Rebel Rebel
"Rebel Rebel" is a song by the English singer-songwriter David Bowie. It was released in the UK on 15 February 1974 by RCA Records as the lead single from the album Diamond Dogs. Written and produced by Bowie, the song is based around a distinctive guitar riff reminiscent of the Rolling Stones. Cited as his most-covered track, "Rebel Rebel" has been described as Bowie's farewell to the glam rock movement[3] that he had helped initiate, as well as being a proto-punk track.[2] Two versions of the song were recorded: the well-known UK single release and the shorter US single release, which featured added background vocals, extra percussion and a new arrangement.
"Rebel Rebel"
15 February 1974 (UK)
December 1973 – January 1974
- Trident and Olympic (London)
- Ludolph (Nederhorst den Berg)
4:20 (UK single)
David Bowie
David Bowie
Upon its release, the song was a commercial success, peaking at number five on the UK Singles Chart and number 64 on the US Billboard Hot 100. The song received critical acclaim for its central guitar riff and strength as a glam anthem. Several publications consider it to be one of Bowie's greatest songs. It was performed live by Bowie during many of his concert tours and since appeared on many compilation albums. It was remastered in 2016 as part of the Who Can I Be Now? (1974–1976) box set.
Background[edit]
Originally planned in late 1973 as part of an aborted Ziggy Stardust musical,[4] "Rebel Rebel" was Bowie's last single in his signature glam rock style.[5][6] It was also his first hit since 1969 not to feature lead guitarist Mick Ronson; Bowie played guitar himself on this and almost all the other tracks on Diamond Dogs, producing what NME critics Roy Carr and Charles Shaar Murray called "a rocking dirty noise that owed as much to Keith Richards as it did to the departed Ronno".[7] Singer-songwriter Jayne County, who was a cast member of Pork and among Bowie's entourage for two years, maintains that her 1973 song "Queenage Baby", which included the lyric "can't tell whether she's a boy or a girl", was an influence for "Rebel Rebel".[8][9]
Recording and composition[edit]
Recording for "Rebel Rebel" began at a solo session at Trident Studios in London in the week after Christmas 1973. It was Bowie's last known visit to Trident, his principal recording studio since 1968.[9] The recording was completed in January 1974 at Ludolph Studios in Nederhorst den Berg, Netherlands.[5][10][11] In the studio, Bowie informed bassist Herbie Flowers and guest guitarist Alan Parker that he wanted it to "sound like the Stones", before he picked up Parker's black Les Paul and played it to them. Parker then completed it, before the rest of the backing track was recorded. [12]
According to biographer Marc Spitz, the lyrics of "Rebel Rebel" revisit familiar Bowie territory, featuring "a 'hot' young 'tramp' worrying his or her parents with his or her sexy nihilism", are reflected by the line "You got a few lines and a handful of 'ludes'."[13] Even though the world is ending, the "Rebel" doesn't care, suggesting "we like dancing and we look divine."[13] It also features gender-bending lyrics ("You got your mother in a whirl / She's not sure if you're a boy or a girl"). According to author Peter Doggett, in the context of Diamond Dogs, the song serves as a "musical continuation" between the "Sweet Thing/Candidate/Sweet Thing (Reprise)" medley: it begins with a D to E chord change that was prefigured with a bass guitar slide that constructed the medley's final "chaotic" moments.[14]
The song's distinctive guitar riff is described by rock journalist Kris Needs as "a classic stick-in-the-head like the Stones' 'Satisfaction'".[15] The riff's chords are D, E, and A and were created by Bowie and enhanced by Parker, who, according to Doggett, added the "downward trail" at the end of each line.[14] Paul Trynka writes that Parker added "a particular chord shape rather than the original single note just before the chord change and a distinctive 'beeeoonng' in the last line of the chorus just as [Bowie] sings 'I love you so'."[12] Bowie later said, "It's a fabulous riff! Just fabulous! When I stumbled onto it, it was 'Oh, thank you!'"[9] Parker later said Bowie came up with the Stones-like riff to "piss off" Mick Jagger.[16] Parker was upset upon learning he was uncredited on the final version. He stated: "I can tell my own playing, and my own sound, and I know it's me." Flowers further recalled: "David played the riff to Alan, Alan made sure it was good enough to record, then [Alan] played it."[12] Although O'Leary compliments the riff, he notes that with Ronson's absence, it gets "run into the ground"; throughout the song's over four-minute runtime, the riff is solely absent in the two bridges and the "hot tramp" lines.[17]
