The Selecter
The Selecter is an English 2 tone ska revival band, formed in Coventry, England, in 1979.
Not to be confused with Selector (disambiguation).
The Selecter
Coventry, England
- 1979–1982
- 1991–2006
- 2010–present
- Pauline Black
- Arthur 'Gaps' Hendrickson
- Charley 'Aitch' Bembridge
- John Robertson
- Andrew Pearson
- Lee Horsley
- Neil Pyzer
- Neol Davies
- Compton Amanor
- Charley Anderson
- Desmond Brown
- James Mackie
- Greg Coulson
- Anthony Harty
- John Thompson
- Adam Williams
- Martin Stewart
- Nicky Welsh
- Perry Melius
- Andy Perriss
- Orlando LaRose
- Emma Bassett
- Will Crewdson
- Luke Palmer
- Toby Barelli
- Winston Marche
The Selecter featured a diverse line-up, both in terms of race and gender, initially consisting of Arthur 'Gaps' Hendrickson and Pauline Black on lead vocals, Neol Davies and Compton Amanor on guitar, Desmond Brown on Hammond organ, Charley 'Aitch' Bembridge on drums, and Charley Anderson on bass. The band's name comes from the original "The Selecter" track, which appeared on the flip side of The Special AKA's "Gangsters" single in 1979, and was written by Neol Davies and John Bradbury, produced by Roger Lomas and featured Barry Jones on trombone.
The band were one of the most successful ska bands of the 2 tone era, notching up several top forty singles in the UK Singles Chart. Having co-released the first 2 tone ska single with the Specials, they were one of the founding acts of the movement. Though influential, the original lineup only remained together for a year, and even with replacement players the band continued until breaking up in 1982.
The Selecter reformed in 1991 with original members Neol Davies and Pauline Black, along with Bad Manners members Martin Stewart, Nick Welsh and Perry Melius. Davies left the band in 1993, but lead vocalist Black continued to perform and release music under the Selecter name until 2006.
By 2011, another version of the band featuring Neol Davies was touring separately. In June 2011 Black applied for, and won, the Selecter trademark and the right to use the name herself.[1] The reformed, Pauline Black-led line-up still tours and releases albums under the Selecter name, most recently releasing Human Algebra, the band's 16th studio album, in 2022.
History[edit]
In 1977, Neol Davies and John Bradbury (who later became a member of the Specials), with the trombone player Barry Jones, recorded a track in a recording session in 1977–78 that resulted in "Kingston Affair", which was produced by Coventry producer Roger Lomas. It was initially credited to 'The Selecters' and although the record was touted around the industry, there were no takers and it remained on the shelf until 1979, when it was released as "The Selecter" as a double a-side with the Special AKA's recording "Gangsters", the first 2 Tone Records single.[2] It was released in March 1979, reaching 6 in the UK Singles Chart.[3] The track was written by Davies and Bradbury.
After the success of the single, Davies put a band together to capitalise on the success of the single. He had recently been playing in Transposed Men with keyboard player Desmond Brown and Brown joined the band, along with bass player Charley Anderson, guitarist Compton Amanor, drummer Aitch Bembridge and vocalist Gaps Hendrickson. All the musicians had played on the local scene in Coventry for a number of years with bands such as The Ray King Soul Band, Hard Top 22 and others. The seven piece line-up for the original band was completed when Pauline Black was spotted by Davies. Davies offered Pauline an audition with the Selecter – she joined along with other members in July 1979.[4]
The new band released the singles "On My Radio", "Three Minute Hero" and "Missing Words", written by Davies. The Selecter's debut studio album, Too Much Pressure, was recorded at the end of 1979 and beginning of the new year, and was released in February 1980 by 2 Tone Records and Chrysalis Records. Anderson and Brown left the Selecter in 1980 to form the People.[4] Their replacements were James Mackie and Adam Williams.[4] Their second studio album, Celebrate the Bullet was released in February 1981 and the title track has a music video that aired on MTV's first day of broadcast, before Black left the band to pursue a solo career. A short time after, unsuccessfully having tried Stan Campbell as the singer, the rest of the members disbanded. The Selecter were featured in the 2 Tone film documentary and on the live compilation album Dance Craze (1981).
Post break-up years[edit]
After the band split in 1982, Black pursued a career in theatre, television and film. From 1991 she led a reformed Selecter for 15 years releasing several new albums.[5] In 2006 she took a sabbatical from the Selecter, to write her memoirs Black by Design for publishing house Serpent's Tail. In 2009, she returned to the live arena, playing shows in the UK, Germany and South America guesting with various ska musicians and performing songs from the Selecter's first two studio albums. During her sabbatical, Black recorded a new 13-track solo album, Pigment of My Imagination, released in 2011. She later reformed the Selecter, this time with guest original lead singer Arthur "Gaps" Hendrickson, and in 2010 they played two shows at the Sinner's Day Festival at the Ethias Arena in Hasselt, Belgium, and at the Bloomsbury Ballroom in London.
