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Aeolian-Skinner

Æolian-Skinner Organ Company, Inc. of Boston, Massachusetts was an American builder of a large number of pipe organs from its inception as the Skinner Organ Company in 1901 until its closure in 1972. Key figures were Ernest M. Skinner (1866–1960), Arthur Hudson Marks (1875–1939), Joseph Silver Whiteford (1921-1978), and G. Donald Harrison (1889–1956). The company was formed from the merger of the Skinner Organ Company and the pipe organ division of the Æolian Company in 1932.

Rochester, Minnesota: Chapel (1932)[4]

St Marys Hospital

San Francisco, California: Opus 910 (1934, IV/125) G. Donald Harrison signature organ.

Grace Cathedral

Groton, Massachusetts: (1935, III/95)

Groton School

New Haven, Connecticut: (1935, III/78)

Trinity Church on the Green

Boston, Massachusetts: (1935, III/77)

Church of the Advent

Philadelphia, Pennsylvania: (1935, III/77)

Church of the Advent

Philadelphia, Pennsylvania: Opus 948 (1936, IV/112) G. Donald Harrison signature organ.[5]

St. Mark's Episcopal Church

Minneapolis, Minnesota: Opus 892C (1936, IV/102)

Northrop Auditorium

Ithaca, New York: Sage Chapel (1940, III/69)

Cornell University

New York, New York: (1942, IV/76)

Church of St. Mary the Virgin

Salt Lake City, Utah: (1948, V/204) G. Donald Harrison Signature organ

Mormon Tabernacle

Boston, Massachusetts: (1949, IV/80) G. Donald Harrison signature organ

Symphony Hall

Mt. Kisco, New York (1952)[6] G. Donald Harrison signature organ

St. Mark's Episcopal Church

Boston, Massachusetts: Opus 1203 (1952, IV/241 )[7]

The First Church of Christ, Scientist

Jacksonville, Illinois: Annie Merner Chapel (1952 Opus 1150, IV/59)

MacMurray College

New York, New York: (1953, IV/141) Opus 150-A first organ to have the state trumpet. G. Donald Harrison signature organ

Cathedral of St. John the Divine

Rock Hill, South Carolina: Opus 1257 (1955, IV/78) G. Donald Harrison signature organ

Winthrop University

Seymour, Connecticut: Seymour Congregational Church, Opus 1262 (1955)

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New York, New York: (1956) G. Donald Harrison signature organ (Harrison died while finishing the voicing)

Saint Thomas Church (Manhattan)

G. Donald Harrison joined the Skinner firm in July 1927, and slowly began to influence how Skinner organs were built. After several years of conflict between Ernest Skinner and Arthur Marks, Harrison was appointed Vice-President and Tonal Director of Æolian-Skinner in 1933. The company’s tonal philosophy continued to turn from the romantic-style orchestral instruments built under the direction of Skinner to a classically eclectic style. Organists began to look to the past to find direction for the future, and in doing so they found that they were in sympathy with the ideas being developed by Harrison. These ideas included the provision of smaller-scaled diapasons, along with more higher-pitched and mutation stops in place of large-scaled unison diapasons, color reeds and flutes.


During Harrison's tenure from 1933 until his death in 1956 (while doing tonal finishing on the organ at St. Thomas Church, New York City, which was completed by Arthur Birchall after Harrison's death), the tonal design of Æolian-Skinner organs changed a great deal, but retained and perfected many of Ernest Skinner's mechanical innovations. The company used Skinner's Pitman windchest, for example, throughout its existence. Also the high quality and distinctive design details of the Æolian-Skinner console were preserved.


Instruments built or rebuilt during the Harrison period include (date, consoles/ranks):

Detroit: (1957, III/71). Dismantled immediately prior to the auditorium being demolished in 2011. The organ will be installed in St. Aloysius Catholic Church in downtown Detroit.

Ford Auditorium

Westminster, Maryland: (1958)[9]

Baker Memorial Chapel

Independence, Missouri: (1959, IV/113)

RLDS Auditorium

Honolulu: (1960, IV/72)

St. Andrew's Cathedral

: Eastern Michigan University Pease Auditorium (1960). Still in full working order and used for regular performances as of 2014.[10]

Ypsilanti, Michigan

New York City: (1962)[11]

Church of the Epiphany

Atlanta: (1962, IV/98)

Cathedral of St. Philip

New York City: , Philharmonic Hall (1963, IV/98). Removed and incorporated into the Crystal Cathedral (Christ Cathedral) organ, Garden Grove, California.

Lincoln Center

After Harrison's death in June 1956, former Vice President Joseph S. Whiteford was appointed President. Whiteford joined the company in 1948 and had distinguished himself through research in the field of musical acoustics as it relates to church music. Under his direction, Æolian-Skinner built pipe organs for five of the foremost symphony orchestras in America. His love for vocal music led him to emphasize the role of the organ in accompanying singing. He had a charismatic personality that was well suited to the prestige of the Æolian-Skinner name. In fact, his personal involvement secured major contracts that were directly commissioned without competing bids. His tonal work was not without criticism, including from within the company- e.g. Donald Gillett's unhappiness with Whiteford's "string quartet Greats". For more information see Dr Charles Callahan's book Aeolian-Skinner Remembered.


