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Visual art of the United States

Visual art of the United States or American art is visual art made in the United States or by U.S. artists. Before colonization, there were many flourishing traditions of Native American art, and where the Spanish colonized Spanish Colonial architecture and the accompanying styles in other media were quickly in place. Early colonial art on the East Coast initially relied on artists from Europe, with John White (1540-c. 1593) the earliest example. In the late 18th and early 19th centuries, artists primarily painted portraits, and some landscapes in a style based mainly on English painting. Furniture-makers imitating English styles and similar craftsmen were also established in the major cities, but in the English colonies, locally made pottery remained resolutely utilitarian until the 19th century, with fancy products imported.

For other uses, see American art.

But in the later 18th century two U.S. artists, Benjamin West and John Singleton Copley, became the most successful painters in London of history painting, then regarded as the highest form of art, giving the first sign of an emerging force in Western art. American artists who remained at home became increasingly skilled, although there was little awareness of them in Europe. In the early 19th century the infrastructure to train artists began to be established, and from 1820 the Hudson River School began to produce Romantic landscape painting that were original and matched the huge scale of U.S. landscapes. The American Revolution produced a demand for patriotic art, especially history painting, while other artists recorded the frontier country. A parallel development taking shape in rural U.S. was the American craft movement, which began as a reaction to the industrial revolution.


After 1850 Academic art in the European style flourished, and as richer Americans became very wealthy, the flow of European art, new and old, to the US began; this has continued ever since. Museums began to be opened to display much of this. Developments in modern art in Europe came to the U.S. from exhibitions in New York City such as the Armory Show in 1913. After World War II, New York replaced Paris as the center of the art world. Since then many U.S. movements have shaped Modern and Postmodern art. Art in the United States today covers a huge range of styles.

Jeremiah Theus Portrait of Lady Liberty, 1765

Jeremiah Theus Portrait of Lady Liberty, 1765

John Singleton Copley, Paul Revere, c. 1768–1770, Museum of Fine Arts in Boston

John Singleton Copley, Paul Revere, c. 1768–1770, Museum of Fine Arts in Boston

Charles Willson Peale, Self-portrait, c. 1782–1785, Museum of Fine Arts Houston

Charles Willson Peale, Self-portrait, c. 1782–1785, Museum of Fine Arts Houston

Mather Brown, Portrait of Thomas Jefferson, 1786, National Portrait Gallery, Washington, D.C.

Mather Brown, Portrait of Thomas Jefferson, 1786, National Portrait Gallery, Washington, D.C.

Ralph Earl, Portrait of Oliver Ellsworth and Abigail Wolcott Ellsworth, 1792, Wadsworth Atheneum

Ralph Earl, Portrait of Oliver Ellsworth and Abigail Wolcott Ellsworth, 1792, Wadsworth Atheneum

James Peale, The Artist and His Family, 1795. Pennsylvania Academy of the Fine Arts

James Peale, The Artist and His Family, 1795. Pennsylvania Academy of the Fine Arts

John Brewster Jr., Mother with Son (Lucy Knapp Mygatt and Son, George, of Danbury, Connecticut), 1799

John Brewster Jr., Mother with Son (Lucy Knapp Mygatt and Son, George, of Danbury, Connecticut), 1799

Rembrandt Peale, Rubens Peale With a Geranium, 1801, National Gallery of Art, Washington, D.C.

Rembrandt Peale, Rubens Peale With a Geranium, 1801, National Gallery of Art, Washington, D.C.

Washington Allston, Moonlit Landscape, 1809, Museum of Fine Arts, Boston, Massachusetts

Washington Allston, Moonlit Landscape, 1809, Museum of Fine Arts, Boston, Massachusetts

Edward Hicks, Peaceable Kingdom, c. 1834, National Gallery of Art

Edward Hicks, Peaceable Kingdom, c. 1834, National Gallery of Art

John J. Audubon, Washington Sea Eagle, c. 1836–1839, Smithsonian American Art Museum

John J. Audubon, Washington Sea Eagle, c. 1836–1839, Smithsonian American Art Museum

George Catlin, An Indian Ball-Play c. 1846–1850, Smithsonian American Art Museum

George Catlin, An Indian Ball-Play c. 1846–1850, Smithsonian American Art Museum

George Caleb Bingham, Daniel Boone Escorting Settlers through the Cumberland Gap, 1851–52

George Caleb Bingham, Daniel Boone Escorting Settlers through the Cumberland Gap, 1851–52

George Inness, Lake Albano, 1869. Phillips Collection

Albert Pinkham Ryder, The Waste of Waters is Their Field, early 1880s, Brooklyn Museum

Albert Pinkham Ryder, The Waste of Waters is Their Field, early 1880s, Brooklyn Museum

Albert Pinkham Ryder, Seacoast in Moonlight, 1890, the Phillips Collection, Washington, D.C.

Albert Pinkham Ryder, Seacoast in Moonlight, 1890, the Phillips Collection, Washington, D.C.

Ralph Albert Blakelock, Moonlight Sonata, 1889–1892, Museum of Fine Arts, Boston

Ralph Albert Blakelock, Moonlight Sonata, 1889–1892, Museum of Fine Arts, Boston

. New York: The Metropolitan Museum of Art. 1987. ISBN 9780870994968.

American paradise: the world of the Hudson River school

Avery, Kevin J. . The Metropolitan Museum Of Art. 2000-2011 The Metropolitan Museum Of Art

Late Eighteenth-Century American Drawings

Bernet, Claus; Nothnagle, Alan L.: Christliche Kunst aus den USA, Norderstedt 2015,  978-3-7386-1339-1.

ISBN

Mayer, Lance and Myers, Gay. . Los Angeles: Getty Publications, 2011. ISBN 978-1-60606-077-3

American Painters on Technique: The Colonial Period to 1860

Mayer, Lance and Myers, Gay. . Los Angeles: Getty Publications, 2013. ISBN 978-1-60606-135-0

American Painters on Technique: 1860-1945

Pohl, Frances K. . A Social History of American Art. New York: Thames & Hudson, 2002 (pages 74–84, 118–122, 366–365, 385, 343–344, 350–351)

Framing America

. New York: The Metropolitan Museum of Art. 1987. ISBN 0870994166.

The United States of America

, a fully digitized 3 volume exhibition catalog

American Paintings in The Metropolitan Museum of Art

teaching resource on history of American painting

Inquiring Eye: American Painting