Mausoleum at Halicarnassus
The Mausoleum at Halicarnassus or Tomb of Mausolus[a] (Ancient Greek: Μαυσωλεῖον τῆς Ἁλικαρνασσοῦ; Turkish: Halikarnas Mozolesi) was a tomb built between 353 and 350 BC in Halicarnassus (present Bodrum, Turkey) for Mausolus, an Anatolian from Caria and a satrap in the Achaemenid Empire, and his sister-wife Artemisia II of Caria. The structure was designed by the Greek architects Satyros and Pythius of Priene.[1][2] Its elevated tomb structure is derived from the tombs of neighbouring Lycia, a territory Mausolus had invaded and annexed c. 360 BC, such as the Nereid Monument.[3]
Mausoleum at Halicarnassus
In ruins
Halicarnassus, Achaemenid Empire (modern-day Bodrum, Turkey)
Achaemenid Empire; modern day Turkey;
351 BC
1494 AD
Approximately 42 m (138 ft)
The Mausoleum was approximately 45 m (148 ft) in height, and the four sides were adorned with sculptural reliefs, each created by one of four Greek sculptors: Leochares, Bryaxis, Scopas of Paros, and Timotheus.[4] The Mausoleum contained total 400 freestanding sculptures.[5] The mausoleum was considered to be such an aesthetic triumph that Antipater of Sidon identified it as one of his Seven Wonders of the Ancient World. It was destroyed by successive earthquakes from the 12th to the 15th century;[6][7][8] it was the last surviving of the six destroyed wonders.
The word mausoleum has now come to be used generically for an above-ground tomb.
Much of the information that has been gathered about the Mausoleum and its structure has come from the Roman polymath Pliny the Elder. [19] He wrote some basic facts about the architecture and some dimensions. The building was rectangular, not square, surrounded by a colonnade of thirty-six columns. There was a pyramidal superstructure receding in twenty-four steps to the summit. On top there were 4 horse chariots of marble. The building was accented with both sculptural friezes and free-standing figures. "The free standing figures were arranged on 5 or 6 different levels."[9]
We are now able to justify that Pliny's knowledge came from a work written by the architect. It is clear that Pliny did not grasp the design of the mausoleum fully which creates problems in recreating the structure. He does state many facts which help the reader recreate pieces of the puzzle. Other writings by Pausanias, Strabo, and Vitruvius also help us to gather more information about the Mausoleum.[20]
According to Pliny, the mausoleum was 19 metres (63 ft) north and south, shorter on other fronts, 125 metres (411 ft) perimeter, and 25 cubits (11.4 metres or 37.5 feet) in height. It was surrounded by 36 columns. They called this part the pteron. Above the pteron there was a pyramid on top with 24 steps and equal in height to the lower part. The height of the building was 43 metres (140 ft).[21]
The only other author that gives the dimensions of the Mausoleum is Hyginus, a grammarian in the time of Augustus. He describes the monument as built with shining stones, 24 metres (80 ft) high and 410 metres (1,340 ft) in circumference. He likely meant cubits which would match Pliny's dimensions exactly but this text is largely considered corrupt and is of little importance.[20] We learn from Vitruvius that Satyros and Phytheus wrote a description of their work which Pliny likely read. Pliny likely wrote down these dimensions without thinking about the form of the building.[20]
Many statues were found slightly larger than life-size, either 1.5 metres (5 ft). or 1.60 metres (5.25 ft). in length; these were 20 lion statues. Another important find was the depth on the rock on which the building stood. This rock was excavated to 2.4 or 2.7 metres (8 or 9 ft) deep over an area 33 by 39 metres (107 by 127 ft).[21] The sculptures on the north were created by Scopas, the ones on the east Bryaxis, on the south Timotheus and on the west Leochares.[20]
The Mausoleum was adorned with many great and beautiful sculptures. Some of these sculptures have been lost or only fragments have been found. Several of the statues' original placements are only known through historical accounts. The great figures of Mausolus and Artemisia stood in the chariot at the top of the pyramid. The detached equestrian groups are placed at the corners of the sub-podium.[20] The semi-colossal female heads may have belonged to the acroteria of the two gables which may have represented the six Carian towns incorporated in Halicarnassus.[22] Work still continues today as groups continue to excavate and research the mausoleum's art.
In the 19th century, a British consul stole several of the statues from Bodrum Castle; these now reside in the British Museum. In 1852, the British Museum sent the archaeologist Charles Thomas Newton to search for more remains of the Mausoleum. He had a difficult job. He did not know the exact location of the tomb, and the cost of buying up all the small parcels of land in the area to look for it would have been astronomical. Instead, Newton studied the accounts of ancient writers like Pliny to obtain the approximate size and location of the memorial, then bought a plot of land in the most likely location. Digging down, Newton explored the surrounding area through tunnels he dug under the surrounding plots. He was able to locate some walls, a staircase, and finally three of the corners of the foundation. With this knowledge, Newton was able to determine which plots of land he needed to buy.
Newton then excavated the site and found sections of the reliefs that decorated the wall of the building and portions of the stepped roof. Also discovered was a broken stone chariot wheel some 2 m (6 ft 7 in) in diameter, which came from the sculpture on the Mausoleum's roof. Finally, he found the statues of Mausolus and Artemisia that had stood at the pinnacle of the building. In October 1857, Newton carried blocks of marble from this site by HMS Supply and landed them in Malta. These blocks were used for the construction of a new dock in Malta for the Royal Navy. Today this dock is known as Dock No. 1 in Cospicua, but the building blocks are hidden from view, submerged in Dockyard Creek in the Grand Harbour.[25]
From 1966 to 1977, the Mausoleum was thoroughly researched by Kristian Jeppesen of Aarhus University, Denmark. He has produced a six-volume monograph, The Maussolleion at Halikarnassos.
The beauty of the Mausoleum was not only in the structure itself, but in the decorations and statues that adorned the outside at different levels on the podium and the roof: statues of people, lions, horses, and other animals in varying scales. The four Greek sculptors who carved the statues: Bryaxis, Leochares, Scopas and Timotheus were each responsible for one side. Because the statues were of people and animals, the Mausoleum holds a special place in history, as it was not dedicated to the gods of Ancient Greece.
Today, the massive castle of the Knights Hospitaller (Knights of St. John) still stands in Bodrum, and the polished stone and marble blocks of the Mausoleum can be spotted built into the walls of the structure. At the site of the Mausoleum, only the foundation remains, and a small museum. Some of the surviving sculptures at the British Museum include fragments of statues and many slabs of the frieze showing the battle between the Greeks and the Amazons. There the images of Mausolus and his queen watch over the few broken remains of the beautiful tomb she built for him.
Modern buildings whose designs were based upon or influenced by interpretations of the design of the Mausoleum of Mausolus include Fourth and Vine Tower in Cincinnati; the Civil Courts Building in St. Louis; the National Newark Building in Newark, New Jersey; Grant's Tomb and 26 Broadway in New York City; Los Angeles City Hall; the Shrine of Remembrance in Melbourne; the spire of St. George's Church, Bloomsbury in London; the Indiana War Memorial (and in turn Salesforce Tower) in Indianapolis;[26][27] the House of the Temple in Washington D.C.; the National Diet in Tokyo; the Soldiers and Sailors Memorial Hall in Pittsburgh;[28] and the Commerce Bank Building in Peoria, IL.
In Milas (also the site of the tomb of Hecatomnus, who was the father of Mausolus), is also the site of the Gümüşkesen, a small-scale Roman-era (2nd century BC) copy of the Mausoleum at Halicarnassus: