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Robert Rauschenberg

Milton Ernest "Robert" Rauschenberg (October 22, 1925 – May 12, 2008) was an American painter and graphic artist whose early works anticipated the Pop art movement. Rauschenberg is well known for his Combines (1954–1964), a group of artworks which incorporated everyday objects as art materials and which blurred the distinctions between painting and sculpture. Rauschenberg was primarily a painter and a sculptor, but he also worked with photography, printmaking, papermaking and performance.[1][2]

"Rauschenberg" redirects here. For other uses, see Rauschenberg (disambiguation).

Robert Rauschenberg

Milton Ernest Rauschenberg

(1925-10-22)October 22, 1925

May 12, 2008(2008-05-12) (aged 82)

Canyon (1959)
Monogram (1959)

(m. 1950; div. 1953)

Rauschenberg received numerous awards during his nearly 60-year artistic career. Among the most prominent were the International Grand Prize in Painting at the 32nd Venice Biennale in 1964 and the National Medal of Arts in 1993.[3]


Rauschenberg lived and worked in New York City and on Captiva Island, Florida, until his death on May 12, 2008.[4]

Life and career[edit]

Rauschenberg was born Milton Ernest Rauschenberg in Port Arthur, Texas, the son of Dora Carolina (née Matson) and Ernest R. Rauschenberg.[5][6][7] His father was of German and his mother of Dutch descent.[8] Rauschenberg incorrectly claimed that his paternal grandmother Tina “Tiny” Jane Howard was Cherokee.[9][10] His father worked for Gulf States Utilities, a light and power company. His parents were Fundamentalist Christians.[11] He had a younger sister named Janet Begneaud.[12][13]


At 18, Rauschenberg was admitted to the University of Texas at Austin where he began studying pharmacology, but he dropped out shortly after due to the difficulty of the coursework—not realizing at this point that he was dyslexic—and because of his unwillingness to dissect a frog in biology class.[14] He was drafted into the United States Navy in 1944. Based in California, he served as a neuropsychiatric technician in a Navy hospital until his discharge in 1945 or 1946.[14]


Rauschenberg subsequently studied at the Kansas City Art Institute and the Académie Julian in Paris,[15] France, where he met fellow art student Susan Weil. At that time he also changed his name from Milton to Robert.[16] In 1948 Rauschenberg joined Weil in enrolling at Black Mountain College in North Carolina.[17][18]


At Black Mountain, Rauschenberg sought out Josef Albers, a founder of the Bauhaus in Germany, whom he had read about in an August 1948 issue of Time magazine. He hoped that Albers' rigorous teaching methods might curb his habitual sloppiness.[19] Albers' preliminary design courses relied on strict discipline that did not allow for any "uninfluenced experimentation."[20][21]


Rauschenberg became, in his own words, "Albers' dunce, the outstanding example of what he was not talking about".[22] Although Rauschenberg considered Albers his most important teacher, he found a more compatible sensibility in John Cage, an established composer of avant-garde music. Like Rauschenberg, Cage had moved away from the disciplinarian teachings of his instructor, Arnold Schönberg, in favor of a more experimentalist approach to music. Cage provided Rauschenberg with much-needed support and encouragement during the early years of his career, and the two remained friends and artistic collaborators for decades to follow.[19]


From 1949 to 1952 Rauschenberg studied with Vaclav Vytlacil and Morris Kantor at the Art Students League of New York,[23] where he met fellow artists Knox Martin and Cy Twombly.[24]


Rauschenberg married Susan Weil in the summer of 1950 at the Weil family home in Outer Island, Connecticut. Their only child, Christopher, was born July 16, 1951. The two separated in June 1952 and divorced in 1953.[25] Thereafter, Rauschenberg had romantic relationships with fellow artists Cy Twombly and Jasper Johns, among others.[26][27] His partner for the last 25 years of his life was artist Darryl Pottorf,[28] his former assistant.[23]


In the 1970s he moved into NoHo in Manhattan in New York City.[29]


Rauschenberg purchased the Beach House, his first property on Captiva Island, on July 26, 1968. However, the property did not become his permanent residence until the fall of 1970.[30]


Rauschenberg died of heart failure on May 12, 2008, on Captiva Island, Florida.[31][32]

Robert Rauschenberg with Estate (1963), in a photograph at Stedelijk Museum Amsterdam, February 1968

Robert Rauschenberg with Estate (1963), in a photograph at Stedelijk Museum Amsterdam, February 1968

Exhibitions[edit]

Rauschenberg had his first solo exhibition at the Betty Parsons Gallery in spring 1951.[69][70] In 1953, while in Italy, he was noted by Irene Brin and Gaspero del Corso and they organized his first European exhibition in their famous gallery in Rome.[37] In 1953, Eleanor Ward invited Rauschenberg to participate in a joint exhibition with Cy Twombly at the Stable Gallery. In his second solo exhibition in New York at the Charles Egan Gallery in 1954, Rauschenberg presented his Red Paintings (1953–1953) and Combines (1954–1964).[71][72] Leo Castelli mounted a solo exhibition of Rauschenberg's Combines in 1958. The only sale was an acquisition by Castelli himself of Bed (1955), now in the collection of the Museum of Modern Art, New York.[73]


