The Good Wife
The Good Wife is an American legal and political drama television series that aired on CBS from September 22, 2009, to May 8, 2016.[1] It focuses on Alicia Florrick, the wife of the Cook County State's Attorney, who returns to her career in law after the events of a public sex and political corruption scandal involving her husband. The series was created by Robert and Michelle King and stars Julianna Margulies, Josh Charles, Christine Baranski, Matt Czuchry, Archie Panjabi, Zach Grenier, Matthew Goode, Cush Jumbo, Jeffrey Dean Morgan and Alan Cumming, and features Chris Noth in a recurring role. The executive producers included the Kings, Ridley and Tony Scott, Charles McDougall, and David W. Zucker.[2][3] The Good Wife is a serialized show featuring several story arcs that play out over multiple episodes, as well as stand-alone storylines that are concluded by the end of each episode. The serial plots—a rarity on CBS, a network where most of the programming at that time was procedural—were especially showcased in its highly praised fifth season.[4]
For other uses, see The Good Wife (disambiguation).The Good Wife
- Danny Lux (2009)
- David Buckley (2010–2015)
United States
English
7
156 (list of episodes)
- Ridley Scott
- Dee Johnson
- David W. Zucker
- Michelle King
- Robert King
- Brooke Kennedy
- Tony Scott
- Ron Binkowski
- Corinne Brinkerhoff
- Vancouver, British Columbia, Canada ("Pilot")
- New York City (all other episodes)
40–46 minutes
- Scott Free Productions
- King Size Productions
- Small Wishes Productions
(season 1) - CBS Productions
(seasons 1–3) - CBS Television Studios
(seasons 4–7)
September 22, 2009
May 8, 2016
The Good Wife was acclaimed during its run and considered by several critics to be network television's "last great drama".[5][6][7] It won numerous awards, including five Emmys and the 2014 Television Critics Association Award for Outstanding Achievement in Drama. The performances of the show's cast have been particularly recognized, with Julianna Margulies, Archie Panjabi, Christine Baranski, and Josh Charles each receiving widespread acclaim.[8] The show was also lauded for its insight on social media and the internet in society, politics, and law. It received recognition for producing full 22-episode seasons while other similarly acclaimed dramas often produce only 6 to 13 episodes per season. CBS announced on February 7, 2016, that the show was ending with its seventh season. The final episode aired on May 8, 2016.[9][10] A spinoff titled The Good Fight, centered around Baranski's character Diane Lockhart and Cush Jumbo's Lucca Quinn, also starring Rose Leslie and Delroy Lindo, premiered in February 2017.
Premise[edit]
Set in Chicago, the series focuses on Alicia Florrick (Margulies), whose husband Peter (Noth), the former Cook County, Illinois State's Attorney, has been jailed following a notorious political corruption and sex scandal. After having spent the previous 13 years as a stay-at-home mother, Alicia returns to the workforce as a litigator to provide for her two children.[11]
Technology and the Internet[edit]
The Good Wife has been well received among technology enthusiasts, being described by Clive Thompson of Wired as "the most tech-savvy show on TV".[43] The show has explored the relationship between technology and the law, covering topics including Bitcoin, Anonymous, viral marketing in political campaigns, voice control software, crisis management in the controversial AT&T and T-Mobile merger, virtual conferencing robots, and NSA surveillance. For example, one of the firm's recurring clients is a fictional internet search company known as ChumHum, which among other issues has faced privacy lawsuits for selling users' personal data to the Chinese and Syrian government. The Good Wife was the first TV show to feature Bitcoin, the virtual internet currency, with an episode featuring Bitcoin first broadcast in January 2012.[44] This led to it achieving a high level of fame amongst the Bitcoin community.[45][46]
In the season five premiere, a Double Robotics robot was featured on the show which allowed a litigator to teleconference from home by controlling a tablet on wheels. However, rather than glorifying the robot's features, The Good Wife turned it into a punchline with practical jokes and problems the robot could have such as it not being able to maneuver around an office and bumping into walls, doors, and people and low Wi-Fi connectivity leading to buffering and loss of visual and voice communication of the person working at home.[47] In season five episode nine, "Whack-a-Mole," The Good Wife featured a version of Reddit called "Scabbit" and how it affects the law and the downsides of having an "average joe" being an investigator trying to find a domestic terrorist. It also deals with injunctions of taking down a defamatory web page on "Scabbit" but having another similar web page pop up soon after. In season five episode eleven, "Goliath and David," the story is based around a TV show Drama Camp who stole an indie band's cover of a rap song and deals with the legality of copyright infringement. It was inspired by Jonathan Coulton who created a cover of "Baby Got Back" and Glee, the TV series, which used an identical cover on the show. The character Robyn Burdine, a private investigator for Florrick/Agos, discovers that the show Drama Camp had to release the song on iTunes in Sweden before releasing it in the US and that the engineers directly ripped the indie band's track constituting actual theft.
