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Sound film

A sound film is a motion picture with synchronized sound, or sound technologically coupled to image, as opposed to a silent film. The first known public exhibition of projected sound films took place in Paris in 1900, but decades passed before sound motion pictures became commercially practical. Reliable synchronization was difficult to achieve with the early sound-on-disc systems, and amplification and recording quality were also inadequate. Innovations in sound-on-film led to the first commercial screening of short motion pictures using the technology, which took place in 1923. Before sound-on-film technology became viable, soundtracks for films were commonly played live with organs or pianos.

"Talking pictures" redirects here. For the British television channel, see Talking Pictures TV.

The primary steps in the commercialization of sound cinema were taken in the mid-to-late 1920s. At first, the sound films which included synchronized dialogue, known as "talking pictures", or "talkies", were exclusively shorts. The earliest feature-length movies with recorded sound included only music and effects. The first feature film originally presented as a talkie (although it had only limited sound sequences) was The Jazz Singer, which premiered on October 6, 1927.[2] A major hit, it was made with Vitaphone, which was at the time the leading brand of sound-on-disc technology. Sound-on-film, however, would soon become the standard for talking pictures.


By the early 1930s, the talkies were a global phenomenon. In the United States, they helped secure Hollywood's position as one of the world's most powerful cultural/commercial centers of influence (see Cinema of the United States). In Europe (and, to a lesser degree, elsewhere), the new development was treated with suspicion by many filmmakers and critics, who worried that a focus on dialogue would subvert the unique aesthetic virtues of silent cinema. In Japan, where the popular film tradition integrated silent movie and live vocal performance (benshi), talking pictures were slow to take root. Conversely, in India, sound was the transformative element that led to the rapid expansion of the nation's film industry.

Synchronization: no interlock system was completely reliable, and a projectionist's error, or an inexactly repaired film break, or a defect in the soundtrack disc could result in the sound becoming seriously and irrecoverably out of sync with the picture

Editing: discs could not be directly edited, severely limiting the ability to make alterations in their accompanying films after the original release cut

Distribution: phonograph discs added expense and complication to film distribution

Wear and tear: the physical process of playing the discs degraded them, requiring their replacement after approximately twenty screenings

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Cameron, E.W. (1980). Sound and Cinema: The Coming of Sound to American Film. New York and Uxon, UK: Routledge.  091317856X

ISBN

Lastra, James (2000). Sound Technology and the American Cinema. New York: Columbia University Press.  0231115164

ISBN

Walker, Alexander (1979). The Shattered Silents: How the Talkies Came to Stay. New York: William Morrow and Company.  0-688-03544-2

ISBN

for articles concerning the development of cinematic sound recording

Category:Film sound production

Dubbing (filmmaking)

Foley (filmmaking)

History of film

List of early sound feature films (1926–1929)

List of film sound systems

Musical film

Sound stage

The American Fotoplayer

well-organized bibliography of online articles and resources; part of the FilmSound website

Film Sound History

charts showing transition to sound production by Hollywood studios, 1928–1929; part of the Terra Media website

Hollywood Goes for Sound

comprehensive and detailed listing of first generation of sound films from around the world; part of the Silent Era website

Progressive Silent Film List (PSFL)/Early Sound Films

extensive chronology of developments, including subsites, by Steven E. Schoenherr; see, in particular, Motion Picture Sound

Recording Technology History

compiled by Miguel Mera, Royal College of Music, London; part of the School of Sound website

A Selected Bibliography of Sound and Music for Moving Pictures

Archived January 25, 2011, at the Wayback Machine links to crucial primary and secondary source documents, a number of which cover the era of transition to sound

The Silent Film Bookshelf

informative illustrated survey; part of the American WideScreen Museum website

Sound Stage—The History of Motion Picture Sound

J. Domański Archived June 12, 2016, at the Wayback Machine

"Mathematical synchronization of image and sound in an animated film"

1913 add for Vivaphone