Mike Hammer (character)
Michael Hammer is a fictional character created by the American author Mickey Spillane. Hammer debuted in the 1947 book I, the Jury. Hammer is a no-holds-barred private investigator whose love for his secretary Velda is outweighed only by his willingness to kill a killer. Hammer's best friend is Pat Chambers, Captain of NYPD Homicide. Hammer was a World War II army veteran who spent two years fighting jungle warfare in the Pacific Ocean theater of World War II against Japan.
For other similarly named individuals, see Michael Hammer.Mike Hammer
I, the Jury (1947) (first novel by Mickey Spillane)
Mickey Spillane (series continued by Max Allan Collins after Spillane's death)
- Biff Elliot (film)
- Ralph Meeker (film)
- Larry Haines (radio)
- George Petrie (radio)
- Ted de Corsia (radio)
- Brian Keith (TV pilot)
- Robert Bray (film)
- Darren McGavin (TV series)
- Mickey Spillane (film)
- Kevin Dobson (TV movie)
- Armand Assante (film)
- Stacy Keach (TV movies, TV series, audio drama)
- Rob Estes (TV movie)
Male
Private detective
American
Creation[edit]
In 1946, Spillane, an established comic-book writer, worked with illustrator Mike Roy and Edwin Robbins to create the private-eye character Mike Danger for proposed comic-book or comic-strip publication. Unable to sell the project as a comic, he reworked the story as the novel I, the Jury, converting Mike Danger to Mike Hammer and supporting character Holly to Velda.[1]
Character[edit]
While pulp detectives such as Sam Spade and Philip Marlowe are hard-boiled and cynical, Hammer is in many ways the archetypal "hard man": brutally violent, and fueled by a genuine rage against violent crime that never afflicts Raymond Chandler's or Dashiell Hammett's heroes. In The Big Kill, Hammer describes himself to a bargirl as a misanthrope. Spillane admitted to pulp writer Carroll John Daly, generally regarded as the inventor of the hard-boiled private eye figure, that Hammer was also loosely modeled on Race Williams, Daly's most frequently used detective character.
While other hardboiled heroes bend and manipulate the law, Hammer often views it as an impediment to justice, the one virtue he holds in absolute esteem. Hammer nevertheless has a strong respect for the majority of police, realizing they have a difficult job and their hands are frequently tied by the law when trying to stop criminals.
Hammer is also patriotic and anti-communist. The novels are peppered with remarks by Hammer supporting American troops in Korea, and in Survival...Zero Vietnam. In One Lonely Night, where Hammer attends a communist meeting in a park, his reaction to the speaker's propaganda is a sarcastic "Yeah."
So far as violence is concerned, the Hammer novels leave little to the imagination. Written in the first person, Hammer describes his violent encounters with relish. In all but a few novels, Hammer's victims are often left vomiting after a blow to the stomach or groin.
Hammer is an ageless character. Spillane said of his character: "See, heroes never die. John Wayne isn't dead, Elvis isn't dead. Otherwise you don't have a hero. You can't kill a hero. That's why I never let him get older."
The Washington Times obituary of Spillane said of Hammer, "In a manner similar to Clint Eastwood's Dirty Harry, Hammer was a cynical loner contemptuous of the 'tedious process' of the legal system, choosing instead to enforce the law on his own terms."[2]