Operation Ichi-Go
Operation Ichi-Go (Japanese: 一号作戦, romanized: Ichi-gō Sakusen, lit. 'Operation Number One') was a campaign of a series of major battles between the Imperial Japanese Army forces and the National Revolutionary Army of the Republic of China, fought from April to December 1944. It consisted of three separate battles in the Chinese provinces of Henan, Hunan and Guangxi.
These battles were the Japanese Operation Kogo or Battle of Central Henan, Operation Togo 1 or the Battle of Changheng, and Operation Togo 2 and Togo 3, or the Battle of Guilin–Liuzhou, respectively. The two primary goals of Ichi-go were to open a land route to French Indochina, and capture air bases in southeast China from which American bombers were attacking the Japanese homeland and shipping.[10]
In Japanese the operation was also called Tairiku Datsū Sakusen (大陸打通作戦), or "Continent Cross-Through Operation", while the Chinese refer to it as the Battle of Henan-Hunan-Guangxi (simplified Chinese: 豫湘桂会战; traditional Chinese: 豫湘桂會戰; pinyin: Yù Xīang Guì Huìzhàn).
Japanese plans[edit]
Operation Ichi-Go had multiple objectives: It attempted to link railways in Beijing and Hankou in northern China to the southern Chinese coast at Canton to spare shipping and avoid American submarines; to take the airfields in Sichuan and Guangxi to preclude U.S. bombing of Taiwan and the Japanese mainland; and to destroy elite Nationalist units to cause the Nationalist government to collapse.[11]
In popular culture[edit]
The 1958 novel The Mountain Road, by Theodore White, a Time magazine correspondent in China at the time of the offensive, was based on an interview with former OSS Major Frank Gleason, who led a demolition group of American soldiers during the offensive that were charged with blowing up anything left behind in the retreat that might be of use to Japan. His group ultimately destroyed over 150 bridges and 50,000 tons of munitions, helping slow the Japanese advance. In 1960, it was adapted into a film by the same name starring James Stewart and Lisa Lu, noteworthy for being one of Stewart's few war films and the only one in which he plays a soldier, as he opposed war films because of their inaccuracy. It is generally believed he made an exception for this film because it was antiwar.