Michael Crawford
Michael Patrick Smith CBE (born 19 January 1942),[1] known professionally as Michael Crawford, is an English actor, comedian, and singer.
For other people named Michael Crawford, see Michael Crawford (disambiguation).
Michael Crawford
- Actor
- singer
- comedian
- stuntman
- voice actor
1955–present
Natasha MacAller (1996–present)
3
Crawford is best known for playing the hapless Frank Spencer in the sitcom Some Mothers Do 'Ave 'Em and the title role in the musical The Phantom of the Opera. His acclaimed performance in the latter earned him both the Laurence Olivier Award for Best Actor in a Leading Role in a Musical and Tony Award for Best Actor in a Leading Role in a Musical.[2] He has received international critical acclaim and won numerous awards during his acting career, which has included many film and television performances as well as stage work on both London's West End and on Broadway.
Crawford has also published the autobiography Parcel Arrived Safely: Tied With String. Since 1987, he has served as the leader and public face for the British social cause organization the Sick Children's Trust.[2]
Early life and education[edit]
Crawford was brought up by his mother, Doris Agnes Mary Pike, and her parents, Montague Pike and his wife, Edith (née Keefe or O'Keefe), in what Crawford described as a "close-knit Roman Catholic family". His maternal grandmother was born in County Londonderry, Ireland, and lived to be 99 years old.[3] His mother's first husband, Arthur Dumbell "Smudge" Smith,[4] who was not his biological father, was killed, aged 22, on 6 September 1940 during the Battle of Britain, less than a year after they married.[5][6] Sixteen months after Smith's death, Crawford was born, the result of a short-lived relationship, and given his mother's surname, which was that of her first husband.
During his early years, Crawford divided his time between the army camp in Wiltshire, where he and his mother lived during the war, and the Isle of Sheppey in Kent. The isle was where his mother had grown up and where Crawford would later live with his mother and maternal grandparents. He attended St Michael's, a Catholic school in Bexleyheath which was run by nuns whom Crawford later described as not being shy in their use of corporal punishment. At the end of the Second World War, his mother remarried, this time to a grocer, Lionel Dennis "Den" Ingram. The couple moved to Herne Hill[7] in London, where Crawford attended Oakfield Preparatory School, Dulwich, where he was known as Michael Ingram. His mother's second marriage was abusive, according to Crawford.[3]
Acting career[edit]
Career beginnings[edit]
Crawford made his first stage appearance in the role of Sammy the Little Sweep in his school production of Benjamin Britten's Let's Make an Opera, conducted by Donald Mitchell,[8] which was then transferred to Brixton Town Hall in London. He auditioned, unsuccessfully, for the role of Miles in Britten's The Turn of the Screw – the role being given to another boy soprano, David Hemmings; but it appears that Crawford's audition sufficiently impressed Britten as in 1955 he hired him to play Sammy, alternating with David Hemmings, in another production of Let's Make an Opera, this time at the Scala Theatre in London.[9] He also participated in the recording of that opera (as Michael Ingram, singing the role of Gay Brook) made that same year, conducted by the composer.[9][10]
In 1958 he was hired by the English Opera Group to create the role of Jaffet in another Britten opera, Noye's Fludde, based on the story of Noah and the Great Flood.[8] Crawford remembers that it was while working in this production that he realised he seriously wanted to become an actor. It was in between performances of Let's Make an Opera and Noye's Fludde that he was advised to change his name, "to avoid confusion with a television newsman called Michael Ingram[s] who was registered with British Equity".[11]
He went on to perform in a wide repertoire. Among his stage work, he performed in André Birabeau's French comedy Head of the Family, Neil Simon's Come Blow Your Horn, Bernard Kops's Change for the Angel, Francis Swann's Out of the Frying Pan, Shakespeare's Julius Caesar, Coriolanus, and Twelfth Night, Oscar Wilde's The Importance of Being Earnest, The Striplings, The Move After Checkmate and others. At the same time, he appeared in hundreds of BBC radio broadcasts and early BBC soap-operas, such as Billy Bunter of Greyfriars School, Emergency - Ward 10, Probation Officer, and Two Living, One Dead. He appeared as the cabin boy John Drake in the television series Sir Francis Drake, a 26-part adventure series made by ITC starring Terence Morgan and Jean Kent. He made his film debut in 1958 with leading roles in two children's films, Blow Your Own Trumpet and Soapbox Derby, for The Children's Film Foundation in Britain.[12]
In 1961 Michael Crawford appeared in an episode of One Step Beyond called "The Villa" in which he played a character experimenting with strobe lights. Crawford appears in the only surviving episode of the 1960 British crime series Police Surgeon alongside Ian Hendry. This series would spawn the much better-known The Avengers.