Reception[edit]
The song has received critical acclaim for its guitar riff and strength as a glam anthem, being described as a fitting farewell to Bowie's glam era. Marc Spitz praised the song in the biography Bowie: A Biography, calling the riff "magnificent" and Bowie's "last great glitter anthem".[28] He also described the song as Bowie's most "pure and lasting rocker" when mentioning the artist's early 2000s re-recorded version for his 2003 album Reality.[28] Cash Box said that this was "Bowie's best single ever," describing it as a "strong rocker with incredible hooks throughout."[29] Record World said that Bowie "integrates the aura of the American disco-right on down to castinets into his multi-sensual sound."[30] Stephen Thomas Erlewine of AllMusic, in his review of Diamond Dogs, called the song "tight" and "sexy" and one of Bowie's best, although he felt the song did not contribute to the overall theme of the album.[31] Dave Thompson, also of AllMusic, described "Rebel Rebel" as one of Bowie's most "playful" numbers and considered it a fitting farewell to the artist's glam rock era and, in a way, to "the entire glam movement which Bowie created", as well as indicating the direction his career was taking.[32] Barry Walters of Pitchfork, in a review of Diamond Dogs following Bowie's death, praised the song's "glorious" guitar riff, its "stomping beat", the "hot tramp" lyric pause between both and their "return".[33] Walters continued, "If Bowie often drifted above listeners' heads, here he shoots straight at their solar plexus and scores with what ranks among the greatest, most insistent riffs of the '70s. Rockers who'd dismissed Bowie as a dandy now gave the dude a pass."[33] Journalist C. M. Crockford of punknews.org called "Rebel Rebel"'s guitar riff the best Bowie ever wrote, and a fitting end to his glam rock era.[34]
Following Bowie's death in 2016, Rolling Stone listed "Rebel Rebel" as one of his 30 essential songs.[35] Spencer Kaufman of Ultimate Classic Rock ranked the song at number seven on his list of Bowie's 10 greatest songs, praising its guitar riff – "one of the most recognizable guitar riffs in rock history" – and as a glam rock anthem, writing, "the tune serves as the perfect bridge between the Rolling Stones and punk rock."[36] In 2018, the writers of NME listed "Rebel Rebel" as Bowie's fifth greatest song. They praised the "heaven-sent" riff and also believed it to be reminiscent of the Rolling Stones.[37] Jon Savage of The Guardian, in his list of the 20 best glam-rock songs of all time, ranked the US version of the single at number 18.[1]
Legacy[edit]
"Rebel Rebel" has appeared on several compilation albums, the first being ChangesoneBowie in 1976.[48] It was also remastered in 2016, along with the entire Diamond Dogs album, as part of the Who Can I Be Now? (1974–1976) box set.[23] The rare US single version was included on Sound + Vision, the bonus disc of the 30th Anniversary Edition of Diamond Dogs, and Re:Call 2. The song's original UK single mix appeared on Re:Call 2; however, it was sourced not from the original analog tape, but rather from a pristine 7-inch single, as the tape was thought to be lost.[22] The original single mix was released again on 24 May 2019 to commemorate the 45th anniversary of the Diamond Dogs album, this time sourced from the original tape, which had been recovered since the release of Who Can I Be Now?[22]
The track is cited by Nicholas Pegg as Bowie's most-covered track.[9] A cover version by Dead or Alive was released as a single in 1994, under the name International Crysis, and peaked at number 76 on the UK Singles Chart.[49] American country music singer Chris Young sampled the song for his 2024 song "Young Love & Saturday Nights".[50]
According to Kevin Cann:[51]