Neol Davies penned all of the Selecter's hit singles. He started up his own home studio after the band disbanded in 1981 to write and record his own new songs, and he played a number of local shows in the Midlands while teaching guitar in local schools. Davies formed a new version of the Selecter in 1991 with Black leaving the band two years later. He started up a new outfit called Selecter Instrumental, mostly playing movie tunes in a ska style. In the early 1990s, he joined a reunited Specials in the studio, contributing rhythm guitar to sessions that would later be released as the cover albums Skinhead Girl (2000) and Conquering Ruler (2001). In 1998, he released his debut solo studio album Box of Blues, assisted by bass player Horace Panter of the Specials and drummer Anthony Harty, and the trio often performed at a number of blues concerts in the UK. He later recorded another solo studio album, Future Swamp (2002), with guests including Ronnie Wood of the Rolling Stones and Reef members Dominic Greensmith and Jason Knight. Both albums were released on Davies' own label, VoMatic Records.
Charley Anderson moved to Sweden during the 1990s where he performed, recorded and released material with the Skalatones. In 2009, Anderson returned to Coventry to play a charity concert at the Central Hall to promote his Ghetto Child project. Joining him on stage were guests from UB40, the Specials, the Selecter along with saxophonist Carlos Garnett.[6]
Charley 'Aitch' Bembridge has been involved with the All Skas, a ska band which performed in the Midlands. He also served as drummer in the Specials through their first reunion, both live and in the studio, from 1993 through to 1998. He rejoined Black and Hendrickson's version of the band in 2021.
Davies, Hendrickson, Anderson and Black were also involved with unveiling commemorative plaques for the 30th anniversary of 2 Tone on significant buildings associated with the record label in Coventry.[7]
Style[edit]
Music[edit]
The Selecter were "one of the key bands" of 2 tone music, the late 1970s and early 1980s genre that mixed ska with the energy of punk rock.[17] The band's debut album, Too Much Pressure (1980), exemplifies the band's 2 Tone sound, mixing ska, reggae and punk rock styles.[18] Adding influences from new wave music, the record's follow-up Celebrate the Bullet (1981) was broodier than its predecessor,[19] featuring a less intense, slower sound.[20] After reuniting in the 1990s, the band's third studio album The Happy Album (1994) saw a stylistic deviation; while keeping ska as its base, the record explored contemporary rhythms and influences from genres such as hip hop and flourishes of orchestral music, incorporating sampling while occasionally slowing down to a reggae tempo.[21] One critic said the record is "roughly parallel for the memory of 2- Tone what Big Audio Dynamite did for punk."[21]
The band scaled back somewhat with its follow-up album Pucker! in 1995, which displayed a new blend of ska with elements from new wave and power pop, as well as other atypical touches such as, on one song, pedal steel guitar.[21] Cruel Britainnia, the band's fifth studio album from 1998, was heralded as a return to the band's 2 tone sound, and The Trojan Songbook series of cover albums from the turn of the century were predominately in a reggae style.[22] The band also recorded several acoustic albums, namely Unplugged for the Rude Boy Generation (2002) and Requiem for a Black Soul (2004), which brought "ska into the fashionable acoustic field."[22] When the band reunited in the 2010s, they used ska and reggae rhythms on Made in Britain (2011)[18] and its follow-up String Theory (2013).
Lyrics[edit]
The band were among the few racially and sexually mixed 2 tone bands and Black's lyrics, in a similar vein to several other 2 tone bands, covered numerous social ills, including sexism and most prominently racism.[17] While Too Much Pressure (1980) featured politically conscious lyrics,[18] Celebrate the Bullet (1981) was darker and tenser, likewise featuring racial and social issues as themes while also concerning itself with "cold war paranoia and fear for the future."[23] The Happy Album (1994) was similarly "burdened by a social conscience,"[21] whereas the lyrics on Pucker! (1995) were generally more uncharacteristically sunny and lightweight.[21] With Made in Britain in 2011, the band "wanted to have a conversation basically about where The Selecter was at, where we were at in relation to 2 Tone."[24] The record largely addressed the advent of multiculturalism and the legacy of 2 tone's equality message in the 21st century.[25] For String Theory (2013), the band extended from these themes, observing how people "celebrate their differences more than they celebrate the things that unite us," and named the album in relation to the string theory being a metaphor for connection between humans.[26]