Early adult career[edit]
At age nineteen, he was approached to play an American, Junior Sailen, in the film The War Lover (1962), which starred Steve McQueen. To prepare for the role, he would spend hours listening to Woody Woodbury, a famous American comedian of the time, to try to perfect an American accent. After The War Lover, Crawford briefly returned to the stage and, after playing the lead role in the 1963 British film Two Left Feet, was offered a role in the British television series, Not So Much a Programme, More a Way of Life, as the Mod-style, tough-talking, motorbike-riding Byron. It was this character that attracted film director Richard Lester to hire him for the role of Colin in The Knack ...and How to Get It in 1965. The film was a huge success in the UK.
Lester also cast him in the film adaptation of Stephen Sondheim's musical A Funny Thing Happened on the Way to the Forum, and How I Won the War, which starred Roy Kinnear and John Lennon (during the filming of which he lived in London with Lennon and his first wife Cynthia, and Gabrielle Lewis).[13] Crawford starred in The Jokers (directed by Michael Winner) with Oliver Reed in 1967.
Broadway debut[edit]
In 1967, Crawford made his Broadway début in Peter Shaffer's Black Comedy with Lynn Redgrave (making her début as well) in which he demonstrated his aptitude and daring for extreme physical comedy, such as walking into walls and falling down staircases. While working in the show, he was noticed by Gene Kelly and was called to Hollywood to audition for him for a part in the film adaptation of the musical Hello, Dolly!. He was cast and shared top billing with Barbra Streisand and Walter Matthau. Despite becoming one of the highest-grossing films of 1969, it failed to recoup its $25 million budget at the box office. It went on to win three Academy Awards, was nominated for a further four (including Best Picture), and is now considered to be one of the greatest musical films ever.[14][15][16]
Crawford's later films fared less successfully, although Alice's Adventures in Wonderland, in which he played the White Rabbit, enjoyed moderate success in the UK. After performing in Alice's Adventures in Wonderland, and with offers of work greatly reduced and much of his salary from Hello, Dolly! lost, reportedly due to underhanded investments by his agent,[11] Crawford faced a brief period of unemployment, in which he helped his wife stuff cushions (for their upholstery business) and took a job as an office clerk in an electric company to pass the time between. During this difficult time, his marriage fell apart and divorce followed in 1975.[11]
Some Mothers Do 'Ave 'Em[edit]
Crawford's acting career took off again after he appeared on the London stage in the farce No Sex Please, We're British, in which he played the part of frantic chief cashier Brian Runnicles. His performance led to an invitation to star in a BBC television comedy series about a childlike and eternally haphazard man who causes disaster everywhere he goes. Crawford was not the first choice for the role of Frank Spencer in Some Mothers Do 'Ave 'Em. Originally, the part had been offered to comedy actor Ronnie Barker but after he and Norman Wisdom had turned it down, Crawford took on the challenge, adopting a similar characterisation to that which he used when playing Brian Runnicles. Cast alongside him was actress Michele Dotrice in the role of Frank's long-suffering wife, Betty, and the series premiered in 1973.
