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Oral tradition

Oral tradition, or oral lore, is a form of human communication wherein knowledge, art, ideas and cultural material is received, preserved, and transmitted orally from one generation to another.[1][2][3] The transmission is through speech or song and may include folktales, ballads, chants, prose or poetry. In this way, it is possible for a society to transmit oral history, oral literature, oral law and other knowledge across generations without a writing system, or in parallel to a writing system. Religions such as Buddhism, Hinduism, Catholicism,[4] and Jainism, for example, have used an oral tradition, in parallel to a writing system, to transmit their canonical scriptures, rituals, hymns and mythologies from one generation to the next.[5][6][7] Sub-Saharan African societies have broadly been labelled as "oral civilisations", contrasted with "literate civilisations", due to the emphasis placed on oral tradition and the important place it has in their cultures.[8][9]

This article is about oral tradition in general. For the gospel tradition in Christianity, see Oral gospel traditions. For the journal, see Oral Tradition (journal).

Oral tradition is information, memories, and knowledge held in common by a group of people, over many generations; it is not the same as testimony, as in those cases the source's information has not been inherited or received orally.[1][10] In a general sense, "oral tradition" refers to the recall and transmission of a specific, preserved textual and cultural knowledge through vocal utterance.[2][11] As an academic discipline, it refers both to a set of objects of study and the method by which they are studied.[12]


The study of oral tradition is distinct from the academic discipline of oral history,[10] which is the recording of personal memories and histories of those who experienced historical eras or events.[13] Oral tradition is also distinct from the study of orality, defined as thought and its verbal expression in societies where the technologies of literacy (especially writing and print) are unfamiliar to most of the population.[14] A folklore is a type of oral tradition, but knowledge other than folklore has been orally transmitted and thus preserved in human history.[15][16]

Samhita-patha: continuous recitation of Sanskrit words bound by the phonetic rules of euphonic combination;

Pada-patha: a recitation marked by a conscious pause after every word, and after any special grammatical codes embedded inside the text; this method suppresses euphonic combination and restores each word in its original intended form;

Krama-patha: a step-by-step recitation where euphonically combined words are paired successively and sequentially and then recited; for example, a hymn "word1 word2 word3 word4...", would be recited as "word1word2 word2word3 word3word4 ...."; this method to verify accuracy is credited to Vedic sages Gargya and Sakarya in the Hindu tradition and mentioned by the ancient Sanskrit grammarian Panini (dated to pre-Buddhism period);

Krama-patha modified: the same step-by-step recitation as above, but without euphonic-combinations (or free form of each word); this method to verify accuracy is credited to Vedic sages Babhravya and Galava in the Hindu tradition, and is also mentioned by the ancient Sanskrit grammarian Panini;

Jata-pāṭha, dhvaja-pāṭha and ghana-pāṭha are methods of recitation of a text and its oral transmission that developed after 5th century BCE, that is after the start of Buddhism and Jainism; these methods use more complicated rules of combination and were less used.

Bannister, Andrew G. . academia.edu. Retrieved 20 May 2019.

"Retelling the Tale: A Computerised Oral-Formulaic Analysis of the Qur'an. Presented at the 2014 International Qur'an Studies Association Meeting in San Diego"

Dundes, Alan (2003). . Rowman & Littlefield Publishers. ISBN 9780585466774. Retrieved 2 May 2019.

Fables of the Ancients?: Folklore in the Qur'an

Foley, John Miles. Oral Formulaic Theory and Research: An Introduction and Annotated Bibliography. NY: Garland, 1985

Foley, John Miles. The Theory of Oral Composition. Bloomington: IUP, 1991

Wong, Peter T. K. (2022). . Early China. 45: 515–539. doi:10.1017/eac.2022.6. S2CID 250269080.

"The Soundscape of the Huainanzi 淮南子: Poetry, Performance, Philosophy, and Praxis in Early China"

Back to the Oral Tradition

Folkatles from around the world

The Center for Studies in Oral Tradition

Archived 24 October 2007 at the Wayback Machine

The Milman Parry Collection of Oral Literature Online

Oral Tradition Journal

The World Oral Literature Project

Post-Gutenberg Galaxy

Dédalo Project. Open Software Platform for Management of Intangible Cultural Heritage and Oral History

Archive of Turkish Oral Narrative at Texas Tech University