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String instrument

In musical instrument classification, string instruments or chordophones, are musical instruments that produce sound from vibrating strings when a performer plays or sounds the strings in some manner.

Musicians play some string instruments, like guitars, by plucking the strings with their fingers or a plectrum (pick), and others by hitting the strings with a light wooden hammer or by rubbing the strings with a bow, like violins. In some keyboard instruments, such as the harpsichord, the musician presses a key that plucks the string. Other musical instruments generate sound by striking the string.


With bowed instruments, the player pulls a rosined horsehair bow across the strings, causing them to vibrate. With a hurdy-gurdy, the musician cranks a wheel whose rosined edge touches the strings.


Bowed instruments include the string section instruments of the orchestra in Western classical music (violin, viola, cello and double bass) and a number of other instruments (e.g., viols and gambas used in early music from the Baroque music era and fiddles used in many types of folk music). All of the bowed string instruments can also be plucked with the fingers, a technique called "pizzicato". A wide variety of techniques are used to sound notes on the electric guitar, including plucking with the fingernails or a plectrum, strumming and even "tapping" on the fingerboard and using feedback from a loud, distorted guitar amplifier to produce a sustained sound.


Some string instruments are mainly plucked, such as the harp and the electric bass. Other examples include the sitar, rebab, banjo, mandolin, ukulele, and bouzouki.


In the Hornbostel–Sachs scheme of musical instrument classification, used in organology, string instruments are called chordophones. According to Sachs,[1]


In most string instruments, the vibrations are transmitted to the body of the instrument, which often incorporates some sort of hollow or enclosed area. The body of the instrument also vibrates, along with the air inside it. The vibration of the body of the instrument and the enclosed hollow or chamber make the vibration of the string more audible to the performer and audience. The body of most string instruments is hollow, in order to have better sound projection. Some, however—such as electric guitar and other instruments that rely on electronic amplification—may have a solid wood body.

include stick zithers such as the musical bow, tube zithers with a tube as the resonator such as the valiha, raft zithers in which tube zithers are tied into a single "raft", board zithers including clavichord and piano and dulcimer, and long zithers (described as combination of half-tube and board zithers) including Se and Guzheng families.

Zithers

are stringed musical instruments that include a body and "a neck which serves both as a handle and as a means of stretching the strings beyond the body."[3] The lute family includes not only short-necked plucked lutes such as the lute, oud, pipa, guitar, citole, gittern, mandore, rubab, and gambus and long-necked plucked lutes such as the tanbura, swarabat, bağlama, bouzouki, veena, theorbo, archlute, pandura, sitar, setar, but also bowed instruments such as the Yaylı tambur, rebab, erhu, and entire family of viols and violins.[3]

Lutes

The has two arms, which have a "yoke" or crossbar connecting them, and strings between the crossbar and the soundboard.[2] Sachs divided this into the box lyre such as the Greek kithara and the bowl lyre which used a bowl on its side with skin soundboard.[2]

lyre

The which has strings vertical to the soundboard.[2]

harp

In musicology, string instruments are known as chordophones. It is one of the five main divisions of instruments in the Hornbostel–Sachs scheme of musical instrument classification.


Hornbostel–Sachs divides chordophones into two main groups: instruments without a resonator as an integral part of the instrument (which have the classification number 31, also known as 'simple'); and instruments with such a resonator (which have the classification number 32, also known as 'composite'). Most western instruments fall into the second group, but the piano and harpsichord fall into the first. Hornbostel and Sachs' criterion for determining which sub-group an instrument falls into is that if the resonator can be removed without destroying the instrument, then it is classified as 31. The idea that the piano's casing, which acts as a resonator, could be removed without destroying the instrument, may seem odd, but if the action and strings of the piano were taken out of its box, it could still be played. This is not true of the violin, because the string passes over a bridge located on the resonator box, so removing the resonator would mean the strings had no tension.


Curt Sachs also broke chordophones into four basic subcategories, "zithers, lutes, lyres and harps."[2]

String length or scale length[edit]

The length of the string from nut to bridge on bowed or plucked instruments ultimately determines the distance between different notes on the instrument. For example, a double bass with its low range needs a scale length of around 42 inches (110 cm), whilst a violin scale is only about 13 inches (33 cm). On the shorter scale of the violin, the left hand may easily reach a range of slightly more than two octaves without shifting position, while on the bass' longer scale, a single octave or a ninth is reachable in lower positions.

(divided into two sections—first violins and second violins; these sections play exactly the same instruments; the difference is that the first violins play higher-register lines and the second violins play lower-register parts, accompaniment parts or counter-melodies)

Violins

Violas

Cellos

Double basses

The string instruments usually used in the orchestra,[25] and often called the "symphonic strings" or string section are:[26]


When orchestral instrumentation specifies "strings", it often means this combination of string parts. Orchestral works rarely omit any of these string parts, but often include additional string instruments, especially the concert harp and piano. In the Baroque orchestra from the 1600s–1750 (or with modern groups playing early music) harpsichord is almost always used to play the basso continuo part (the written-out bass line and improvised chords), and often a theorbo or lute or a pipe organ. In some classical music, such as the string quartet, the double bass is not typically used; the cello plays the bass role in this literature.

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Essay on the fingering of the violoncello and on the conduct of the bow

List of string instruments

(maker of stringed instruments)

Luthier

Musical acoustics

Ravanahatha

String instrument extended technique

String instrument repertoire

String orchestra

Stringed instrument tunings

Archived 2021-04-21 at the Wayback Machine, an online resource published in collaboration with the Guild of American Luthiers.

Savart Journal

The physics of the bowed string

an online feature presented by Bloomingdale School of Music (2010)

Instruments in Depth: The Viola

, ed. (1911). "Stringed instruments" . Encyclopædia Britannica (11th ed.). Cambridge University Press.

Chisholm, Hugh

Archived 2016-03-03 at the Wayback Machine

A Brief History of String Instruments