NRBQ
NRBQ is an American rock band founded by Terry Adams (piano), Steve Ferguson (guitar) and Joey Spampinato (bass).[1][2] Originally the "New Rhythm and Blues Quintet", the group was formed circa 1965.[3][4][5] Adams disbanded it for a time, and the group re-formed in 1967.[1][2][6] The quartet is known for its live performances, containing a high degree of spontaneity and levity, and blending rock, pop, jazz, blues and Tin Pan Alley styles.[1][7] Its membership comprises the quartet of pianist Adams, bassist Casey McDonough, guitarist Scott Ligon, and drummer John Perrin. Some of the members in the band's long history are singer, writer and bassist Joey Spampinato, guitarists Al Anderson and Johnny Spampinato; drummers Tom Staley and Tom Ardolino; and vocalist Frank Gadler.
"Tom Staley" redirects here. For the literary scholar and librarian, see Thomas F. Staley.
NRBQ
Louisville, Kentucky, U.S.
1966–2004, 2011–present
Various
Terry Adams
Scott Ligon
Casey McDonough
John Perrin
Joey Spampinato
Tom Ardolino
Johnny Spampinato
Al Anderson
Steve Ferguson
Frank Gadler
Tom Staley
Ken Sheehan
Pete Donnelly
Conrad Choucroun
Bobby Lloyd Hicks
Joe Camarillo
History[edit]
NRBQ began in late 1965 as a rehearsal band in the Shively, Kentucky, home of brothers Terry and Donn Adams, and they appeared on stage for the first time in 1966.[5] Along with drummer Charlie Craig, they made home tapes of their experiments. The first known reference to the band's name can be heard on one of these home tapes, with Donn announcing, "Here they are, the New Rhythm and Blues Quintet!" as though presenting them to a live audience.
In late spring of 1966, guitarist Steve Ferguson was invited to join NRBQ after he quit Mersey-Beats USA (no relation to the Liverpool group who recorded "I Stand Accused"). He met Adams when the latter briefly joined Mersey-Beats USA to fill in for the regular keyboard player.[1] After playing a few live dates in Louisville, Jimmy Orten (Soul Inc) was recruited on bass and vocals and the band left for Florida in late 1966.
In Miami, early January 1967, NRBQ played six nights at The Cheetah. Soon after, Orten and Ferguson returned to Louisville. Adams stayed behind and joined The Seven of Us, a band that was playing the same club.[1][8] By August, the NRBQ was Adams (keyboards), Ferguson (guitar), Spampinato (bass) and Frank Gadler (vocals) from The Seven of Us, and Tom Staley (drums).
In December 1968, they began recording with Eddie Kramer at the Record Plant[9] and by early 1969 were signed to a two-record deal with Columbia Records. Their self-titled debut album was released that year, with songs by both Eddie Cochran and Sun Ra, and a number of similarly wide-ranging original songs. The following year, the group collaborated with rockabilly legend Carl Perkins on an album titled Boppin' the Blues.[1]
Over the next three years, the band experienced personnel shifts, with the departure of Ferguson (replaced for one year by Ken Sheehan), Gadler, and Staley, and the arrival of two new members: guitarist/singer Al Anderson formerly of The Wildweeds, known for the Connecticut and Massachusetts regional hit "No Good To Cry",[10] and drummer Tom Ardolino.[11] The Adams/Spampinato/Anderson/Ardolino quartet stayed together longer than any other incarnation of the band (20 years, from 1974 until 1994),[4][11] and was often augmented by the Whole Wheat Horns (Donn Adams, Keith Spring and others).
Starting in September 1989, NRBQ opened for R.E.M. on the "Acronym Tour"[7] with the first concert taking place on the 27th at the University of Dayton Arena. The last stop on the tour was at the Shoreline Amphitheater at Mountain View in Mountain View, California on October 21.[12] Rolling Stone's Sam Freedman noted that the NRBQ played a compressed 30-minute club show. He also reported that both Mike Mills and Peter Buck of R.E.M. watched each of the NRBQ's opening sets during their portion of the tour from the edge of the stage "as if to endorse NRBQ for their fans".[7]
In 1994 Anderson departed the group: he would become an award-winning Nashville songwriter for many country and western acts. He was replaced in NRBQ by Joey Spampinato's younger brother, Johnny Spampinato, who was (and still is) a member of power-pop band The Incredible Casuals.
On April 30 and May 1, 2004, the group celebrated its 35th anniversary with concerts at the Calvin Theater in Northampton, Massachusetts. The shows featured every former and current member of the band, as Ferguson, Gadler, Staley, Sheehan and Anderson came back for a NRBQ reunion.[1][2]
Reunion shows[edit]
On April 27 and 28 of 2007, NRBQ gave a pair of "38th Anniversary" performances in Northampton, Massachusetts, the first public NRBQ shows since 2004. Both Anderson and Johnny Spampinato appeared in the line-up, along with "Whole Wheat Horns" Donn Adams and Jim Bob Hoke, and unannounced guest appearances by John Sebastian, original NRBQ drummer Staley and the band's former road manager Klem Klimek on saxophone. Gadler, former lead vocalist, also appeared.
Style and influence[edit]
The band's music is a blend of styles from rockabilly to Beatles-influenced pop to Thelonious Monk-inspired jazz.[1][7][9][3][2][11][4][8][6][5] They have attracted fans as diverse as Bob Dylan, Paul McCartney, Elvis Costello, Keith Richards, The Replacements, John Sebastian, Dave Edmunds, Ira Kaplan and Penn & Teller.[1][2][13][5] NRBQ songs have been performed by Bonnie Raitt, Los Lobos, and Dave Edmunds among others.[5] Also, the group served as the unofficial "house band" for The Simpsons for the season 10–12 period in which NRBQ fan Mike Scully was head writer and executive producer. NRBQ allowed several of their songs to be used on The Simpsons, including "Mayonnaise and Marmalade", written specifically for the show. The band also appeared in animated form and on camera during the end credits to perform the show's theme song during the episode "Take My Wife, Sleaze" and to perform Edmunds's cover of "Me & The Boys".[2][5] The band also recorded a song entitled "Birdman" for an episode of Space Ghost Coast to Coast entitled "Pilot". The group appeared in feature films, including Day of the Dead, Shakes the Clown, and 28 Days. Their cover version of "Down in My Heart" appeared in the series finale of Wilfred.
NRBQ has a following from years of live shows. The band has been known to perform without a set list which makes the band, in the words of AllMusic's Mark Deming, "a stellar and wildly unpredictable live act."[1] In addition to its own compositions, the band performs a broad range of cover material and audience requests.
In their nearly 50-year history, NRBQ's records have been released by many record companies, including Columbia Records, Kama Sutra Records, Mercury Records, Virgin Records, Rhino Entertainment, Rounder Records, and more.[18] Their song "Get That Gasoline Blues" (on Kama Sutra) reached No. 70 in 1974 on the Billboard Hot 100 chart. Over the years, the group played sets while wearing pajamas, hired professional wrestler "Captain" Lou Albano as its manager (for whom they penned a song in tribute), and exploded Cabbage Patch Dolls on stage.