Instruments from the Whiteford period include:


After the Whiteford's resignation in 1966, John J. Tyrell, Donald M. Gillett, and Robert L. Sipe served as president until the company ceased operations in 1972.

Volume 1: "The American Classic Organ"

Volume 2: "Organ Literature-Bach to Langlais"

Volume 3: "Organ Recital" – Robert Owen, Christ Church; Bronxville, New York

Volume 4: Edgar Hilliar at St. Mark's; Mount Kisco, New York

Volume 5: "Music of Richard Purvis" – Grace Cathedral; San Francisco, California

Volume 6: "The Cathedral of St. John the Divine" Alec Wyton-Organist

Volume 7 "Marilyn Mason in Recital" St. John's Chapel; Groton, Massachusetts

Volume 8: "Norman Coke-Jephcott at St. John the Divine

Volume 9: "The Mother Church; Boston, Massachusetts" –

Ruth Barrett Phelps

Volume 10: "Music of the Church" – Organ and choir recital at the 1st Presbyterian Church in Kilgore, Texas

Volume 11: "Henry Hokans at All Saints" (Worcester, Massachusetts

Volume 12: "Pierre Cochereau at Symphony Hall" (Boston, Massachusetts

AS313: "Organ Music and Vocal Solos" – Ruth Barrett Phelps and Frederick Jagel, tenor, at The Mother Church, Boston

AS315: "Catharine Crozier Program I" – RLDS Auditorium, Independence, Missouri

AS316: "Catharine Crozier Program II" – RLDS Aufitorium, Independence, Missouri

AS317: "Phillip Steinhaus" – organ of All Saints Church, Pontiac, Michigan

AS318: "Two Great Organs" Albert Russell, organs of Philharmonic Hall, New York, and Asylum Hill Cong. Church, Hartford, Connecticut

AS319: "Duruflé Requiem" Albert Russell and choir

AS320: "John Weaver Playing Liszt and Mozart" – Lutheran Church of the Holy Trinity, New York

AS322: "Maurice and Marie-Madeleine Duruflé" – organ of Christ Church Cathedral, St. Louis, Missouri

AS323: "Ronald Arnatt" – organ of Christ Church Cathedral, St. Louis, Missouri

AS325: "Clyde Holloway" – organ of National Presbyterian Church, Washington, DC

AS327: "Robert Anderson in a Program of 20th Century Music" – organ of Zumbro Lutheran Congregation, Rochester, Minnesota

AS328: "Robert Anderson in a Program of 19th Century Music" – organ of Zumbro Lutheran Congregation, Rochester, Minnesota

AS329: "Robert Anderson in a Program of 18th Century Music" – organ of Zumbro Lutheran Congregation, Rochester, Minnesota

AS 306: Ruth Phelps at the Mother Church; Boston, Massachusetts

AS 322: Maurice and Marie-Madeleine Duruflé at Christ Church Cathedral; St. Louis, Missouri

AS 326: Alexander Boggs Ryan at the Cathedral of Christ the King; Kalamazoo, Michigan

ASC 501: "Two Great Organs" Albert Russell, organs of Philharmonic Hall, New York, and Asylum Hill Cong. Church, Hartford, Connecticut (Ampex reel-to-reel tape)

ASC 502: Catharine Crozier at the RLDS Auditorium, Independence MO (No. 1309, 1959) – Program I (Reubke, Langlais, Roger-Ducasse, Alain) (Ampex reel-to-reel tape)

ASC 503: Catharine Crozier at the RLDS (Community of Christ) Auditorium; Independence Missouri (Ampex reel-to-reel tape)

Beginning in 1954, Aeolian-Skinner produced a series of LP records titled The King of Instruments. These LPs are devoted to the tone and history of the modern organ. Volume 1, The American Classic Organ, contains a descriptive discussion written over both sides of the LP cover by Tyler Turner and Joseph Whiteford on the beginnings of the American classic organ. The five recorded sections on the record, with G. Donald Harrison as narrator describing the five selections, are "I-Principles", "II-Flutes", "III-Strings", "IV-Reeds", and "V-Mixtures and Mutations". Organ demonstrations come from the Aeolian-Skinner organs of St. John the Divine, Symphony Hall, St. Paul's Cathedral (Boston), and First Presbyterian Church, Kilgore, Texas.

Callahan, Charles (1990). The American Classic Organ: a History in Letters. Richmond: The Organ Historical Society.

Callahan, Charles (1996). Æolian-Skinner Remembered: a History in Letters. Minneapolis: Randall M. Egan.

Holden, Dorothy (1985). The Life and Work of Ernest M. Skinner. Richmond: The Organ Historical Society.

Owen, Barbara (1990). The Mormon Tabernacle Organ: An American Classic. Salt Lake City: The American Classic Organ Symposium.

Ochse, Orpha (1975). The History of the Organ in the United States. Bloomington: Indiana University Press.

JOURNEYS; Old Pipes, Heavenly View: A Search for Musical Bliss

Æolian-Skinner history, timeline, and opus lists

The Riverside Church, Nave Organ

- see nr 11

The World's Largest Pipe Organs

Two Unusual Organ Concerts

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