In season six episode two, the show tackles employee poaching in the workplace for social media companies and employee wage-fixing by The Good Wife's Google stand-in "ChumHum" and how they worked with other companies to fix employees' salaries. In season six episode five, Florrick, Agos and Lockhart deal with ransomware on the office computers. In season six episode fifteen, the episode revolves around the case of a 3D printed gun that misfired and hit an innocent bystander. It takes an in-depth look at 3D printing and how modifications to CAD design, the printer model being used, and the environment a 3D printer is being used in can affect how an object is created and second amendment laws for downloadable firearms. In season six episode seventeen, "Undisclosed Recipients", the law firm's email system gets hacked as retaliation for a case with a movie studio suing "Wharf Master", the show's stand in for an illegal torrenting website. This begins an arc when the hackers forward further emails to Petra Morris, a journalist who is making a puff piece about Alicia Florrick's recent win for state's attorney. This leads to a voter fraud conspiracy resulting in an innocent Alicia withdrawing her name from contention for the State's Attorney's office.
Season seven dealt with topics such as self-driving cars, Google's racial facial detection, racial bias in online mapping applications, and the NSA. Season seven episode fourteen deals with a case mirroring the missing iPhone Four prototype with a ChumHum iPad-like tablet. Season seven episode eighteen deals with the topic of regulating the use of drones and its impact on privacy versus commerce discussions.
Reception[edit]
The New York Times says that The Good Wife "stands out among newer fall shows" and that it is "miles ahead of anything else that's on at the moment".[48] In reviewing the earlier episodes many critics praised the acting. The Chicago Tribune said: "one of the best parts of the show is Alicia's complicated relationship with her husband, who humiliated his family with a sex scandal but also appears to be a pawn in a larger game being played by high-level politicians".[49] The New York Daily News said, "Margulies puts a powerful combination of cold fury, bewilderment and tenacity into Alicia Florrick, the wife of a disgraced Chicago politician in a new series that readily admits it ripped itself from the headlines"[50] while The Baltimore Sun predicted that "With all four [actors] bringing their 'A' games to the pilot, it looks as if CBS could have another winning 10 o'clock drama." There were a few reservations as to the long-term success and plot of the show, with the San Francisco Chronicle concluding that "There's nothing inherently wrong with The Good Wife other than it's a legal series with too many close-up shots of knowing glances and 'attagirl Alicia' moments of empowerment that you saw coming 20 minutes prior."[51] Time Magazine's James Poniewozik named it one of the Top 10 TV Series of 2010[52] and 2011, saying, "The ability to keep growing: that's what makes a good Wife great."[53] The Salt Lake Tribune in its list of the Top 10 series of 2011 ranked The Good Wife No. 3, explaining "The mix of fascinating legal drama and even more fascinating personal drama is superb."[54]
Verne Gay of Newsday said, "Like Mad Men, Wife has an obsessive attention to detail; it's a hurricane of detail, in the visual touches, legal patter and the actors' unspoken flourishes. Nothing seems extraneous or out of place. Also like Men, this show cares as much about silence as words, or that which isn't said (also a form of eloquence)." Emily VanDerWerff of The A.V. Club said: "The series also feels impeccably researched and lived-in, just as The Wire did. The Good Wife may not seem like the logical successor to The Wire on the surface, but it's revealed itself to be a series nearly as complex, humane, and deep as that earlier show, and all in reduced network running-times with heightened restrictions on content."[55] Bim Adewunmi of The Guardian wrote: "But as the 100th episode – part of a near-flawless season five – shows, The Good Wife is uncommonly good. If you're looking for a quality drama box set to escape the family this Christmas, look no further. It has no smoking, brooding male anti-hero, and it's not a period piece, but The Good Wife is exciting and smart and underrated".[56] The Guardian referred to The Good Wife as a "miracle of the small screen" that was "not really seen on that scale since the days of Cagney and Lacey".[57]
As a broadcast network television show which is usually stigmatised compared to its cable competitors, it has received what is considered unusual acclaim: USA Today said that The Good Wife is "broadcast's best drama", while The Atlantic said that the show "is delivering the best drama on network television".[58][59] TIME referred to it as "the best thing on TV outside cable".[60] TV critic Emily Nussbaum of The New Yorker compared Alicia Florrick, the show's protagonist, to Walter White of Breaking Bad.[61] Esquire called The Good Wife "The Best Show on Television Right Now (Both Network and Cable)," claiming that the season five episodes "Hitting The Fan" and "The Next Day" were possibly the best television episodes produced that year, noting, "It's a rare show that starts to come into its own in the middle of its fifth season, but somehow CBS's The Good Wife has managed to do it."[62] Chancellor Agard of The Daily Beast said, "'Hitting the Fan' is so momentous because of the degree to which it contrasts with last week's equally excellent episode, 'Outside the Bubble.'"[63] Don Kaplan of the New York Daily News said, "Now the drama's in its fifth season, a time when most shows either go on autopilot or start offering "very special" shark-jumping episodes. But the producers and cast of Wife somehow managed to kick over the chessboard where the show has been played for years, scattering the pieces to the wind and reinventing The Good Wife as one of the most gripping dramas on television. Period."[64] It was named the Favorite Current TV Show by the Harris Poll.[65] In 2013, TV Guide ranked the series #59 on its list of the 60 Best Series of All Time.[66]
