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Art

Art is a diverse range of human activity and its resulting product that involves creative or imaginative talent generally expressive of technical proficiency, beauty, emotional power, or conceptual ideas.[1][2][3]

This article is about the general concept of art. For the group of creative disciplines, see The arts. For other uses, see Art (disambiguation).

There is no generally agreed definition of what constitutes art,[4][5][6] and its interpretation has varied greatly throughout history and across cultures. In the Western tradition, the three classical branches of visual art are painting, sculpture, and architecture.[7] Theatre, dance, and other performing arts, as well as literature, music, film and other media such as interactive media, are included in a broader definition of the arts.[1][8] Until the 17th century, art referred to any skill or mastery and was not differentiated from crafts or sciences. In modern usage after the 17th century, where aesthetic considerations are paramount, the fine arts are separated and distinguished from acquired skills in general, such as the decorative or applied arts.


The nature of art and related concepts, such as creativity and interpretation, are explored in a branch of philosophy known as aesthetics.[9] The resulting artworks are studied in the professional fields of art criticism and the history of art.

Art and law

An essential legal issue are art forgeries, plagiarism, replicas and works that are strongly based on other works of art.


Intellectual property law plays a significant role in the art world. Copyright protection is granted to artists for their original works, providing them with exclusive rights to reproduce, distribute, and display their creations. This safeguard empowers artists to govern the usage of their work and safeguard against unauthorized copying or infringement. [170]


The trade in works of art or the export from a country may be subject to legal regulations. Internationally there are also extensive efforts to protect the works of art created. The UN, UNESCO and Blue Shield International try to ensure effective protection at the national level and to intervene directly in the event of armed conflicts or disasters. This can particularly affect museums, archives, art collections and excavation sites. This should also secure the economic basis of a country, especially because works of art are often of tourist importance. The founding president of Blue Shield International, Karl von Habsburg, explained an additional connection between the destruction of cultural property and the cause of flight during a mission in Lebanon in April 2019: "Cultural goods are part of the identity of the people who live in a certain place. If you destroy their culture, you also destroy their identity. Many people are uprooted, often no longer have any prospects and as a result flee from their homeland."[171][172][173][174][175][176] In order to preserve the diversity of cultural identity, UNESCO protects the living human treasure through the Convention for the Safeguarding of the Intangible Cultural Heritage.

Oscar Wilde, Intentions, 1891

and Helmut Kuhn, A History of Esthetics. Edition 2, revised. Indiana: Indiana University Press, 1953.

Katharine Everett Gilbert

Stephen Davies, Definitions of Art, 1991

ed. But is it Art?, 1995

Nina Felshin

(ed.). Inside the Visible. MIT Press, 1996

Catherine de Zegher

Evelyn Hatcher, ed. Art as Culture: An Introduction to the Anthropology of Art, 1999

Noel Carroll, Theories of Art Today, 2000

John Whitehead. Grasping for the Wind, 2001

and Keith Moxey (eds.) Art History Aesthetics Visual Studies. New Haven: Yale University Press, 2002. ISBN 0300097891

Michael Ann Holly

Shiner, Larry. . Chicago: University of Chicago Press, 2003. ISBN 978-0-226-75342-3

The Invention of Art: A Cultural History

The Abuse of Beauty: Aesthetics and the Concept of Art. 2003

Arthur Danto

and Margaret Iversen, eds. Art and Thought. London: Blackwell, 2003. ISBN 0631227156

Dana Arnold

Jean Robertson and Craig McDaniel, Themes of Contemporary Art, Visual Art after 1980, 2005

Antony Briant and , eds. Digital and Other Virtualities: Renegotiating the image. London and NY: I.B. Tauris, 2010. ISBN 978-1441676313

Griselda Pollock

Augros, Robert M., Stanciu, George N. The New Story of Science: mind and the universe, Lake Bluff, Ill.: Regnery Gateway, 1984.  0-89526-833-7 (this book has significant material on art and science)

ISBN

. Aesthetic as Science of Expression and General Linguistic, 2002

Benedetto Croce

Botar, Oliver A.I. Technical Detours: The Early Moholy-Nagy Reconsidered. Art Gallery of The Graduate Center, The City University of New York and The Salgo Trust for Education, 2006.  978-1599713571

ISBN

Burguete, Maria, and Lam, Lui, eds. (2011). Arts: A Science Matter. World Scientific: Singapore.  978-981-4324-93-9

ISBN

and Catherine de Zegher, eds. Women Artists at the Millennium. Massachusetts: October Books/The MIT Press, 2006. ISBN 026201226X

Carol Armstrong

(1911). "Art" . In Chisholm, Hugh (ed.). Encyclopædia Britannica. Vol. 2 (11th ed.). Cambridge University Press. pp. 657–660.

Colvin, Sidney

Man and His Symbols. London: Pan Books, 1978. ISBN 0330253212

Carl Jung

The Story of Art. London: Phaidon Press, 1995. ISBN 978-0714832470

E.H. Gombrich

Florian Dombois, , Claudia Mareis and Michael Schwab, eds. Intellectual Birdhouse. Artistic Practice as Research. London: Koening Books, 2012. ISBN 978-3863351182

Ute Meta Bauer

and Peter Selz, eds. Theories and Documents of Contemporary Art. Berkeley: University of California Press, 1986

Kristine Stiles

Kleiner, Gardner, Mamiya and Tansey. Art Through the Ages, Twelfth Edition (2 volumes) Wadsworth, 2004.  0-534-64095-8 (vol 1) and ISBN 0-534-64091-5 (vol 2)

ISBN

Art and its Objects: An introduction to aesthetics. New York: Harper & Row, 1968. OCLC 1077405

Richard Wollheim

. What Are You Looking At?: 150 Years of Modern Art in the Blink of an Eye. New York: Viking, 2012. ISBN 978-0670920495

Will Gompertz

A History of Six Ideas: an Essay in Aesthetics, translated from the Polish by Christopher Kasparek, The Hague, Martinus Nijhoff, 1980

Władysław Tatarkiewicz

Art and Play from the Dictionary of the History of ideas

In-depth directory of art

(2005) Smithsonian Digital Libraries

Art and Artist Files in the Smithsonian Libraries Collection

– online collections from UK museums, galleries, universities

Visual Arts Data Service (VADS)

RevolutionArt – Art magazines with worldwide exhibitions, callings and competitions

Adajian, Thomas. . In Zalta, Edward N. (ed.). Stanford Encyclopedia of Philosophy.

"The Definition of Art"

at Curlie

Art