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Mod (subculture)

Mod, from the word modernist, is a subculture that began in 1950s London and spread throughout Great Britain, eventually influencing fashions and trends in other countries.[1] It continues today on a smaller scale. Focused on music and fashion, the subculture has its roots in a small group of stylish London-based young men and women in the late 1950s who were termed modernists because they listened to modern jazz.[2] Elements of the mod subculture include fashion (often tailor-made suits); music (including soul, rhythm and blues, ska and mainly jazz) and motor scooters (usually Lambretta or Vespa). In the mid-1960s, the subculture listened to rock groups such as the Who and Small Faces. The original mod scene was associated with amphetamine-fuelled all-night jazz dancing at clubs.[3]

During the early to mid-1960s, as mod grew and spread throughout the UK, certain elements of the mod scene became engaged in well-publicised clashes with members of a rival subculture: rockers.[4] The mods and rockers conflict led sociologist Stanley Cohen to use the term "moral panic" in his study about the two youth subcultures,[5] in which he examined media coverage of the mod and rocker riots in the 1960s.[6]


By 1965, conflicts between mods and rockers began to subside and mods increasingly gravitated towards pop art and psychedelia. London became synonymous with fashion, music, and pop culture in these years, a period often referred to as "Swinging London". During this time, mod fashions spread to other countries; mod was then viewed less as an isolated subculture, but as emblematic of the larger youth culture of the era.


As mod became more cosmopolitan during the "Swinging London" period, some working class "street mods" splintered off, forming other groups such as the skinheads. In the late 1970s, there was a mod revival in the United Kingdom which attempted to replicate the "scooter" period look and styles of the early to mid-1960s. It was followed by a similar mod revival in North America in the early 1980s, particularly in southern California.[7][8]

Etymology and usage[edit]

The term mod derives from modernist, a term used in the 1950s to describe modern jazz musicians and fans.[9] This usage contrasted with the term trad, which described traditional jazz players and fans. The 1959 novel Absolute Beginners describes modernists as young modern jazz fans who dress in sharp modern Italian clothes. The novel may be one of the earliest examples of the term being written to describe young British style-conscious modern jazz fans. This usage of the word modernist should not be confused with modernism in the context of literature, art, design and architecture. From the mid-to-late 1960s onwards, the mass media often used the term mod in a wider sense to describe anything that was believed to be popular, fashionable or modern.


Paul Jobling and David Crowley argued that the definition of mod can be difficult to pin down, because throughout the subculture's original era, it was "prone to continuous reinvention."[10] They claimed that since the mod scene was so pluralist, the word mod was an umbrella term that covered several distinct sub-scenes. Terry Rawlings argued that mods are difficult to define because the subculture started out as a "mysterious semi-secret world", which the Who's manager Peter Meaden summarised as "clean living under difficult circumstances."[11]

1960s in fashion

Freakbeat

a similar subculture in Japan

Bōsōzoku

. Mods: The New Religion, Omnibus Press (2014), ISBN 978-1780385495

Anderson, Paul

Bacon, Tony. London Live, Balafon (1999),  1-871547-80-6

ISBN

Baker, Howard. Sawdust Caesar Mainstream (1999),  1-84018-223-7

ISBN

Baker, Howard. Enlightenment and the Death of Michael Mouse Mainstream (2001),  1-84018-460-4

ISBN

Barnes, Richard.Mods!, Eel Pie (1979),  0-85965-173-8

ISBN

Cohen, S. (1972 ). Folk Devils and Moral Panics: The Creation of Mods and Rockers, Oxford: Martin Robertson.

. Len Deighton's London Dossier, (1967)

Deighton, Len

Elms, Robert. The Way We Wore,

Feldman, Christine Jacqueline. "We Are the Mods": A Transnational History of a Youth Subculture. Peter Lang (2009).

Fletcher, Alan. Mod Crop Series, Chainline (1995),  978-0-9526105-0-2

ISBN

Green, Jonathan. Days In The Life,

Green, Jonathan. All Dressed Up

Hamblett, Charles and Jane Deverson. Generation X (1964)

Hewitt, Paolo. My Favourite Shirt: A History of Ben Sherman Style (Paperback). Ben Sherman (2004),  0-9548106-0-0

ISBN

Hewitt, Paolo. The Sharper Word; A Mod Anthology Helter Skelter Publishing (2007),  978-1-900924-34-4

ISBN

Hewitt, Paolo. The Soul Stylists: Forty Years of Modernism (1st edition). Mainstream (2000),  1-84018-228-8

ISBN

. England, Half English (2nd edition), Penguin (1966, 1961)

MacInnes, Colin

. Absolute Beginners

MacInnes, Colin

Newton, Francis. The Jazz Scene,

Rawlings, Terry. Mod: A Very British Phenomenon

Scala, Mim. Diary Of A Teddy Boy. Sitric (2000),  0-7472-7068-6

ISBN

Verguren, Enamel . This Is a Modern Life: The 1980s London Mod Scene, Enamel Verguren. Helter Skelter (2004),  1-900924-77-3

ISBN

Weight, Richard. Mod: A Very British Style. Bodley Head (2013)  978-0224073912

ISBN

- Cover story about mod boom in America

Revolution in Men' s Clothes: Mod Fashions from Britain are Making a Smash in the U.S., Life Magazine, 13 May. 1966, pg. 82-90

OnThisDay 4 April 1964 BBC Panorama Reported on Mods and Rockers. Can't we all just get along

at Curlie

Mod Subculture