Rauschenberg's first career retrospective was organized by the Jewish Museum, New York, in 1963. In 1964 he became one of the first American artists to win the International Grand Prize in Painting at the Venice Biennale (James Whistler and Mark Tobey had previously won painting prizes in 1895 and 1958 respectively). A mid-career retrospective was organized by the National Collection of Fine Arts (now the Smithsonian American Art Museum), Washington, D.C., and traveled throughout the United States between 1976 and 1978.[54][74]


In the 1990s a retrospective was held at the Solomon R. Guggenheim Museum, New York (1997), which traveled to museums in Houston, Cologne, and Bilbao through 1999.[75] An exhibition of Combines was presented at the Metropolitan Museum of Art, New York (2005; traveled to Museum of Contemporary Art, Los Angeles, Centre Georges Pompidou, Paris, and Moderna Museet, Stockholm, through 2007). Rauschenberg's first posthumous retrospective was mounted at Tate Modern (2016; traveled to Museum of Modern Art, New York, and San Francisco Museum of Modern Art through 2017).[76]


Further exhibitions include: Robert Rauschenberg: Jammers, Gagosian Gallery, London (2013); Robert Rauschenberg: The Fulton Street Studio, 1953–54, Craig F. Starr Associates (2014); A Visual Lexicon, Leo Castelli Gallery (2014); Robert Rauschenberg: Works on Metal, Gagosian Gallery, Beverly Hills (2014);[77] Rauschenberg in China, Ullens Center for Contemporary Art, Beijing (2016); and Rauschenberg: The 1/4 Mile at the Los Angeles County Museum of Art (2018–2019).[78]

Legacy[edit]

Rauschenberg believed strongly in the power of art as a catalyst for social change. The Rauschenberg Overseas Culture Interchange (ROCI) began in 1984 as an effort to spark international dialogue and enhance cultural understanding through artistic expression. A ROCI exhibition went on view at the National Gallery of Art, D.C., in 1991,[79] concluding a ten-country tour: Mexico, Chile, Venezuela, China, Tibet, Japan, Cuba, U.S.S.R., Germany, and Malaysia.


In 1970, Rauschenberg created a program called Change, Inc., to award one-time emergency grants of up to $1,000 to visual artists based on financial need.[80] In 1990, Rauschenberg created the Robert Rauschenberg Foundation (RRF) to promote awareness of the causes he cared about, such as world peace, the environment and humanitarian issues. In 1986, Rauschenberg received the Golden Plate Award of the American Academy of Achievement.[81][82] He was awarded the National Medal of Arts by President Bill Clinton in 1993. In 2000, Rauschenberg was honored with amfAR's Award of Excellence for Artistic Contributions to the Fight Against AIDS.[83]


RRF today owns many works by Rauschenberg from every period of his career. In 2011, the foundation presented The Private Collection of Robert Rauschenberg in collaboration with Gagosian Gallery, featuring selections from Rauschenberg's personal art collection. Proceeds from the exhibition helped fund the foundation's philanthropic activities.[84] Also in 2011, the foundation launched its "Artist as Activist" project and invited artist Shepard Fairey to focus on an issue of his choice. The editioned work he made was sold to raise funds for the Coalition for the Homeless.[85] RRF continues to support emerging artists and arts organizations with grants and philanthropic collaborations each year. The RRF has several residency programs that take place at the foundation's headquarters in New York and at the late artist's property in Captiva Island, Florida.


In 2013, Dale Eisinger of Complex ranked Open Score (1966) seventh in his list of the all-time greatest performance art works.[86]

Combine painting

Busch, Julia M., Archived 2007-09-29 at the Wayback Machine (The Art Alliance Press: Philadelphia; Associated University Presses: London, 1974) ISBN 0-87982-007-1, ISBN 978-0-87982-007-7.

A Decade of Sculpture: the New Media in the 1960s

Marika Herskovic, (New York School Press, 2000.) ISBN 0-9677994-0-6. p. 8; p. 32; p. 38; p. 294–297.

New York School Abstract Expressionists Artists Choice by Artists,

Fugelso, Karl. "Robert Rauschenberg's Inferno Illuminations." In: Postmodern Medievalisms. Ed. Richard Utz and Jesse G. Swan (Cambridge: D.S. Brewer, 2004). pp. 47–66.

Sweeney, Louise M. The Christian Science Monitor, May 20, 1991.

"Rauschenberg's Worldwide Quest for Art and Ideas,"

Robert Rauschenberg Foundation

Robert Rauschenberg: The Broad

Oral history interview with Robert Rauschenberg, 1965, Smithsonian Archives of American Art

Robert Rauschenberg: MoMA

at SFMOMA

Rauschenberg Research Project