Rolling Stone described seasons six and seven as a "study in sprawl, with dozens of stranded characters and dead-end storylines: Alicia spent the show's sixth season running for political office only to end up right back where she started". Salon stated that season six "fell apart, seemingly overnight in the latter part of the season. On the eve of the finale, it's hard to tell what this season has been about: We watched an election, a stint in prison, an investigation of a drug dealer, and the aftereffects of voter fraud, but it has been difficult to assemble the events into a cohesive narrative."[67] Season seven has received criticism for the "incredibly uneven [plotting], sucking so much of the vitality and urgency out of the show". Variety noted that in season seven that "there were notably more of subplots and segues that were, at best, time-fillers and at worst, eyeroll-inducing" and said it "was obvious that it was time for the show to go".[68] TV.com observed that "obituaries for the show were already burying it instead of praising it, pointing to where it all went wrong, or that it wasn't even truly that great to begin with. An episode like 'End' solidified a lot of those arguments."[69] The New York Times opined that season seven "never sparkled or caught fire the way the series did in its best seasons, when it was broadcast television's leading argument for continued relevance in the peak-TV era. The weekly legal cases — the show was resolutely procedural almost to the end — were still intelligently devised and briskly dispatched, but they felt familiar and not very urgent, and more than ever seemed to be lecturing viewers about current events", which was further "pummeled by cast defections and bad decisions".[70]
The finale episode of The Good Wife, "End", generated a divided reaction among viewers and critics, with many praising it as a fitting ending to a complex character[71][72] with others who argued of its ambiguity and absence of a conclusion – particularly with Alicia's love life. The finale drew controversy in its last scene when Diane Lockhart slaps Alicia Florrick for having betrayed her in court to save Peter from jail. Alicia is then left alone in a hallway before walking away to a future of uncertainty regarding her relationship with Jason, her career, and political life. Vanity Fair noting "As Breaking Bad famously tracked the evolution of Walter White 'from Mr. Chips to Scarface,' The Good Wife followed Alicia as she evolved into Peter. The Kings claim the show was 'moving in the direction where there wasn't much difference between who Alicia was and who her husband was.' Is Alicia a villain or an anti-hero? It's hard to quite see her that way after all the good she's done for so many seasons. But the inclusion of Will Gardner in the finale momentarily humanizes Alicia while also highlighting the idea that Alicia's transformation into Peter has been a longtime coming," and claiming that "the show's incredible finale belongs to an earlier age of television." Emily Nussbaum of The New Yorker said "it was an ending that commanded respect".[73]
The ensemble cast of The Good Wife had been praised as "one of the best casts in television, and it was supplemented with an awe-inspiring array of guest stars — one way for the Kings to flaunt the advantages of a network budget. Half the cast of The Wire passed through its halls, as did more Broadway stars than there are in heaven", although at the end of the series the guest stars were increasingly placed in "throwaway roles".[74] However, with the exit of male lead Josh Charles (who played Will Gardner) in season five, Kayla Kumari Upadhyaya of The A.V. Club opined that the show's "writers really struggled to rebuild that same type of long-term emotional storytelling. His departure left a gap that was never fully filled again."[75] While reviewers acknowledged that Charles's departure was inevitable (and praised how Will was written off dramatically),[76] they questioned decisions made by the writers for seasons six and seven that further hurt the show. Archie Panjabi's portrayal of Kalinda Sharma was well-regarded during the first three seasons, but Sonia Saraiya of Salon felt that her character ended up sidelined by a much-criticized plotline in seasons four to six, amid a rumored rift between Panjabi and producer Julianna Margulies where they did not share any screen time for their final 50 episodes.[67] In season seven, longtime stalwarts like Cary Agos and Diane Lockhart were reportedly marginalized to irrelevance with a lack of compelling storylines, in favor of promoting new characters like Lucca Quinn and Jason Crouse.
The Good Wife has been adapted or remade in various countries: