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Battle Hymn of the Republic

The "Battle Hymn of the Republic", also known as the "Mine Eyes Have Seen the Glory" or the "Glory, Glory Hallelujah" outside of the United States, is an American patriotic song that was written by abolitionist writer Julia Ward Howe during the American Civil War.

Lyrics

William Steffe, 1856; arranged by James E. Greenleaf, C. S. Hall, and C. B. Marsh, 1861

Howe adapted her song from the soldiers' song "John Brown's Body" in November 1861, and first published it in The Atlantic Monthly in February 1862. In contrast to the lyrics of the soldiers’ song, her version links the Union cause with God's vengeance at the Day of Judgment (through allusions to biblical passages such as Isaiah 63:1–6, Revelation 19 and Revelation 14:14–19).


Julia Ward Howe was married to Samuel Gridley Howe, a scholar in education of the blind. Both Samuel and Julia were also active leaders in anti-slavery politics and strong supporters of the Union. Samuel was a member of the Secret Six, the group who funded John Brown's work.[1]

History[edit]

"Oh! Brothers"[edit]

The tune and some of the lyrics of "John Brown’s Body" came from a much older folk hymn called "Say, Brothers will you Meet Us", also known as "Glory Hallelujah", which has been developed in the oral hymn tradition of revivalist camp meetings of the late 1700s, though it was first published in the early 1800s. In the first known version, "Canaan's Happy Shore", the text includes the verse "Oh! Brothers will you meet me (3×)/On Canaan's happy shore?"[2]: 21  and chorus "There we'll shout and give Him glory (3×)/For glory is His own."[3] This developed into the familiar "Glory, glory, hallelujah" chorus by the 1850s. The tune and variants of these words spread across both the southern and northern United States.[4]

As the "John Brown's Body" song[edit]

At a flag-raising ceremony at Fort Warren, near Boston, Massachusetts, on Sunday, May 12, 1861, the song "John Brown's Body", using the "Oh! Brothers" tune and the "Glory, Hallelujah" chorus, was publicly played "perhaps for the first time". The American Civil War had begun the previous month.


In 1890, George Kimball wrote his account of how the 2nd Infantry Battalion of the Massachusetts militia, known as the "Tiger" Battalion, collectively worked out the lyrics to "John Brown's Body". Kimball wrote:

"Battle Hymn of the Republic"

"The Lord's Prayer"

1959

1959

3:07

In 1953, sang the song before a television audience of 60 million persons, broadcast live over the NBC and CBS networks, as part of The Ford 50th Anniversary Show.

Marian Anderson

In the Mormon Tabernacle Choir won the Grammy Award for Best Performance by a Vocal Group or Chorus. The 45 rpm single record, which was arranged and edited by Columbia Records and Cleveland disk jockey Bill Randle, was a commercial success and reached #13 on Billboard's Hot 100 the previous autumn. It is the choir's only Top 40 hit in the Hot 100.[19]

1960

performed this song on her weekly television show in December 1963. She originally wanted to do a dedication show for President John F. Kennedy upon his assassination, but CBS would not let her, so she performed the song without being able to mention his name.[20]

Judy Garland

experienced commercial success in 1968 with an a cappella version recorded at Senator Robert Kennedy's funeral. Backed by the St. Charles Borromeo choir, his version reached #11 on the adult contemporary chart and #33 on the Billboard Hot 100.[21]

Andy Williams

performed it January 17, 1971, at the halftime show of Super Bowl V. She would also do it again on January 25, 1973, during the burial services for LBJ at his Texas ranch.[22]

Anita Bryant

The song is one of the three American songs included in "", a 1971 song medley written and performed by country composer Mickey Newbury. Newbury's song was popularized by Elvis Presley, who included it as a showstopper in his concerts. Presley recorded and issued "An American Trilogy" several times.

An American Trilogy

It was performed at the funeral of general and President Dwight Eisenhower.

It was a favourite hymn of Winston Churchill, and it was played at his funeral on 30 January 1965, in St. Paul's Cathedral.

