Katana VentraIP

A Passage to India

A Passage to India is a 1924 novel by English author E. M. Forster set against the backdrop of the British Raj and the Indian independence movement in the 1920s. It was selected as one of the 100 great works of 20th century English literature by the Modern Library[2] and won the 1924 James Tait Black Memorial Prize for fiction.[3] Time magazine included the novel in its "All Time 100 Novels" list.[4] The novel is based on Forster's experiences in India, deriving the title from Walt Whitman's 1870 poem "Passage to India" in Leaves of Grass.[5][6]

For the 1984 film based on this novel, see A Passage to India (film). For the 1960 play based on this novel, see A Passage to India (play).

Author

English

British India, c. 1910s

4 June 1924[1]

United Kingdom

Print (hardback & paperback)

823.912

PR6011.O58 P3

The story revolves around four characters: Dr. Aziz, his British friend Mr. Cyril Fielding, Mrs. Moore, and Miss Adela Quested. During a trip to the fictitious Marabar Caves (modeled on the Barabar Caves of Bihar),[7] Adela thinks she finds herself alone with Dr. Aziz in one of the caves (when in fact he is in an entirely different cave; whether the attacker is real or a reaction to the cave is ambiguous), and subsequently panics and flees; it is assumed that Dr. Aziz has attempted to assault her. Aziz's trial, and its run-up and aftermath, bring to a boil the common racial tensions and prejudices between Indians and the British during the colonial era.

Plot summary[edit]

British schoolmistress, Adela Quested, and her elderly friend, Mrs. Moore, visit the fictional Indian city of Chandrapore. Adela is to decide if she wants to marry Mrs. Moore's son, Ronny Heaslop, the city magistrate.


Meanwhile, Dr. Aziz, a young Indian Muslim physician, is called from dining with friends by Major Callendar, Aziz's superior at the hospital, but is delayed. Disconsolate at finding him gone, Aziz walks back and enters his favourite mosque on impulse. Seeing Mrs Moore there, he yells at her not to profane this sacred place, but the two then chat and part as friends. When Mrs. Moore relates her experience later, Ronny becomes indignant at the native's presumption.


Because the newcomers had expressed a desire to meet Indians, Mr. Turton, the city tax collector, invites several to his house, but the party turns out awkwardly, due to the Indians' timidity and the Britons' bigotry. Also there is Cyril Fielding, principal of Chandrapore's government-run college for Indians, who invites Adela and Mrs. Moore to a tea party with him and a Hindu-Brahmin professor named Narayan Godbole. At Adela's request, he extends his invitation to Dr. Aziz.


At the party, Fielding and Aziz become friends and Aziz promises to take Mrs. Moore and Adela to see the distant Marabar Caves. Ronny arrives and, finding Adela "unaccompanied" with Dr. Aziz and Professor Godbole, rudely breaks up the party.


Aziz mistakenly believes that the women are offended that he has not followed through on his promise and arranges an outing to the caves at great expense to himself. Fielding and Godbole are supposed to accompany the expedition, but they miss the train. In the first cave they visit, Mrs. Moore is overcome with claustrophobia and disturbed by the echo. When she declines to continue, Adela and Aziz climb the hill to the upper caves, accompanied by a guide.


Asked by Adela whether he has more than one wife, Aziz is disconcerted by her bluntness and ducks into a cave to compose himself. When he comes out, he is told by the guide that Adela has gone into a cave by herself. After quarreling with the guide, Aziz discovers Adela's field glasses broken on the ground and puts them in his pocket. He then looks down the hill and sees Adela speaking to Miss Derek, who has arrived with Fielding in a car. Aziz runs down and greets Fielding, but Miss Derek and Adela drive off, leaving Fielding, Mrs. Moore and Aziz to return to Chandrapore by train.


Aziz is arrested on arrival and charged with sexually assaulting Adela. The run-up to his trial increases racial tensions. Adela alleges that Aziz followed her into the cave and that she fended him off by swinging her field glasses at him. The only evidence is the field glasses in the possession of Aziz. When Fielding proclaims his belief in Aziz's innocence, he is ostracised and condemned as a blood-traitor.


While awaiting the trial, Mrs Moore becomes concerned at her failing health; taking a ship to England, she dies on the way. Then during the trial, Adela admits that she had been similarly disoriented by the cave's echo. She was no longer sure who or what had attacked her and, despite great demand to persist in her accusation, withdraws the charge. When the case is dismissed, Heaslop breaks off his engagement to Adela and she stays at Fielding's house until a return to England is arranged.


Although he is vindicated, Aziz is angry that Fielding befriended Adela after she nearly ruined his life. Believing it to be the gentlemanly thing to do, Fielding convinces Aziz not to seek monetary redress, but the men's friendship suffers and Fielding departs for England. Believing that he is leaving to marry Adela for her money, and bitter at his friend's perceived betrayal, Aziz vows never again to befriend a white person.


Two years later, Aziz has moved to the Hindu-ruled state of Mau and is now the Raja's chief physician by the time Fielding returns, married to Stella, Mrs. Moore's daughter from a second marriage. Though the two meet and Aziz still feels drawn to Fielding, he realises that they cannot be truly friends until India becomes independent from British rule.

1924 for fiction.

James Tait Black Memorial Prize

1925 Femina Vie Heureuse

In 1948, an adaptation by aired on NBC University Theatre, featuring Alma Lawton, Ben Wright, and Joseph Schildkraut as Dr. Aziz.[19]

George Lefferts

A play written by Santha Rama Rau based on the novel that ran on the West End in 1960, and on Broadway in 1962.[20] A 1965 BBC television version of the play was broadcast in their Play of the Month series.[21]

A Passage to India (play)

The Indian filmmaker intended to direct a theatrical adaptation of the novel, but the project was never realised.[22]

Satyajit Ray

The directed by David Lean, and starring Judy Davis, Victor Banerjee, James Fox, Peggy Ashcroft and Alec Guinness, won two Oscars and numerous other awards.[23]

1984 film version

wrote an additional version for the stage, that premiered at the Shared Experience in Richmond in 2002.[24] It has toured the UK and played at the Brooklyn Academy of Music Harvey Theater in November 2004.[25]

Martin Sherman

Manuscript[edit]

In 1960, the manuscript of A Passage to India was donated to Rupert Hart-Davis by Forster and sold to raise money for the London Library, fetching the then record sum of £6,500 for a modern English manuscript.[26]

Stereotypes of South Asians

S. M. Chanda: A Passage to India: a close look in studies in literature (Atlantic Publishers, New Delhi 2003)

at Standard Ebooks

A Passage to India

at the British Library

A Passage to India

at Project Gutenberg

A Passage To India

public domain audiobook at LibriVox

A Passage To India

by SparkNotes

Detailed analyses, chapter summaries, a quiz and essay questions

reprinted by The Guardian

Original 1924 review

(1871). "Passage to India". Leaves of Grass (poem)., from which the title of Forster's novel was derived

Whitman, Walt