Some Mothers Do 'Ave 'Em soon became one of the BBC's most popular television series. Initially, only two series were produced, from 1973 to 1975, while the show's creators felt that it should stop while at its peak. There was a brief hiatus until popular demand saw it revived for a final series in 1978. The immense popularity that followed the sitcom was due perhaps to the unusual amount of physical comedy involved. Crawford said he had always been a fan of comedians such as Charlie Chaplin, Buster Keaton and Laurel and Hardy, as well as the great sight gags employed in the days of silent film, and saw Some Mothers as the ideal opportunity to use such humour himself. He performed all of his own stunts during the show's run, and never used a double.[11]
1970s[edit]
While he was playing in Some Mothers Do 'Ave 'Em, Crawford was approached to star in the musical Billy (based on the novel Billy Liar), which opened in 1974 at the Theatre Royal, Drury Lane in London. This was his first leading man role on the West End stage and helped to cement his career as both a singer and showman. The part was demanding, requiring proficiency in both song and dance, and in preparation for the role, Crawford began taking both more seriously, studying singing under the tutelage of vocal coach Ian Adam and spending hours perfecting his dancing capabilities with choreographer Onna White.[11]
Billy gave the many fans of Crawford's portrayal of Frank Spencer an opportunity to see him in a broadly similar role on the stage, and was a considerable hit (904 West End performances). After the closing of Some Mothers Do 'Ave 'Em, Crawford continued to perform in plays and musicals, starring in Flowers for Algernon (1979) in the role of Charley Gordon, based on the book of the same title. He pursued another role on an ITV sitcom, Chalk and Cheese, as the slovenly, uncouth Dave Finn. The show did not go over well with his fans: the popularity of Crawford's portrayal of Frank Spencer, and the similar Billy Fisher character, had left him somewhat typecast, to the extent that they could not accept his very different role as Dave Finn. Crawford abandoned the show during its first series and returned to theatre work.[11]
Recording career and chart success[edit]
In 1987, during Crawford's starring role in The Phantom of the Opera, a double A-sided single was released featuring two songs from the musical: "The Music of the Night", sung by Crawford, and "Wishing You Were Somehow Here Again", sung by his Phantom co-star Sarah Brightman. It reached number seven in the UK Singles Chart.[37]
Following on from this, in the same year Crawford released a studio album of show tunes with the London Symphony Orchestra, titled Songs from the Stage and Screen, which reached number 12 in the UK Albums Chart[37] and number 74 on the Australian Music Report chart. From this album, his version of "When You Wish Upon a Star" was released as a single, reaching number 97 in the UK Singles Chart.[37]
Songs from the Stage and Screen was followed by other charting studio albums recorded by Crawford, including With Love / The Phantom Unmasked (1989), Michael Crawford Performs Andrew Lloyd Webber (1991), A Touch of Music in the Night (1993) and The Disney Album (2001), as well as several compilation albums.[37] A Touch of Music in the Night included a new version of the Phantom song "The Music of the Night", this time recorded as a duet between Crawford and Barbra Streisand. Released as a single, it reached number 54 in the UK Singles Chart in early 1994.[37] It was also included on Streisand's album Back to Broadway (1993), and was nominated for Best Pop Performance by a Duo or Group with Vocals at the 1994 Grammy Awards.[38]
Concert tours[edit]
Crawford has performed many concert tours in the US, Canada, the UK, Australia and New Zealand, beginning with The Music of Andrew Lloyd Webber in 1992. In 1998, Crawford began Michael Crawford: Live In Concert tour around the United States. One performance, done at the Cerritos Arts Center in Los Angeles, was filmed and broadcast on PBS for their annual fundraiser.
In 2006, he made a small concert tour of Australia and New Zealand, as well as a one-night benefit to open the LaSalle Bank Theatre in Chicago. He has also done various Michael Crawford International Fan Association (MCIFA) exclusive concerts around the US.[39] The MCIFA makes contributions to many charities.
Charity work[edit]
Since the late 1980s, Crawford has affiliated himself with various charities, particularly for the good of children. He is a patron of the Lighthouse Foundation in Australia, and has also been President of the Sick Children's Trust since 1987.[40]
Personal life[edit]
Crawford has three children. Two, born in 1966 and 1968, were daughters from his first marriage to Gabrielle Lewis.[41]
In 2007, Crawford relocated to New Zealand for health reasons, as he sought recovery from his diagnosed ME and to be closer to one of his daughters who had settled in Australia which is in a similar time-zone to his home.[42][43][44]
Crawford was appointed Officer of the Order of the British Empire (OBE) in 1988 and Commander of the Order of the British Empire (CBE) in the 2014 New Year Honours for charitable and philanthropic services, particularly to children's charities.[46]