Chrysalis Records

Early years[edit]

In an interview for Jethro Tull's video 20 Years of Jethro Tull, released in 1988, Wright states "Chrysalis Records might have come into being anyway, you never know what might have happened, but Chrysalis Records really came into being because Jethro Tull couldn't get a record deal and MGM couldn't even get their name right on the record". This was after the single "Sunshine Day/Aeroplane" was incorrectly credited to 'Jethro Toe'.


Chrysalis entered into a licensing deal with Chris Blackwell's Island Records for distribution, based on the success of bands like Jethro Tull, Ten Years After and Procol Harum, which were promoted by the label. Jethro Tull signed with Reprise Records in the United States, which led Chrysalis to an American distribution deal with Reprise's parent company, Warner Bros. Records. This lasted from 1972 until U.S. Chrysalis switched to independent distribution in 1976. PolyGram handled international distribution and Festival Records covered Australia and New Zealand. In 1973, it signed British rock band UFO. Towards the end of the 1970s, the label began to extend its range of music, incorporating acts from the punk rock scene such as Generation X. The Chrysalis offshoot 2 Tone Records brought in bands such as The Specials and The Selecter.^[3]


In 1979, Chrysalis bought and distributed U.S. folk label Takoma Records, naming manager/producer Denny Bruce as president, who signed The Fabulous Thunderbirds and T-Bone Burnett. Jon Monday who was Vice President of Takoma Records prior to the acquisition continued as General Manager,^[4] later becoming Director of Marketing of Chrysalis Records.


Chrysalis made history in 1979 by creating the first "music video album", a videocassette featuring a corresponding music video for each song on Blondie's Eat to the Beat album (released at the same time as the LP).


In the 1980s, Chrysalis was at the forefront of the British new romantic movement with bands such as Gen X, Ultravox, and Spandau Ballet. The 1980s proved to be the most successful time for the label, whose roster then included Billy Idol, Pat Benatar, Blondie and Huey Lewis and the News.^[5] Chrysalis also distributed Animal Records, the short-lived label founded by Blondie guitarist, Chris Stein. In 1983, after the label re-established itself in New York, Eric Heckman, formally of Atlantic and Epic Records promotion took over as Senior Director of Promotion and Marketing. Also in 1983, Daniel Glass moved to Chrysalis as Director of New Music Marketing, advancing later to Senior Vice President. During the next two years Chrysalis broke Huey Lewis and the News, Billy Idol and Spandau Ballet in the United States, whilst Pat Benatar continued to find success on both the traditional and dance music charts.


In 1984, Chrysalis bought Ensign Records, a record label Nigel Grainge started in 1976 (with the label's name coming from the idea that 'N. signs' as in 'Nigel Signs') which would go on to have The Waterboys, World Party and Sinéad O'Connor on its roster in the late 1980s.^[6][7][8] Ensign joined TV marketing/compilations company Dover Records and dance label Cooltempo^[9][10][11] as part of the Chrysalis family,^[12] with Grainge staying on to run the label that he founded.