It was performed once again in on September 14, 2001, as part of a memorial service for those lost in the September 11, 2001 attacks.[23]

St. Paul's Cathedral

"" is a Civil War–era song that has a similar lyrical structure to "Battle Hymn of the Republic". It has been described as "a powerful early statement of black pride, militancy, and desire for full equality, revealing the aspirations of black soldiers for Reconstruction as well as anticipating the spirit of the civil rights movement of the 1960s".[33]

Marching Song of the First Arkansas

The tune has been used with alternative lyrics numerous times. The 's rally song, "Glory Glory to Old Georgia", is based on the patriotic tune, and has been sung at American college football games since 1909. Other college teams also use songs set to the same tune. One such is "Glory, Glory to Old Auburn" at Auburn University. Another is "Glory Colorado", traditionally played by the band and sung after touchdowns scored by the Colorado Buffaloes. "Glory Colorado" has been a fight song at the University of Colorado (Boulder) for more than one hundred years.

University of Georgia

In 1901 wrote "The Battle Hymn of the Republic, Updated", with the same tune as the original, as a comment on the Philippine–American War. It was later recorded by the Chad Mitchell Trio.

Mark Twain

"The Burning of the School" is a well-known parody of the song.

[34]

The paratrooper song, "Blood on the Risers", first sung in World War II, includes the lyrics "Gory, gory" in the lyrics, based on the original's "Glory, glory".

United States Army

A number of (in association football) are sung to the tune in Britain. Most frequently, fans chant "Glory, Glory..." plus their team's name: the chants have been recorded and released officially as songs by Hibernian, Tottenham, Leeds United and Manchester United. The 1994 World Cup official song "Gloryland" interpreted by Daryl Hall and the Sounds of Blackness has the tune of "Battle Hymn of the Republic".[35] In Argentina the St. Alban's former Pupils Assn (Old Philomathian Club) used the tune for its "Glory Glory Philomathians" as well. While not heard often nowadays it is still a cherished song for the Old Philomathians.

terrace songs

In Australia, the song is used by rugby league club the – "Glory Glory to South Sydney". Each verse ends with, "They wear the Red and Green".[36]

South Sydney Rabbitohs

The parody song "Jesus Can't Go Hashing", popular at events, uses the traditional melody under improvised lyrics. Performances typically feature a call-and-response structure, wherein one performer proposes an amusing reason why Jesus Christ might be disqualified from running a hash trail—e.g. "Jesus can't go Hashing 'cause the flour falls through his hands" or “Jesus can’t go Hashing ‘cause he turns the beer to wine” —which is then repeated back by other participants (mirroring the repetitive structure of "John Brown's Body"), before ending with the tongue-in-cheek proclamation "Jesus saves, Jesus saves, Jesus saves". A chorus may feature the repeated call of "Free beer for all the Hashers", or, after concluding the final verse, "Jesus, we're only kidding".[37]

Hash House Harrier

The parody song "Jesus Can't Play Rugby", popular at informal sporting events, uses the traditional melody under improvised lyrics. Performances typically feature a call-and-response structure, wherein one performer proposes an amusing reason why might be disqualified from playing rugby—e.g. "Jesus can't play rugby 'cause his dad will rig the game"—which is then repeated back by other participants (mirroring the repetitive structure of "John Brown's Body"), before ending with the tongue-in-cheek proclamation "Jesus saves, Jesus saves, Jesus saves". A chorus may feature the repeated call of "Free beer for all the ruggers", or, after concluding the final verse, "Jesus, we're only kidding".[38]

Jesus Christ

A titled "Gloria, Gloria Labandera" (lit. "Gloria the Laundrywoman") was used by supporters of former Philippine president Joseph Estrada to mock Gloria Macapagal Arroyo after the latter assumed the presidency following Estrada's ouster from office, further deriving the "labandera" parallels to alleged money laundering.[39] While Arroyo did not mind the nickname and went on to use it for her projects, the Catholic Church took umbrage to the parody lyrics and called it "obscene".[40]

protest song

The song itself is used in the 1998 film as "The White Man Marches On" in which some of the neo-Nazi skinheads sing a hateful rendition of the song attacking blacks, Jews, and mixed-race people.

American History X

""

Battle Cry of Freedom

""

Belfast Brigade

""

Blood on the Risers

Children's street culture

"Glory, Glory" (Georgia fight song)

""

Over There

""

Solidarity Forever

William Weston Patton

"", the Confederate equivalent.

Dixie

Kimball, George (1890), , The New England Magazine, new, 1, Cornell University.

"Origin of the John Brown Song"

of The Battle Hymn of the Republic from Cantorion.org

Free sheet music

at Duke University as part of the American Memory collection of the Library of Congress

1917 Sheet Music

The Battle Hymn of the Republic. Facsimile of first draft