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Punk rock in California

Since the mid-1970s, California has had thriving regional punk rock movements. It primarily consists of bands from the Los Angeles, Orange County, Ventura County, San Diego, San Fernando Valley, San Francisco, Fresno, Bakersfield, Alameda County, Sacramento, Lake Tahoe, Oakland and Berkeley areas.

History[edit]

Pre-1976[edit]

Los Angeles had a very strong glam rock scene in the early 1970s, mostly centered on the club Rodney Bingenheimer's English Disco, run by Rodney Bingenheimer, who later, as a disc jockey for KROQ's Rodney on the ROQ, did much to promote LA punk bands. Many figures from this earlier scene would play notable roles in the later punk scene.


In the mid-1970s from 1974 to 1975 a wave of proto-punk bands emerged from Los Angeles, including the Flyboys and Atomic Kid.


The Runaways, an all female teenaged band featuring Joan Jett, managed by Kim Fowley, formed in Los Angeles in 1975, and combined elements of glam rock, hard rock, and early punk rock. The group would become one of the first punk or punk-adjacent bands anywhere to release recordings, with their self-titled debut LP and its single Cherry Bomb released the following year.[1]

1976–1979[edit]

Starting in 1976, following recent releases of recordings by punk bands such as the Ramones, a number of punk bands formed in the Los Angeles and Orange County area. Among these bands were the Dils (originally from Carlsbad), the Zeros (originally from Chula Vista), the Weirdos, the Screamers, Germs, the Dickies, Bags, X, and the Go-Go's. Many bands also formed in the San Francisco Bay, including The Nuns, Crime, Avengers, Negative Trend, The Mutants, The Sleepers, The Offs and Dead Kennedys. California punk of this period was musically very eclectic, and the punk scene of the time included a number of bands whose sound crossed over to art/experimental punk, new wave, electropunk, punk-funk, rockabilly, deathrock and hard rock.

Art[edit]

The proliferation of punk concerts and albums in California generated a like proliferation of flyer and album cover art. Some of the artists involved in producing art for the early punk scene later went on to greater notability. Mark Vallen, a painter and graphic artist, was associated with the early LA punk scene; his work was featured on a number of fanzine and album covers. Gary Panter was also closely associated with the early LA punk scene and produced the Screamers distinctive logo. Raymond Pettibon (brother of Greg Ginn of Black Flag) was similarly associated with the LA hardcore scene, especially Black Flag and the Minutemen, producing Black Flag's distinctive "four bars" logo. Winston Smith, a San Francisco collage artist, was associated with Dead Kennedys and also did a piece of artwork named "God Told Me to Skin You Alive" for Green Day's fourth album Insomniac.

– started by Pro Skater Jim Thiebaud, Green Day's Billie Joe Armstrong, and his wife Adrienne Armstrong.

Adeline Records

– started by Dead Kennedys member Jello Biafra

Alternative Tentacles

– started by Skankin' Pickle's Mike Park

Asian Man Records

– started by Youth Brigade's Shawn and Mark Stern

BYO Records

CD Presents Records - started by

David Ferguson

– started by former Screamers member David Brown

Dangerhouse Records

– started by Bad Religion's Brett Gurewitz

Epitaph Records

– started by NOFX's Fat Mike

Fat Wreck Chords

Fearless Records

Frontier Records

– started by punk band Less Than Jake.

Sleep It Off Records

Geykido Comet Records

- started by Heroin

Gravity Records

– started by Bad Religion's Brett Gurewitz and Rancid's Tim Armstrong

Hellcat Records

Hopeless Records

– started by the Vandals' Joe Escalante and Warren Fitzgerald

Kung Fu Records

– started by the Lookouts frontman Larry Livermore

Lookout! Records

Mordam Records

Mystic Records

– started by the Minutemen

New Alliance Records

– started by the Offspring's Dexter Holland and Greg K.

Nitro Records

Pure Noise Records

Posh Boy Records

Punkcore Records

– associated with the fanzine Slash

Slash Records

Slap-a-Ham Records

– started by Black Flag guitarist Greg Ginn

SST Records

Subterranean Records

Sympathy for the Record Industry

While a few bands like Green Day, the Offspring, and AFI appear on major labels, many of the bands are signed to local independent punk labels. Many of these labels were started by local musicians as a way to sell their own bands' records, but grew into labels with a large roster of bands. Some of these labels include:

Cometbus

Flipside

Maximum RocknRoll

Razorcake

Slash

Music of California: Punk rock

StreetArt: The Punk Poster in San Francisco 1977–1981

More Fun in the New World: The Unmaking and Legacy of L.A. Punk, ed. Tom DeSavia and John Doe (June 4, 2019). . ISBN 9780306922114

Hachette Books

Ridge, Daniel. San Diego Reader. Oct 17, 2002.

Real hardcore true punk.

, the last punk rock media outlet left in Los Angeles.

Big Wheel Magazine

Punk Information Directory, archived from the original on April 4, 2016.

L.A. Punk History

SoCal Punk Show Directory.

SoCal Skankers

by Glenn E. Friedman, Sounds, April 10, 1982. (Archived at Punk of the 20th Century Archives)

"Hardcore Holocaust: LA Punk Report"

Edward Colver's truly iconic photographic account is most notable.

Rock Photographer

by Jimmy Alvarado, Razorcake #3, August–September 2001 (updated for website January 2007). (Archived at Punk of the 20th Century Archives)

"Teenage Alcoholics: Punk Rock in East Los Angeles"

interviews by Alice Bag, AliceBag.com, 2006.

Women in LA Punk

by Mark Vallen, Art-for-a Change, 2006.

"Punk Flyers from 1977 Los Angeles"

Operationphoenixrecords.com – 1980s California punk 'zine online archive.

Punk Zine Archive

by Mick Farren, NME, 1977, reprinted in Crawdaddy!, 2008.

"The Hollywood Binliner: LA Punk"

Photos of San Francisco Bands circa 1980

current news on the San Diego music scene and a 10-year archive.

"San Diego Punk"

curated by Margaret Nee

"San Diego Punk Archive"

at San Francisco Public Library

San Francisco Punk Collection