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Novel

A novel is an extended work of narrative fiction usually written in prose and published as a book.[1] The English word to describe such a work derives from the Italian: novella for "new", "news", or "short story (of something new)", itself from the Latin: novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new".[2] According to Margaret Doody, the novel has "a continuous and comprehensive history of about two thousand years", with its origins in the Ancient Greek and Roman novel, Medieval Chivalric romance, and in the tradition of the Italian Renaissance novella.[3] The ancient romance form was revived by Romanticism, in the historical romances of Walter Scott and the Gothic novel.[4] Some novelists, including Nathaniel Hawthorne,[5] Herman Melville,[6] Ann Radcliffe,[7] and John Cowper Powys,[8] preferred the term "romance". M. H. Abrams and Walter Scott have argued that a novel is a fiction narrative that displays a realistic depiction of the state of a society, while the romance encompasses any fictitious narrative that emphasizes marvellous or uncommon incidents.[9][10][11] Works of fiction that include marvellous or uncommon incidents are also novels, including Mary Shelley's Frankenstein,[12] J. R. R. Tolkien's The Lord of the Rings,[13] and Harper Lee's To Kill a Mockingbird.[14] Such "romances" should not be confused with the genre fiction romance novel, which focuses on romantic love.

For other uses, see Novel (disambiguation).

Murasaki Shikibu's Tale of Genji, an early 11th-century Japanese text, has sometimes been described as the world's first novel, because of its early use of the experience of intimacy in a narrative form. There is considerable debate over this, however, as there were certainly long fictional prose works that preceded it. The spread of printed books in China led to the appearance of classical Chinese novels during the Ming dynasty (1368–1644), and Qing dynasty (1616–1911). An early example from Europe was Hayy ibn Yaqdhan by the Sufi writer Ibn Tufayl in Muslim Spain.[15] Later developments occurred after the invention of the printing press. Miguel de Cervantes, author of Don Quixote (the first part of which was published in 1605), is frequently cited as the first significant European novelist of the modern era.[16] Literary historian Ian Watt, in The Rise of the Novel (1957), argued that the modern novel was born in the early 18th century.


Recent technological developments have led to many novels also being published in non-print media: this includes audio books, web novels, and ebooks. Another non-traditional fiction format can be found in graphic novels. While these comic book versions of works of fiction have their origins in the 19th century, they have only become popular recently.

Fictional narrative: is most commonly cited as distinguishing novels from historiography. However this can be a problematic criterion. Throughout the early modern period authors of historical narratives would often include inventions rooted in traditional beliefs in order to embellish a passage of text or add credibility to an opinion. Historians would also invent and compose speeches for didactic purposes. Novels can, on the other hand, depict the social, political and personal realities of a place and period with clarity and detail not found in works of history. Several novels, for example Ông cố vấn written by Hữu Mai, were designed to be and defined as a "non-fiction" novel which purposefully recorded historical facts in the form of a novel.

Fictionality

Literary prose: While prose rather than verse became the standard of the modern novel, the ancestors of the modern European novel include verse epics in the of southern France, especially those by Chrétien de Troyes (late 12th century), and in Middle English (Geoffrey Chaucer's (c. 1343 – 1400) The Canterbury Tales).[17] Even in the 19th century, fictional narratives in verse, such as Lord Byron's Don Juan (1824), Alexander Pushkin's Yevgeniy Onegin (1833), and Elizabeth Barrett Browning's Aurora Leigh (1856), competed with prose novels. Vikram Seth's The Golden Gate (1986), composed of 590 Onegin stanzas, is a more recent example of the verse novel.[18]

Romance language

Experience of intimacy: Both in 11th-century Japan and 15th-century Europe, prose fiction created intimate reading situations. [19] characterizes Lady Murasaki's use of intimacy and irony in The Tale of Genji as "having anticipated Cervantes as the first novelist." On the other hand, verse epics, including the Odyssey and Aeneid, had been recited to select audiences, though this was a more intimate experience than the performance of plays in theaters. A new world of individualistic fashion, personal views, intimate feelings, secret anxieties, "conduct", and "gallantry" spread with novels and the associated prose-romance.

Harold Bloom

Length: The novel is today the longest genre of narrative prose fiction, followed by the . However, in the 17th century, critics saw the romance as of epic length and the novel as its short rival. A precise definition of the differences in length between these types of fiction, is, however, not possible. The philosopher and literary critic György Lukács argued that the requirement of length is connected with the notion that a novel should encompass the totality of life.[20] However, according to the English novelist E. M. Forster, a novel should be composed with at least fifty-thousand words.[21]

novella

Archived 2021-11-11 at the Wayback Machine at the British Library

The novel 1780–1832

Archived 2021-06-25 at the Wayback Machine at the British Library

The novel 1832–1880

The House of the Seven Gables with "Preface"

. The Telegraph. 2 March 2021. Archived from the original on 2022-01-11. Retrieved 4 March 2021.

"The 100 greatest novels of all time"