Portishead (band)
Portishead (/ˌpɔːrtɪsˈhɛd/ PORT-iss-HED) are an English band formed in 1991 in Bristol. The band comprises Beth Gibbons (vocals), Geoff Barrow (multiple instruments, production), and Adrian Utley (guitar). Dave McDonald, an audio engineer who helped produce the band's first two albums, is sometimes regarded as the fourth member.[8][9]
Portishead
Bristol, England
1991–1999, 2005–2016, 2022–present
Portishead's debut album, Dummy (1994), fused hip-hop production with yearning vocals from Gibbons and an atmospheric, cinematic style reminiscent of spy film soundtracks. The album was met with commercial and critical acclaim, quickly becoming a landmark album in the emerging trip-hop genre. However, the band disliked being associated with the term and would consciously step away from that sound on later releases.[10] They have released two other studio albums, Portishead (1997) and Third (2008), both of which received similar acclaim. Portishead have also released the live album Roseland NYC Live (1998).
History[edit]
Formation and Dummy (1991–1995)[edit]
Geoff Barrow and Beth Gibbons formed the band after meeting during a coffee break at an Enterprise Allowance course in Bristol in February 1991. Taking their name from the nearby town of Portishead,[11] they soon recorded "It Could Be Sweet", their first song for their debut album.[12] They then met Adrian Utley while they were recording at the Coach House Studios in Bristol, and Utley heard the first song Barrow and Gibbons had recorded, and began to exchange ideas on music.[13] The resulting first album by Portishead, Dummy, was released in 1994. The cover features a still from the band's own short film To Kill a Dead Man. At this time, Portishead was a duo of Barrow and Gibbons. Adrian Utley (who co-produced the album, performed on nine of the songs, and co-wrote eight) became an official band member shortly after its release.
Despite the band's aversion to press coverage, the album was successful in both Europe and the United States (where it sold more than 150,000 copies even before the band toured there).[14] Dummy was positively described by the Melody Maker as "musique noire for a movie not yet made".[15] Rolling Stone praised its music as "Gothic hip-hop".[16] Dummy spawned three singles: "Numb", "Sour Times", and "Glory Box", and won the Mercury Music Prize in 1995.[17] The success of the album saw the band nominated for Best British Newcomer at the 1995 Brit Awards.[18] Dummy was ranked number 419 on Rolling Stone magazine's list of the 500 Greatest Albums of All Time.[19] The album is often considered one of the greatest trip hop albums to date and is a milestone in the definition of the genre.
Portishead and hiatus (1996–2004)[edit]
After their initial success, Portishead took a break from the spotlight and touring until their second album, Portishead, was released in 1997. The album's sound differed from Dummy, characterised as "grainy and harsher", with increased use of live instrumentation and less reliance on sampling.[20] Three singles, "All Mine", "Over" and "Only You" were released, the first one achieving a Top 10 placing in the UK.[21]
In 1997, the band performed a one-off show with strings at the Roseland Ballroom in New York City. A live album primarily featuring these new orchestral arrangements of the group's songs was released in 1998. In 1999, Portishead recorded the song "Motherless Child" with Tom Jones for his album Reload. A DVD of Portishead's Roseland Ballroom performance, with substantial extra material including many early musical videos, was released in 2002. For the next few years, the band members concentrated on solo projects and other pursuits.
Third (2005–2008)[edit]
In February 2005, the band appeared live for the first time in seven years at the Tsunami Benefit Concert in Bristol.[22] Around that time, Barrow revealed that the band was in the process of writing its third album. In August 2006, the band posted two new tracks on its MySpace page (called "Key Bored 299 03" and "Greek Jam"), described by Barrow as "doodles".[23] Around the same time, Portishead covered Serge Gainsbourg's "Un Jour Comme un Autre (Requiem for Anna)" on the tribute album Monsieur Gainsbourg Revisited. On 2 October 2007, Portishead stated that the new album Third had been mixed and was nearly complete, and was due for release in early April 2008. The release was later pushed to 28 April. On 8 and 9 December 2007, the band curated the All Tomorrow's Parties festival in Minehead, England. The festival featured their first full live sets in nearly 10 years.[24] They premiered five tracks from the new album: "Silence", "Hunter", "The Rip", "We Carry On", and "Machine Gun". On 21 January 2008, a European tour to support the album was announced,[25] together with a headline spot at the Coachella Valley Music and Arts Festival on 26 April 2008,[26] their only U.S. date on the tour.
Style and influences[edit]
Portishead's music was influenced by a wide range of singers and composers. Gibbons's voice has been compared to singer Billie Holiday.[48] Utley mentioned the spaghetti western guitar composed by Ennio Morricone; he said that "[Morricone's] The Good, the Bad and the Ugly is the sort of soundtrack that I love".[49]