composition – Commission (2003)

Koussevitzky fellowship (1958)

(1963,1964)

Rockefeller fellowships

Guggenheim fellowships (1960,1971)

Williams Foundation Fellowship

Walter Channing Cabot Fellowship

Works by Martin Brody, Mario Davidovsky, Miriam Gideon, Rand Steiger, Chinary Ung

Korf: Symphony No.2/Davidovsky: Divertimento/Wright: Night Scenes

Fred Sherry

Flashbacks: Music by Mario Davidovsky

Mary Ruth Ray

Mario Davidovsky: 3 Cycles on Biblical Texts

Harvard Composers

Salvos: Chamber Music of Mario Davidovsky

The Music of Mario Davidovsky, Vol. 3

Jeffrey Milarsky

Cole Gagne and Tracy Caras, Soundpieces: Interviews with American Composers, Metuchen, New Jersey: Scarecrow Press, 1982.

by Eric Chasalow, AGNI 50 – via ericchasalow.com

"Mario Davidovsky: An Introduction"

by George Crumb, a slightly revised article, originally appearing in The Kenyon Review, Summer 1980.

"Music: Does it Have a Future?"

"Mario Davidovsky: Contrastes No. 1", Perspectives of New Music, vol. 4, no. 2 (Spring–Summer 1966), 144–149.

Charles Wuorinen

Liner notes to discs Bridge 9097 and Bridge 9112 (see Discography)

at the Wayback Machine (archived April 15, 2012), by Bob Gluck on September 24, 2005.

Interview

Columbia-Princeton Electronic Music Center, recording, from Aspen, no. 4, The McLuhan issue; via UbuWeb

"Electronic Study No. 3, In Memoriam Edgar Varèse"

RealAudio streams of three works by the composer

Art of the States: Mario Davidovsky

Performance on 2006-10-22 by Lynn Kuo of Synchronisms No. 9: on YouTube, Part 2 on YouTube.

Part 1

Mario Davidovsky (February 15, 2006). . NewMusicBox (Interview). Interviewed by Frank J. Oteri (published November 1, 2006). (includes video)

"Mario Davidovsky: A Long Way from Home"